The birth of "Galaxy Cram School" has too much to do with children, too much to do with being a father, and it can even be said that it is destined to be born at this stage, which is the psychological state of me and Lao Yu who hit it off or the emotional appeal after we become fathers, for us, this is a work of "dedicated to fathers and children".

Lao Yu said that he realized that I grew up at my father's funeral, and how calm I was when I came to the stage to speak, how calm I felt in my heart, but in that second, Lao Yu witnessed my growth. To make such a film, it is also dedicated to my father. There are many people who will subconsciously not let themselves be like their fathers, but I hope that we can use a larger and broader perspective to understand our fathers and understand the thousands of fathers in the world. To understand the era they lived in, to understand what they went through and what they encountered, after understanding, I believe that more people will feel that their father is very amazing. For example, my own father, I always thought he was a very, very amazing person, much better than me anyway. He writes beautifully, one of the most beautiful in our house, so my signature was designed by him. My father's family was from a rural area, and the economic environment was not particularly good at that time, he went to school barefoot and had no money to eat, but his classmates in the university liked him very much and spontaneously donated food stamps to him. So I really think he's a legendary.

When I was a child, my dad liked to give me a whistling magic, that is, the mouth does not move to make a sound, I searched for many years where that voice came from, until a long time later I confirmed that the voice came from him, and then I also learned, which can be regarded as inheriting his artistic cells. Of course, my dad is definitely not Ma Haowen, or Ma Haowen has similarities with him but can't be completely equated. In my impression, my father is always busy with meetings, but he also loves children very much, and he will always give any child around him a look behind his back, and then take them to buy some snacks that adults in the family are not allowed to eat.

Lao Yu and I may both be familialists, and we are also feeling this now, especially when I was a father, and this experience gave me more energy. It turns out that many times I feel that work is very important, and after having children, I feel very guilty and reluctant to leave them for so long. I used to think that our education seemed to be skewed, you are an adult, and he is a "villain". But then I slowly found out that this is not exactly the case, many times it is with children, you know that you have so much ability to love, this kind of growth and education are mutual. For example, in the past, I was often complained about by my wife in terms of buying gifts and caring for people, but after having children, I have definitely upgraded in this regard, this is an opportunity for the next generation to give you a new learning, let us relearn love, this is also what we want to convey to everyone through the movie, this is a movie about love and education.

I also think one of the interesting things is that what we are doing now is related to the whole world, or that no matter what we are doing, whether it is a movie or a stage play, it can especially touch the deepest memories in our own hearts and the hearts of others. What was particularly impressive was the first time I saw the set of Ma Haowen's house, and it was sour, and when I looked back at Lao Yu, he was the same, it was really a particularly strange chemical reaction. At the same time, we look at the details everywhere, and the smell of that era comes to our faces: the curtains in the kitchen, the wall calendar, the jar for pressing sauerkraut, and even the dust on the floor...... I believe that you will see familiar scenes in various details of the movie, so familiar that you can no longer analyze rationally, but have to feel emotionally. And then say, "Well, that's the taste of my childhood, the taste of my home in a certain year." "Or maybe it's the taste of China for a certain period of time.

I enjoyed the whole process of "Galaxy Cram School" from creation to the final completion of meeting the audience, and I hope it can also bring more touches to everyone, especially hope that it can bring more emotional resonance to audiences of all ages, and I hope that everyone will start to think about their unmissable time after watching it.

Deng Chao