The first part, the fire is like a song, is finished.

This novel was written intermittently from the beginning of March '17 to the end of September '17, and it took more than seven months, excluding non-text, and only wrote a total of more than 180,030 words.

As usual, I would like to thank the overlord, steel Stalin, bookworms and other readers for their votes, and also thank QQ Reading for the support of readers such as Wuyun and Jiang Xiansen.

Some readers did not write down their names and all thanks, but please forgive me.

I really didn't remember your names - I was so obtuse with them that I called out "Hello yes" myself.

So, as a summary, what should I explain?

There are no achievements worth writing, and there are no commendable updates, so why bother.

However, just as many readers disdain and scoff, in the 30,000 or 40,000 words of this novel, from the chapter on seeking death to the chapter on destruction, there are many parts that drum up the mystery, and the atmosphere is relatively depressing, which is incomprehensible and very ugly.

At first, my idea was that when the protagonist encounters the immortal sheep, he will bring out the old stories of Tangyin Village, explain why Fei Duan slaughtered 30,000 villagers back then, and then use the immortal sheep as an introduction to bring out the lair of the Evil God Church.

At that time, the idea was very simple, the main purpose was to make the protagonist conflict with the Cult of Evil Gods, and then, pretend to kill people and complain about life.

It's just that there is a question that makes me ponder - why does the protagonist participate in these fights and killings?

I asked myself, I have carefully read a few classic martial arts novels, I am relatively good at writing fight scenes, but it is very strange, as soon as I think of those wonderful and exciting killing scenes, a thought immediately pops up - why should I fight you?

After reading online novels for so many years, I found that the plots of other people's battles with the protagonist are basically made by the protagonist himself - because he was involved in the turmoil because he was curious, and because the villain was too brainless, he went directly to the door to find death...... Nothing more than these two cases.

When I can't write, I get too lazy to read other people's stories.

For example, the great god author Yueguan wrote "Step by Step Lotus", which has a plot that made me watch very embarrassing - the protagonist is recuperating in a temple, and suddenly sees a novice sneaky into a courtyard in the distance, and then he suddenly feels curious, and follows Shami into the courtyard, and then he sees Shami peeping into the opposite room in a utility room, and he alarmed Shami out of curiosity, and after a fight, Shami escaped, and then he was still out of curiosity, and he also stretched out his head to peep, Unexpectedly, there was a beautiful woman bathing on the opposite side, and he was very interested, but he did not expect that the wall was actually made of a thin wooden plank, and he accidentally fell and knocked down the plank—and finally he met the beautiful woman in the bath......

At that time, my soul of complaining rose violently - but there are many fans of the great god of Yueguan - I won't talk about it.

There are many, many novels where the plot is like this, and it is forced to create contradictions for the protagonist - and it is easy to explain - because the protagonist is curious.

I'm curious about your size - wouldn't it be nice to live well? Can you stop causing trouble for the villain? Can you not let others hate you so easily? Can you live your own life, don't have anything to do, and provoke the hatred of the villain...... Balabala's big words......

Then, I also read some other fantasy novels, some written by great gods, some written by ordinary authors, but the fight scenes are surprisingly consistent - the villains are all brain-dead, and they are surprisingly jealous when they see the protagonist - and then ignore the protagonist's strength or not-The villain directly comes to the door to provoke, and when the villain uses a bunch of crazy and domineering words to say that Lao Tzu is the best in the world and you will definitely die-the protagonist smiled faintly, stretched out a finger, and killed the villain easily - good! Refreshing! A wave of tips is up!

Oh, a Monkey King - villain, can you have a snack? Villain: If you are powerful and powerful, you won't invite a few ox-coaxing killers to kill the protagonist? Villain, do you have any brains, why do you go straight to the door to find death? Villain, are you stupid...... Balabala is another big bunch of ......

Someone said, you don't accept you! Good! I'm on!

And then I hit the streets......

Of course, saying this is suspected of suppressing others and improving yourself, but I don't mean that.

How can a street writer have the courage to say that his story is good?

Most losers target successful people because they envy, envy and hate.

I have envy, maybe I am jealous, but hate, I really can't talk about it.

Some veteran authors can skillfully use routines to flesh out their plots, and some genius writers can innovate their stories with all kinds of inspiration – they are just as great.

At that time, I had the idea that "there is no reason for the protagonist to interfere in other things after escaping from Konoha", and I started to write a transitional plot, and all kinds of dry clues popped up, but there were too many clues, and I couldn't control the overall situation with my unpopular pen power, and then many readers couldn't stand it.

Later, I found out that when I said that it was "many readers", not many people would actually read it, and I became emboldened to think about it.

No one is watching anyway - why don't you come and create an original war!

So I wrote the Destruction Chapter.

Sure enough...... The storing is falling day by day.

As a pessimistic author, when I see failure, I don't want to succeed, but I want to write my own ideas - I have failed anyway.

The barefoot are not afraid to wear shoes.

Speaking of which,When this novel first started,The results were not bad.,It once occupied the top of the starting point public new book list.,In the same genre,The first place on the two-dimensional open new book list accounted for more than half a month.。

Not bad.

You can go blow water and pretend to be forced.

At least you can say stupid things like "Lao Tzu didn't break the change, and he was also a man who won the top spot before".

Very good.

The fire is like a song, praise and insult, all are ways to express one's own thoughts, and being able to persist is also a great purity.