With Mrs. Taikang's radical speech, the camera directly switched to Jiang Bai and Li Mu.

Even Shang Jing showed a curious look, understanding how Jiang Bai dealt with Mrs. Taikang's question.

"You go and speak."

Li Mu was too lazy to participate in this matter, so he pushed Jiang Bai out with a push. For him, Huaxia has a classical program, and in addition to classical music, there are too many strange people mixed in this time.

What demons and monsters in front of him are all talking nonsense here, and Li Mu's eyes have shown impatience.

This...

The audience's attention was focused on Jiang Bai, and Xiao Bai tidied up his clothes: "Good enough music, there is no such disagreement." ”

Mrs. Taikang smiled: "What is good enough music?" ”

Jiang Bai felt that this woman was very troublesome, like a hundred thousand whys, and kept asking repeatedly: "Music that can make the audience happy." ”

"Do you think the general audience appreciates certain music? They only love pop music. ”

"A lot of mainstream music, when it first came out, was the same as experimental music, it was non-mainstream, but as long as it was promoted with a keen heart, then any excellent music would shine at any time and would not be limited by time and space."

Jiang Bai made a good statement, neither despised experimental music, nor over-touted his classical music, but narrated the matter from an objective perspective.

Shang Jing looked at Jiang Bai's speech in admiration, applauded and invited: "Then, let's listen to your and Mr. Li Mu's performances." ”

The two most ordinary pianos, Li Mu and Jiang Bai sat down side by side at the same time, and immediately attracted the attention of many players.

Not only the Shang Jinghai constituency, but also the contestants from the other mentor constituencies came to watch.

Liu Ang of Xinghai Academy led the crowd, and Liu He and others from Mito Academy listened to the performance of the two on the periphery.

"Who created the next song?"

"It should be Li Mu, right?"

"Jiang Shen is also possible, the skill Li Mu is stronger, and Jiang Shen is better than the original talent."

In the face of everyone's discussions, Xiang Jing, who had already received the information of their registered repertoire, directly explained: "This sonata is original by Jiang Bai, and Li Mu and Jiang Bai played it together. ”

Is it original by Jiangbai?

Li Mu assisted Jiang Bai in playing the original song?

Unexpectedly answered, under the eyes of everyone, Jiang Bai and Li Mu played the piano with both hands at the same time.

The energetic Allegro, E flat major, eight or six beats, a grand movement with rich emotional ups and downs, locked the audience in an instant!

Louis on one side, his face changed, he didn't expect Jiang Bai and Li Mu to join forces, and the music they played had such a strong aggression, and the sense of picture was very strong.

In particular, the intention to inject dramatic life into the sonata is quite obvious.

The first theme is that Li Mu's left hand plays the rhythm that runs through almost the entire movement, and Jiang Bai's right hand plays a melody composed of chord motives and eighth notes.

Each of them is responsible for a length, placing the second theme, with its rich chordal character, in B flat major. The unfolded part is relatively short.

At first, the first theme was played strongly, and it was developed based on this theme. The reproduction section begins with a strong reproduction of the first theme, and the second theme is reproduced in the main key.

In the huge colo, the first and second themes are used to make a vigorous ending.

"It's amazing..."

At this time, the two suddenly stagger their positions, representing the two entering the second movement, the most slow movement full of expression, in C major, four or three beats, in the form of a trilogy.

The slow movement, with its rich sound, diverse sense of color, and deep emotion, is obviously much more mature this time than the previous Jiang Bai technique

。

A theme with beautiful and elegant sound. After the middle section in G major, the theme reappears in variations.

She plays experimental music, but classical music is also considered a direction of experimental music research, so she can clearly distinguish between good and bad.

Especially when the two join forces, they have a huge sense of picture, have very strong ambitions and ambitions, and try to control all people's emotions.

Louis listened suspiciously: "In the middle, it shifts to A-flat major, and with the accompaniment of the staccato plays a heavy theme, and then gradually regains its stability, and then reproduces the original theme with a very weak dynamic." ”

In the middle of the theme, the movement ends quietly. But everyone knows that the third and fourth movements are the real highlights.

Third movement, Allegro, E flat major, four or three beats, trilogy style. This movement is elegant and cheerful. The construction is not evident from the previous two movements.

Kindness?

However, at this time, Li Mu pressed his hands, and the timbre exploded in an instant!

It starts with a soft, gentle theme. The theme is repeated after the motive forms a beautiful passage, then repeats itself, and then after a short intermediate movement that develops the theme in the canon form.

Although soft, Li Mu bounced with a sense of explosion.

"It's worthy of Li Mu... His skills, Jiang Bai's music score, the two partners have almost no flaws. ”

Jiang Bai's so-called poor skills are not bad compared to Li Mu and other pianists present.

"The middle section is in E flat minor, almost all triplet broken chords. After the middle section, we return to the first section..."

The first three movements are distinctly distinct, and the main thing is how the last movement is presented.

As an experimental musician, Shang Jing actually understands structure far better than the other three instructors, so she stares at the two pianists in front of her, hoping that they will give different changes.

Both of them were sweating profusely at this time, and at this time, Jiang Bai and Li Mu entered the fourth movement at the same time!

It's a rondo!

Gentle Allegro, in E flat major, in four or two beats, a beautiful rondo with falling waves drawn from the treble register, the theme is full of charm and expression.

"Trill?"

The first interlude theme, with its trilling character, is presented in B-flat major, which is somewhat stiff, but as the duo plays harder, the eyes change as it contrasts with the soft rondo theme.

The rondo theme is followed by an energetic second interlude theme, which continues to expand.

After the serene third occurrence of the theme, the first interlude theme is also repeated in E flat major, followed by a very beautifully decorated final rondo theme.

The whole process was done in one go, there was no pathetic tragedy, nor any gorgeous exaggeration, only a smooth and invincible explosion performance, and the whole audience was attracted by the tune.

Beethoven's later sonatas, relying on Jiang Bai's current synchronization rate, are not very explosive when played.

And if he and Li Mu chose this song, they can express at least 95% of its effect, which is very perfect.

After all, Beethoven's imperfect works are more of a master's work than most of the world's movements.

After the two played, the scene was quiet...