As soon as the famous song came out, Liu Ang, the king of the sea of stars, was the front.

Jiang Bai, the original classical musician who is currently famous, although he is not yet famous, many people in the classical music circle regard him as the first original classical musician.

Liu Ang, the leader of the Xinghai Band, is known as the king of the Xinghai Hundred Instruments, and the violin is even stronger to the point of terrifying, and the transformed violin can create a variety of heavy cannon sounds.

The confrontation between the two is a duel between Mars and the Earth, the peak of strength, and as the music of the two sides continues to intertwine, the atmosphere of the scene is completely exploded during the period.

Louis listened to the violin of the two people on the sidelines, and felt more and more that these two people had incredible abilities.

Liu Ang's violin, like his own holy relics, has a strong unique timbre blessing, combined with his dazzling skills, it is reasonable to say that he can stabilize any violin opponent.

However... Jiang Bai on the other side can compose such a work...

Is the strength of the sound of nature?

Beethoven's Violin Sonata No. 9 is a masterpiece in its own right, and it is one of the world's most famous pieces.

As soon as Jiang Bai's song came out, it shocked the audience, Shang Jing and Wu Bai were full of incredulity, and even Shen Xiaohan and Ren Taotao were a little dumbfounded.

This layered music...

In the second movement, Jiang Bai's melody is full of variations, consisting of a calm theme in F major and five distinct variations.

Although he knew that Jiang Bai's original ability was powerful, as the second movement of this sonata unfolded, even Ren Taotao and Shen Xiaohan were directly stunned at the scene, attracted by the music.

Shang Jing looked at Jiang Bai with a starry face, as if she was looking at a rare treasure.

The movement goes a little deeper, with its core variations transforming the theme into a vivid three-beat melody punctuated with trills.

The sound of heaven was fully blessed, and soon the violin in the second variation played a more vivid melody as the lead. At this point, the third variation shifts to a minor key, expressing a low and calm feeling. The fourth variation echoes the light and vivid feelings of the first and second variations.

The final variation returns to F major, expressing a richer range of emotions in a soothing rhythm. This calm atmosphere is then interrupted by piano chords in A major, ready for a lively third movement.

In the face of Jiang Bai's strong music, Liu Ang was not affected, he was also at the level of a human, his eyes were closed, and the longbow in his hand was slowly pulled.

Explosion-like sound, carrying piercing sound waves around the audience!

Bang!

At this moment, Liu Ang's heavy artillery violin cracked three strings!

In the cracked strings, Liu Ang continued to pull the entire violin to start the next round of playing. Jiang Bai could find that Liu Ang's body burned with a strong flame of fighting spirit.

The observation area of the National University of Defense Technology...

"This trick..."

"It's completely beyond the boundaries of ordinary seeds."

Heavy Artillery Burst Switch!

Showing off his skills, not only for the complete violin, but even for the broken violin, Liu Ang can perfectly interpret all kinds of songs. The heavy cannon is like Liu Ang's battle weapon, and with the cracking of the strings, the timbre of the remaining strings changes again, and such a change allows Liu Ang to regain the dominance.

Liu Ang's playing skills are superb, his expressions are rich, his emotions are excited, he is fascinated, and he is fascinating.

Cracked strings are his brilliant improvisations. To show off his skill, he created this burst switch, which directly shattered one or two strings on the violin, and then continued playing on the remaining strings.

The eerie double tone symbolizes the bright and fierce sound of the horn of the hunt. Gradually changed from bright music to dull howls, like a nervous hunting stage.

The two people who swirled around the entire hall felt like they were on a revolving stage.

Octave harmony, plus a short jump in the middle. After that, back in the presentation section, two sets of portamento appear.

"Playing the violin the guitar way, his technique is simply ghostly... The King of the Sea of Stars is worthy of this name. ”

"Jiang Bai's strength is also terrifying... He didn't use any skills at all, just played normally, and completely forced Liu Angshi to show a burst switch. ”

Burst switching, it is Liu Ang's trick to show off at the bottom of the box.

Jiang Bai seems to use the original violin easily, but in fact, he is also exerting his own strength to the limit.

As both sides play, Jiang Bai's violin enters the third movement.

The third movement takes the form of an azeri, sonata, and a tarantella. Tarantella is a Southern European folk dance with a fast, exuberant rhythm in which dancers hold a tambourine and dance while hitting. This dance music is used to depict the carnival scene after the victory of the struggle.

The violin played a warm dance theme with a strong blow, and then Jiang Bai turned with a longbow in his hand, even without the cooperation of the piano, it strengthened the atmosphere. The second theme is a heroic march played by the violins, repeated on the piano and ending with a soothing phrase.

The opening part is first changed by the second theme march, and then the first theme fragment is repeated to increase the intensity. Jiang Bai seems to be fighting left and right, using the two timbres to go back and forth, one after another. This is followed by a slightly calmer transition before moving on to the reproduction section.

"Jiang Bai also showed off his skills..."

The moment Jiang Bai's final third movement appears, the sound enters the hearts of the people and the talent of true self begins.

In Liu Ang's consciousness, there was a time when he had fallen into poverty and poverty, and even lost his sense of touch and music, and when he was most helpless, his second teacher, a noble lady in her fifties, came to Liu Ang's side.

In contrast to the wandering musician, the lady carefully instructed him on violin music techniques.

The old woman placed Liu Ang in a special healing garden in Xinghai and began three years of careful recuperation for him: life recuperation, spiritual benevolence and comfort, and musical guidance.

He taught Liu Ang more advanced fingering techniques, and learned to use his fingers to pluck out overtones and double notes similar to those of a flute. With her help in him, Liu Ang rediscovered his feel and music, and created this piece.

After the old woman died, Liu Ang took her letter of recommendation and successfully entered Xinghai Academy, opening his later road to Xinghai.

Jiang Bai's music reminded Liu Ang of the past scenes, making his performance more and more soothing and letting go of confrontation.

In the process of improving the synchronization rate between Jiang Bai and Beethoven, some of the former Beethoven mastered the performance skills and began to master them one by one.

Although he didn't have as many skills as Liu Ang, the ordinary accent simulated two kinds of switching similar to the piano timbre combined with his own ordinary violin timbre, and Jiang Bai still did it.

The two themes of the reproduction section are briefly reproduced. The coda continues with a soothing phrase that gradually descends into a frenzy, and finally ends with a victory song.

In the echo of the victorious song, the violin timbre of Jiang Bai and Liu Ang became more and more compatible, rather than the confrontational posture just now.

At the end, the ensemble seemed to narrate love and peace, and many musicians began to cheer... Several mentors also gave applause.

A song terminated... Liu Ang's eyes became extremely complicated, and he didn't have the domineering and sharp ferocity feeling just now.