The disgusting family Si Jing didn't want to go back, Gu Cancan first took her to the mall to buy milk powder diapers and other items for the baby, and then sent her to a hotel to settle down for the night, and what was there to wait until tomorrow during the day.

Divorce must be divorced, Si Jing is completely dead to Lu Sihan and his family.

Of course, the rights and interests of the fight must also be fought for, the house where Si Jing lives is jointly funded by her and Lu Sihan, and now Lu Sihan wants to force away their mother and daughter to monopolize the real estate, this is impossible, Si Jing is not so weak and can be bullied.

Gu Cancan appreciates Si Jing's attitude very much, although in marriage, Si Jing is blind, but at least she is not a bun who is bullied and dare not speak out.

Gu Cancan said that she could help with the matter of finding a lawyer in a lawsuit.

Si Jing did not refuse, she is a foreigner, Lu Sihan is a native of the capital, how has the Lu family been in business for many years, compared to Si Jing, how is it also deep-rooted and intricate, if Si Jing is a woman who only relies on herself, she will definitely be bullied.

Gu Cancan was very sympathetic to Si Jing's experience, she couldn't have imagined that there would be such a patriarchal family in the capital.

In fact, the preference for sons over daughters has always been there, and thousands of years of dross ideas cannot be eradicated if you want to.

"XXX is good for everything, but it's a pity that it's a girl."

"What's the use of XXX working so hard, what's the use of a woman being a leader."

"Firstborn daughter? It's okay to have a daughter, so the second child just wants a son. ”

Everyone has heard similar statements to some extent, right?

It's just that Gu Cancan can't figure it out, Si Jing's daughter is beautiful and cute, why is the Lu family willing to give up such a little angel, and even use means to force the mother and daughter to leave the house, what, does your family have a throne to inherit?

On the way to Hu's house, Gu Cancan couldn't help but be angry.

Chen Wei drove quietly, looking at Gu Cancan's puffed bun face from the rearview mirror from time to time, and he was also quite emotional in his heart.

When he arrived at the Hu family, Gu Cancan had already adjusted his mood and went to other people's houses for a banquet, of course he couldn't let his bad mood affect other people's moods, it would be too rude and selfish.

When I entered the door of the Hu family, I found that most of the Hu family was there.

"Cancan, you girl, you haven't come to see Uncle Shi for so long, so I have to ask Xiaowen to call you over." As soon as Hu Min saw Gu Cancan, he first criticized a few words.

Gu Cancan smiled and said, "Hehe, Uncle Shi, the main thing is that I'm too busy during this time. Although I didn't come, I have been thinking about your old man in my heart. ”

One sentence made Hu Min laugh.

"Sister Cancan." Hu Xizhong came over to say hello, in front of Gu Cancan, Hu Xizhong tried his best to show his handsomeness, but unfortunately Gu Cancan's eyes only passed over him, without a trace of waves.

In fact, Gu Cancan and the Hu family are quite close, she often comes to the Hu family to play, and the frequency is higher than that of relatives, and Gu Cancan really treats the Hu family as relatives.

has come a lot of times, the Hu family and Gu Cancan are quite familiar with each other, even Hu Fan, who is the deputy director of the Guangdian General Bureau, Gu Cancan has seen a lot of times.

But today, there is a middle-aged woman in the Hu family's house, and it is the first time Gu Cancan has seen it.

The middle-aged woman looks like Hu Min, slightly masculine, with short hair, looks very serious, and has an angular temperament.

She is Hu Min's eldest daughter, Hu Mei, a well-known female director in China.

However, it was not until today that I met Hu Xiwen's aunt Hu Mei for the first time.

Hu Mei is also a representative of the 11th National People's Congress of China, a member of the Beijing City Committee of the Chinese People's Political Consultative Conference, a vice chairman of the Huaxia Television Artists Association, a member of the All-China Federation of Literary and Art Circles, and a national first-class director of Huaxia Film Group.

She is also a very legendary person.

In 1975, Hu Mei was directly admitted to the General Political Repertory Troupe from high school and became a soldier, fulfilling her wish to realize her dream of becoming a literary and artistic soldier when she grew up in school, and began her career in the repertory troupe.

Four years later, the country resumed the college entrance examination, and a large number of children who had been abandoned for a long time finally had the hope of studying.

At that time, Hu Mei was still very hesitant, because she was about to be promoted to become an officer with four pockets, so two choices were placed in front of Hu Mei. At this time, Hu Mei's father, Hu Min, who Gu Cancan respected very much, made a decision for his daughter, and did not hesitate to let Hu Mei study, and there was no room for negotiation, that is, let her choose to study.

It can be said that without Hu Min's decisive decision, maybe Huaxia would have one more female officer, but since then there will be one less talented female director.

Hu Mei's application for the Central Academy of Drama was a complete accident, because for Hu Mei, who was an actor at the time, becoming a director was too far away to think of, and even a somewhat terrible hypothesis.

She applied for the actor exam, but she felt that she was not beautiful enough and had no confidence, so she went to the Chinese opera across the wall from her home every day to watch the examination room for the exam, and it dragged on until there were still three days before the deadline for registration, and she met a big brother who was a director in Beiying at the time, he asked Hu Mei why she didn't apply for the director's exam, and told her that if she didn't go, she wouldn't have a chance. So Hu Mei wore a military uniform and went to the examination room to get the enrollment brochure.

The first chapter of the admissions brochure is the directing department, and after she finished reading the chapters of the directing department, she didn't go any further, and felt that she should be a director.

Walking into the examination room, a large group of examiners sat there.

Hu Mei, who was already very nervous, had not finished reciting her self-selected poems, and suddenly the examiner teacher asked her: Classmate, why do you want to apply for the directing department? Hu Mei, who was blindfolded all of a sudden, went through the questions and ready-made answers in her heart, but did not say it, but added fuel and vinegar to say something that seemed real to her, which made many teachers cry and shed tears, and unanimously passed at that time to let Hu Mei prepare for the retest. In this way, Hu Mei successfully entered the classroom of the Chinese Opera Directing Department.

As a director, the experience of studying at the Central Academy of Drama is undoubtedly the most important experience in Hu Mei's life.

Because it is the first batch of candidates after the resumption of the college entrance examination, a large number of fifth-generation leaders such as Zhang Yimou, Chen Kaige, and Tianzhuang are from Hu Mei's class. When she was still studying Chinese opera, Hu Mei played a role in the first TV series "Solemn Gate" in China.

At that time, Hu Mei's classmates had already made "One and Eight" and "Yellow Earth", two very important and turning works that brought Chinese films to the world, and those two films also brought great vibration and stimulation to many students.

In 1984, with the support of Bayi Film Studio, Hu Mei organized a young film crew including the main director, cinematographer, artist, and recording worker, all of whom were composed of classmates, and the average young film crew was less than 27 years old, which was very young. When co-directing the first feature film "Daughter's Building" with classmate Li Xiaojun, I told the troops who cooperated with the filming, and the soldiers of the troops faced a little girl who was righteous and stern in the face of the play, and they were all laughing embarrassedly...

But soon, Hu Mei and her classmates made an impressive military women's emotional feature film "Daughter Building".

The "Daughter Building", which had zero data in the online survey, was director Hu Mei's first film work, and it was rated by the international film critics as the first female-themed film after the Chinese Cultural Revolution, which attracted much attention.

Two years later, Hu Mei independently directed the psychological feature film "Far from the War Years", which is more personalized than the female soldiers in "Daughter's Building", and also won the silver medal at the 10th Asian, African and Latin American International Film Festival of the former Soviet Union and the special jury award at the 32nd Salso International Film Festival in Italy...

In the history of Chinese films, Hu Mei is a name to be proud of. In a world where men are king, she made all Chinese film and television fans remember her name with her sharp perspective and unique interpretation language, and perfectly interpreted men's stories in a female way. While creating the climax of ratings step by step, she defeated all the male worlds that regarded themselves as gender, and became the only and highest shining sonorous rose in the Chinese film and television industry.

I have to admit that the reason why Hu Mei is admired by all male audiences is precisely because she reads men from a female perspective, and such delicacy and meticulousness are fascinated by men. Whether it is "Yongzheng Dynasty" or "Emperor Wu of the Han Dynasty", until the later "Qiao's Courtyard", Hu Mei has created vivid images with her domineering, sharp and delicate brushstrokes, creating ratings climaxes one after another. In the man's world, she gallops freely, in the man's world, she is the queen who makes all men impressed, and in the man's world, her gentleness has become the most lethal weapon! From a woman to a man, she has successfully found another self!

In her play, men are domineering, whether it is Emperor Wu of the Han Dynasty or Yongzheng, in her play, men are gentle, whether it is the feelings for women, or the treatment of brothers and family affection, in her plays, men are wise, commanding battles or shopping mall struggles, in her plays, men are fragile, will cry, will collapse, and will be white-headed in an instant. On this point, Chen Baoguo has the right to speak, Zhang Guoli has the right to speak, and Chen Jianbin has the right to speak. The reason why men appreciate her plays more is because she understands men better than men.

In her plays, men are the eternal protagonists, and beauties are green leaves, but she portrays every woman around men meticulously.

Jiang Qinqin and Ma Yili in "Qiao's Courtyard" don't have many scenes, but they make people deeply feel that the temperament of these two women who dare to love and hate, is strong, independent and gentle, and integrates it just right, which will not rob the image of Qiao Zhiyong created by Chen Jianbin and add a little emotion to the plot. Even the image of the grandmother who is in a hurry is very well shaped.

Hu Mei's choice of beauties in her play is meticulously crafted, her beauties will definitely not be popular, but there will be Jiang Qinqin who is soft on the outside and strong on the inside; Her beauties will not be fragrant and beautiful, but they must have characteristics and personality, such as Liu Lin in "Camphor Tree"; Her beauties may have never challenged such a role in the play, but Hu Mei can see it and dare to use it, such as Xiao Tao Hong, who played the bewitching and debauched image for the first time in "The Emperor of Han Wu"; Another example is that it is said that Hu Mei is going to invite the costume beauty Han Xue next time, the song is not popular, the person is not popular, but she is very individual! This is Hu Mei's ingenuity!

Hu Mei, a name engraved on Huaxia film and television that cannot be forgotten, an excellent director who has no hype, any publicity, and has been recognized by the market and the audience with his strength, an idol that all women in the Chinese film and television industry worship the most, and a sonorous rose that can be appreciated by more than 100 million men! A Chinese female director who blooms wantonly in the mirror!

In this time and space, Gu Cancan chose to be a director, and a very small part of the reason is because of Hu Mei as an example, she proved that women can still shoot majestic works when they are directors.

Of course, Hu Mei actually has flaws.

She has filmed a lot of dramas, filming a popular actor, but she has never made a popular actress, it seems that Hu Mei's vision of picking women is problematic.

And Hu Mei is a little, how to say, machismo? She is keen to shoot either emperors and generals, or wealthy businessmen like the Qiao family's compound, in short, they are either powerful or rich. In today's terms, he is a successful person.

She herself said that she has admired male heroes since she was a child, so she likes to shoot successful men the most.

For the emperor's powerful men, Hu Mei almost looks up to sex and admires it all-round.

Gu Cancan didn't agree with this at all.

To tell the truth, the next bright era will be produced with all its strength in "Step by Step Shocking", Gu Cancan once planned to invite Hu Mei to direct, "The Emperor of the Han Dynasty" is a drama that can be controlled, Gu Cancan thinks that Hu Mei must have no problem filming "Step by Step".

Gu Cancan pondered carefully and found that Hu Mei's filming was basically from the perspective of the male protagonist, and the women in her play were basically foils. However, the first movie she shot was the military women's emotional feature film "Daughter's Building", which proves that she has the ability to make a good heroine.

By the way, Gu Cancan also heard that Hu Mei was going to make a movie version of "Dream of Red Mansions" in the original time and space, to be honest, this is really a thankless thing, Gu Cancan estimates that if it is really filmed, he will definitely be scolded very badly.

"Step by Step" Gu Cancan plans to ask Hu Mei to be the director, provided that she has free time.

Hu Mei is also quite interested in Gu Cancan.

Although her own niece has already studied as a graduate student in Chinese opera, she knows very well that it is not surprising that the best destination for her niece is to engage in relevant academic research, and if she really starts making films, she is afraid that the future is not optimistic.

And Gu Cancan's ......

"Ahem, Xiaomei, come on, you and Cancan meet for the first time, let me introduce you to you, this is your uncle's disciple, Gu Cancan."

"Cancan, this is your senior sister, she is also a director, come, call senior sister."

Hu Xiwen, Hu Xizhong: "Meow meow? ”

The two of them were so helpless in their hearts, their grandfather said a word, and the seniority of the two dropped by one generation. If Gu Cancan called Senior Sister Hu Mei, wouldn't they call Senior Aunt Gu Cancan?

……