410. Shooting

Before the female reporter could regain her senses, she took a few steps back, and Mia drove away in the car.

The cameraman behind him dragged the camera and ran over and said, "What? I didn't interview it? It's normal, are you waiting?"

The female reporter said with a slightly confused look in her eyes: "There was an apostle in the car just now." ”

"Apostle, no, did you, at night, you read that right?" said the cameraman, puzzled.

The female reporter looked at the cordon in front of her and frowned slightly and said, "There is a problem, there must be a problem inside." ”

"If you can't get the material, it won't work if you have any problems. The cameraman said, putting the camera down.

"No, do you remember what you told me?" said the female reporter.

"Why? Didn't you always disagree with that, and that's why we're here to stay?" said the photographer.

"It's different, let's go in. The female reporter said and ran to the radio van.

The photographer immediately followed with the equipment, and the two started the car and drove forward around the cordon for some distance.

This is a mesh wall made of barbed wire, and the sign reads "High Voltage Danger" and so on.

The cameraman touched the grid with a voltage tester and said, "There is no power generation here, and I know at a glance that this warning is false." ”

Then the photographer took out two huge vises, and the female reporter and photographer began to clip around the grid.

"Why do you have these things in the car?" said the female reporter, puzzled.

The photographer said with a smile: "I was a photographer of animals before I did photojournalism, and many places are not allowed to take pictures of wild animals. So you know, it's also unintentional. ”

The two of them worked for almost half an hour, and the entire iron mesh was cut open, about the size of a car to enter.

The photographer took the caliper and continued to check it, and then said to the female reporter: "Get in the car." ”

The two men got into the announcement van again, and the announcement van drove into the quarantine area.

Ten minutes by car, a white-covered canopy appeared in front of the cameraman.

The cameraman slowed down the car and made a detour to the side of the high slope.

"Why do you want to go around?" said the female reporter, puzzled.

The cameraman shook his head and said, "I'm not trying to get around it, I'm trying to hide from a higher place and sneak a look." ”

On the high slope outside the makeshift white base, the radio truck was parked here.

The cameraman climbed onto the roof of the broadcast van with a large bag on his back and reached out to pull the female reporter up as well.

The female reporter stood on the roof of the car and looked down at the heights, and asked the photographer in confusion: "What are we doing here?"

The photographer took out the photographic equipment in a large bag and lay on the roof of the car to assume the equipment.

It was a large-caliber lens aimed at the makeshift base, setting up the equipment and adjusting the parameters.

You can clearly see that the outside of the temporary base is covered with people in protective clothing, and the guns in their hands can be seen clearly.

But the picture is gray and white because of the night vision device, and it is accompanied by a lot of white noise.

The photographer will get out of the way to show the footage to the female reporter and press the record, the female reporter pointed to the picture and said, "Someone seems to be coming." ”

The photographer adjusted the viewing distance again, pulled the lens back and adjusted it more clearly.

Gunshots could be heard from a distance, and men in hazmat suits could be seen shooting at those who were walking towards them.

Some of these people used the abilities that only the apostles could use, and rushed forward with splashes and electric shocks, and many of them could be seen turning and running away. These were all filmed in the cameraman's camera, and although the picture was blurry under the night vision goggles, it was the shooting that fell alive.

The female reporter had never seen such a scene, and she screamed in fright.

In the empty wilderness, the voice of the female reporter is particularly distinct.

"A woman's voice?" Kane turned his head to look behind him, and could easily see the announcer on the high slope.

Kane turned to look at the staff next to him and shouted, "These people are carrying very serious radiation, and neither humans nor apostles can stay." Shoot them all here, there seems to be something on the hillside over there. I'll go take a look. ”

It was too late for the photographer to cover the female reporter's mouth, and said helplessly: "We seem to be exposed." ”

In the footage of the camera, Kane can be seen wearing a protective suit and thinking about this side of the hill.

The female reporter looked at the photographer and said, "Did you take a picture? What do we do now?"

The photographer looked at the captured picture and reluctantly clicked to save. grabbed the equipment and stuffed it into the bag, and took the female reporter out of the broadcast van. Immediately got into the car and planned to drive back the way you came.

The photographer placed the female reporter directly behind the broadcast van, threw the device in, and closed the door.

The female reporter looked at the photographer and said nervously, "We'll be fine, right?"

The photographer did not answer, closed the door of the radio car, rushed to the cab, opened the door, walked in, and started the car.

About a hundred meters in front of him, Kane stopped.

In this position, Kane clearly saw that it was a radio truck, and Kane raised the rifle in his hand, loaded it, and set up the gun. The fat protective suit blocked Kane's vision, and the helpless Kane began to take off the protective suit.

Half of his body came out of his suit, but the car in front of him started. The helpless Kane was only halfway to the point of aiming at the radio car, and as soon as he pulled the trigger, Kane knew that he was aiming off.

The glass in front of the cameraman shattered open, and the bullet that could see the glass crack passed on his left side. In a cold sweat, I quickly stepped on the accelerator. The broadcast van started to start, and the cameraman thought about turning to the right.

This is Kane's second shot, and this time Kane is very accurate.

But the radio truck turned around a little, and the bullet hit the front of the radio truck. The bullet went into the cameraman's shoulder, and it was a heart-piercing pain.

The videographer subconsciously began to feel confused, but the adrenaline kept him from falling. The cameraman could clearly hear the crisp popping sound of a shot, which kept repeating itself in his mind for a long time. At this point, it's too late to turn around and drive away. The cameraman gritted his teeth and stepped on the accelerator to rush to Kane, and the idea of killing him and living came to the cameraman's mind.

Kane pulls the bolt again, but notices something is wrong when he raises the gun. You shouldn't have been able to go wrong with the previous aim at the focal length, but the aim is ridiculously biased at the moment. Kane pulled the camera away from his eyes, only to realize that the broadcast truck was actually speeding towards him.

Kane, who didn't have time to adjust again, turned around and tried to escape, but the chemical suit became an obstacle for him.

Before he could take a few steps, Kane's left foot stepped on the left sleeve of his hazmat suit and fell heavily to the ground.

Then the radio truck slammed past him, and the cameraman looked in the rearview mirror on the left. After making sure that he had knocked the person in front of him who was going to shoot him into a bloody blur, he turned the car around and drove in the direction he had entered. Despite the continuous gunfire in the distance, the cameraman covered his arm and did not mean to stop.