There are many more famous artists in the literary world of the magic capital than Suzhou where Wang Defu is located, after all, the magic capital is also the economic center and cultural center of the southern part of the entire Chinese empire, and the influence of Shanghai-style writers in the entire Chinese literary circle is also one of the best.

Many poetry magazines saw that Wang Defu's three modern poems had been completely spread, and all kinds of tabloids published them at will, so they were directly bold to publish them, and only those famous poetry magazines were more particular, and immediately contacted Wang Defu after publication, saying that they wanted to give him manuscript fees.

Fortunately, Wang Defu is not the kind of dead-eyed guy, otherwise if he took these poetry magazines that reprinted his works without his consent to the court in one go, then these magazines would probably be unlucky.

The main reason is that Wang Defu really has no hope of becoming famous through poetry, he just uses modern poetry to please girls, where did he think that he was manipulated by Chen Qingle, and then Ling Jingsu came to a wave not to be outdone, which led to the complete detonation of the poetry world!

Of course, the three modern poems, what the poetry bigwigs appreciate the most, of course, is "Rain Alley", mainly because this poem is more hazy and seems to symbolize a lot of things, which of course can be interpreted more freely, and it is of course easier to add your own private goods in the interpretation.

The other two poems are easier to understand, and most of them are female readers, after all, women are very sensual, and these two modern poems, which are closer to love poems, stimulate their sensibility.

There is a famous poetry magazine editor and publisher named Ye Xiang in the literary circle of the magic capital, and his evaluation of "Rain Alley" is: "Rain Alley" "opened a new era for the syllables of new poetry." ”

Although such an evaluation is a bit exaggerated, it cannot but be said to be insightful when I first saw the beauty of its syllables.

Ye Xiang explained in detail in the poetry magazine "Modern Poetry Magazine" edited by himself why he would comment on the syllables of this poem in such a way -

"The whole poem of "Rain Alley" has seven stanzas. The first and last verses are identical except that the word "meet" is replaced by "float by". In this way, the beginning and end echo each other, and the same main tone is repeated in the poem, which strengthens the musicality of the whole poem, and also increases the expressiveness of the poet's hesitation and disillusionment.

The whole poem has six lines per stanza, and the number of words in each line is uneven, and the rhyme is repeated in a line that is not far apart. Two to three times per stanza is rhymed, with no rhyme from beginning to end.

The sentences are very short throughout the poem, and some of the short sentences even cut off the connection between the words. And some of the same words appear many times in the rhyme, such as "rain lane", "girl", "fragrance", "melancholy", "eye", deliberately making a sound sound repeated in people's hearing.

This results in a reverberating melody and a smooth rhythm. It reads like a soft and contemplative serenade. A lonely and painful melody reverberates repeatedly throughout the song, haunting people's hearts.

……”

I have to admit that Ye Xiang, the editor-in-chief of "Modern Poetry Magazine", made him follow the unique analysis of "Rain Lane", and even the sales of "Modern Poetry Magazine" with him have increased, which has simply set an excellent example for many poetry magazines, as if to make them clear, this is the best way to gain popularity.

Touting Wang Defu and analyzing his modern poems, everyone will, but now that poetry has been circulating for so long, those classic interpretations have long since seized the orthodox angle, if you want to attract the attention of others, then you have to have a tricky angle, if you can think of the place that the author himself has not noticed, and then appreciate it, it is the most sassy.

Or that sentence, when the author creates a work with profound connotations for the public, then the right to interpret the work no longer belongs to the author, after all, the author is just a guy who writes essays, how can he know how to appreciate it?

After Wang Defu found that his own clarification of those modern poems could not stir up any storm in many classic interpretations, he simply did not bother to pay attention to this accident anymore.

However, he experienced such an accident, naturally in the treatment of women, more cautious, the previous self-confidence, of course, does not exist, he feels that no matter how old a woman is, it can't be underestimated, otherwise I really don't know what kind of moth the other party will make.

What Wang Defu didn't know was that the romance surrounding several of his modern poems completely made Liang Jing, a vain talented woman who was full of expectations for him, full of resentment towards him.

Liang Jing felt that her girlish feelings for Wang Defu were let down by Wang Defu, and the flattering eyes she threw at him by touting Wang Defu's works were all thrown to the blind man!

However, Liang Jing herself will never admit it, that is, she is very jealous of Ling Jingsu and Chen Qingle, just because these women she has never heard of can get Wang Defu's poems, and then become famous in an instant!

This makes Liang Jing, who has worked hard to rub Wang Defu's popularity, and all kinds of Liang Jing, who wrote comments on his works, how can he be embarrassed?

So this time, Liang Jing did not praise Wang Defu as before, but criticized his modern poetry very objectively, and chose to criticize the highly praised "Rain Alley".

Liang Jing said that "Rain Alley" is too monotonous, just a reverberating melody and a smooth rhythm, and it is indeed carried out in six lines per stanza, each line is of different lengths, and it is generally repeated at a certain interval in a rhyme of seven stanzas. The accustomed imagery and overused rhetoric make the success of this poem seem shallow and superficial.

"Rain Alley" is Wang Defu's "self-liberation" with beautiful "imagination" to cover up the ugly "real", and uses some soap bubble-like gorgeous illusions to deceive himself and readers.

It's a pity that Liang Jing chose to criticize Wang Defu this time, but she didn't succeed in gaining popularity and arousing greater attention, probably because the four talented female writers in the magic capital all expressed their appreciation for Wang Defu's other two poems, among which a talented female writer also imitated "Seeing and Not Seeing" and created a new poem, which suddenly triggered a trend of "seeing and not seeing"!

This result made Liang Jing's resentment towards Wang Defu deeper, maybe she always managed to rub the heat before, which gave her the illusion that Wang Defu belonged to her alone.

It's a pity that reality gave her a slap in the face.

When many male literati and female literati interpret Wang Defu's modern poems in a fancy way, Wang Defu has completely entered the state of creating the long "Dragon Head", and he is also full of confidence in the "Magic Capital Popular Award", even if there are countless competitors for this award.