The quality of the work produced by the three animation companies is not consistent, with some good quality animations and some very poor ones.

Therefore, Wang Wenhong also increased the difficulty when choosing.

After Shen Xin came to this world, he was not too familiar with the animation company in District 11, because of the continuous and high-intensity work, his time to watch animation was reduced a lot, except for a few animations such as "Chess Soul" and "Steel Temper", he didn't even watch extra animation, because time was really limited.

Even if he had extra free time, he and Xi Muhan went out to travel together.

If it's on Earth, he can still know some animation companies, like Toei, Sunrise, Bone Society, Clown Society, KyoAni, JC Society, Crazy House, A-1, etc., but in this world, there really isn't much to know.

But since Orochi didn't submit a proposal, Shen Xin also thought about it, after all, even JC has a "pro-son", and other companies may not be able to create high-quality works.

However, "SLAM DUNK" has a lot of work, and Shen Xin can only hand over this matter to Wang Wenhong to keep an eye on, and if there is any disturbance in District 11, contact him immediately.

On Earth, the animation company wanted Xiangbei to end up winning the championship, but Inoue Yuhiko refused, and the final result was that the animation of "SLAM DUNK" did not have a national competition, and the production company originally created the match between Xiangbei and Xiangyang and Lingnan United in order to have an ending.

If the lack of the Beidou Cup of "Chess Soul" is due to force majeure, then the lack of the "SLAM DUNK" national competition is the reason for the interests.

In fact, the contradiction that the creator is an animation company has always existed.

On Earth, the author of another basketball manga "Basketball Boy King" (Duck Sky), the author of Takeshi Hinata, refused to anime because the script ending of the animation was to put the protagonist on the "NBA stage", and he refused twice in a row, in the author's words, he was very shocked, because the producers of the two projects "failed to understand what "Duck Sky" wanted to express.

This is the creative concept, and the conflict of interests, either back down or carry it through.

In this world, Shen Xin's expectation for the animation of "SLAM DUNK" is to produce the complete version of "SLAM DUNK" on the basis of ensuring a certain quality, without adding new plots.

Of course, it takes a long time for a work like "SLAM DUNK" to review the proposal.

During this time, all Shen Xin could do was draw comics and wait for news from "Shonen Leap".

……

"Shonen Leap" has changed its editor-in-chief, and the editorial department is also in a short period of chaos, especially in terms of business handover, especially in terms of business handover, there are some businesses that Toru Murakami was talking about before, and it is impossible to suddenly throw the business to Tachibana Shin because of the change of editor-in-chief, so sometimes I have to come over and talk about some things with other people.

Tachibana Sentry was also very uncomfortable.

Although he is the editor-in-chief of the airborne, he is also the editor-in-chief no matter how he says, not an ordinary clerk, and when he comes to a group like "Shonen Leap", he can either blend in or be isolated, and there is no third option.

Murakami Toru left him a rich "family foundation", if "Young Leap" goes downhill because of his own operation mistakes, then he will not be far from getting out.

At present, he has to change his situation in two ways.

The latter point is the most important point, first of all, to mingle with the editors and erase his sense of distance from other editors, and then to find a project to prove that he has what it takes to become the editor-in-chief.

Only when both are done well can he be considered to have a firm foothold in "Shonen Leap".

Until then, everything went according to the previous process.

Tachibana will not interfere much, but during this time, he must have his own results, after all, the management is still watching him.

On his day off, Tachibana invited all the editors of the editorial department to a long-established restaurant. Usually, everyone also comes once in a while, just in twos and threes, and the number of times so many people come together is not too much. After all, on weekdays, everyone is very busy with work, and there is a sense of competition among each other.

Tachibana Shin saw that everyone was drinking happily, and he was a little relieved, and he participated in the drinking with other editors, and at the same time, he also wanted to talk to other people, but he couldn't do it.

The hearts of these people are not difficult to guess.

No matter how "Young Leap" is, it is also a first-level publication, Tachibana Shin came directly from "YL" to "Young Leap" as the editor-in-charge, saying that "one step to the sky" may be a bit exaggerated, but the position is indeed much higher than before, and these old people of "Young Leap" are a little jealous of him, and it is not incomprehensible.

In the current situation, I want Tachibana Sentry to prove his ability more and more.

The problem is that Toru Murakami gave him too much money, "SLAM DUNK", "The Gate of Eternal Life", "The Strongest Pitcher", "The Age of Steam", "Young Exorcist" ...... A series of works have set up the stage of "Young Leap" too strongly.

This is also the reason why "Shonen Leap" achieved reverse growth at the same time that webtoons began to appear and sales of other magazines declined.

To put it mildly, as long as the quality of these works is acceptable, the position of editor-in-chief is a peg dog, and the sales of the magazine will not fluctuate greatly in a short period of time.

Is he a dog?

Apparently not.

This poses a problem for Tachibana Shen, in the face of such a situation, it is really difficult for him to prove himself again, but if he does not do something, the management does not know his ability.

This is a dilemma.

Tachibana Gentry poured himself a small cup of sake, raised his arm, and toasted with China Kotani, who was sitting opposite, but his mind was thinking about other things.

"The Gate of Eternal Life" has been serialized in District 11 for 17 years, and he is also familiar with Uematsuno, this piece can't be moved at all, and there is no way to move, "The Strongest Pitcher" has a good result, but with animation bonuses, it still can't surpass "SLAM DUNK", proving that its potential ends here.

"Age of Steam" is of high quality, but the pace is too flat, and in the words of other editors, "Age of Steam" is a work that is not well received. Of course, the so-called "non-popularity" is also much better than ordinary works.

Therefore, among the five pillars, the only comics that still have variables are "SLAM DUNK" and "Young Exorcist".

"Teen Exorcist" has been tepid due to poor quality in the early stage, and now the momentum is gradually gaining momentum, and it has the potential to hit the top four, and if the animation is released, it should be able to take another big step forward, as for "SLAM DUNK", ......

At the moment, it is really attacking the status of "The Gate of Eternal Life", and if the animation is released at the right time, it is not impossible to double the sales......

These two comics...... It seems that they are all the works of Kotani Sena's subordinates.

Tachibana Senter's face was ruddy, and his misty eyes looked at China Kotani, who was sitting across from him.