Chapter 50: Moonlight – Siehst, Vater,
From a scientific point of view, this "curse" is really too efficient, you know, there are too many scientific experiments that can be 100% successful. As if this is not some coincidence of "curse", but a scientific law that hydrogen can burn and oxygen can burn, no, or it is a natural truth. That's the only way to explain why the curse experiment can be tried many times and be successful many times.
If you let me curse, I curse and I have to curse you, and you don't take my curse seriously. My curse is small, but it's also mysterious.
"Is that Mr. Kameyama, who is doing something today?" Mori Kogoro asked next to him.
"Yes." Kazuaki Hirata lowered his head heavily, "That was two years ago......"
It's like a story that has been prepared for a long time, just waiting for someone to ask.
"It was a full moon night, and it should be a public hall where no one was there." As if telling a ghost story, Kazuaki Hirata said, "I happened to pass by here, but I heard the sound of a piano nearby. ”
"When I was about to ask who was there, the sound stopped immediately."
The story is foreshadowed, as if it were true. The rhythm is just right.
"When I walked inside, Mr. Kameyama was on the piano."
Leave the suspense, and then shake the burden out in an instant, the huge contrast of the individual, causing fear in people's hearts.
"The cause of death was cardiac arrest."
It's hard to imagine that this is a first-hand experience.
"Also, the music that he played until his death, that is, Mr. Aso, kept playing in the flames, the moonlight sonata."
This complete narrative rhythm is not at all like a coherent retelling by someone who has experienced it and is frightened.
"From then on, that piano, before you knew it, was called the cursed piano."
That's right, Hoaki Hirata's narration is more like a story that has been carefully edited and organized. And Du Kang and Mori Kogoro are the ones who wait for the story.
This is the end of Kazuaki Hirata's ghost story, and Mori Kogoro and Du Kang are still smoking cigarettes. There is no fanatical consciousness of a person who has received the words "Commanded by Heaven to Obtain Eternal Prosperity" on a stone engraved with the words "Commanded by Heaven to Obtain Eternal Prosperity".
"Don't move, Conan." Watch as Conan sits on the piano bench, ready to play. Du Kang walked into the room and stood next to the piano. The cigarette reached his mouth, and he grabbed Conan by the collar with his hand, lifting him aside.
"Curses or something, I've never seen them before." Du Kang said this, and then sat down on the piano bench without saying a word. He took the cigarette from his mouth, exhaled it, and then put the cigarette back into his mouth.
The thumb and little finger of the right hand are forced, and the index, middle, and ring fingers are raised, and the white keys are tapped. The left hand starts with the little finger and works to the right, and the fingers change to tap the keyboard.
Suddenly there was an uncomfortable sound on the piano.
It's music, but it's very depressing.
As if because of the suppression of the music, Hirata Kazuaki was not even able to stop Du Kang's playing, but was stunned and stood by stupidly.
After playing a few bars, Dukang stopped. It's not a complete tune, but those who have heard it will definitely be able to reflect it.
It's a classic track.
Du Kang can't tell if Mori Kogoro has heard this tune, and he can't guarantee that Kudo Shinichi, who has been trained by Kudo Yukiko since childhood, and now Edogawa Conan, can recognize this tune. However, Du Kang believes that Asai Narumi, who is more or less a child of a musical family, should have heard of it.