He Shouchang paddled and suddenly became happy.

Because he seems to understand why such a work that looks like a bestseller at the beginning, but then makes people feel so irritated and want to abandon the book.

Just because the words he drew out that he felt were quite connotative and profound, they were often narrations written by the creator from God's perspective when the male protagonist and female characters applauded for love.

Isn't this a deliberate attempt to play with the reader?

Ordinary readers, when they are itched by the more glamorous and tempting foreshadowing in front, and then when it comes to the critical time, those key H descriptions are brushed aside, and then this creator who is deeply rooted in the bone marrow of the literary youth begins!

For example, when Zhang Wanyi watched her beloved man applaud Lu Popce for love, the author's narration is like this - the first betrayal is irreversible. It causes more betrayals, like a chain reaction that keeps us further and further away from the original betrayal.

It's all at such a time, who has to look at the author's understanding of "betrayal"!

Maybe only Wenqing readers can accept this feeling of being played, in their opinion, the creator writes like this, which is a cool style.

After He Shouchang watched it, he smiled again, because he did read this work and experienced a lot of humanistic thinking that the creator wanted to convey through this work.

Many of the thoughts are very philosophical, for example, the author points out that the really serious questions are the ones that the child spits out, and only the most naïve questions are the really serious questions. There are no answers to these questions. Unanswered questions are an obstacle that leaves you with no way out. In other words, it is these unanswered questions that mark the limits of human possibilities and draw the boundaries of our existence.

He Shouchang felt that this passage was really charming, and he still remembered that when he was growing up, he often asked his father a question, that is, what he lived in the world for, and what was the meaning of his existence in the world.

Is there an answer to such a question?

Apparently not.

Most people may also think about it in the process of growing up, and when they enter the society, the pressure of life is already breathless, and they will no longer think about what they live in the world for, and live step by step, isn't it enough?

Often only people with ideals and firm goals can find the meaning of their own existence and live a life that truly belongs to them.

This is just a small example, and the author also expounds his own views on love, beauty, kitsch, and lies.

Love – "Love begins at the moment when a woman's words are imprinted in our poetic memory. ”

Beauty – "Beauty is the world that has been betrayed." It is only when the persecutor mistakenly forgets it in a corner that we can encounter it unexpectedly. ”

Kitsch – "The root of kitsch is the absolute identification with life. ”

Lies – "The root of all lies comes from the division between the sphere of private life and social life. ”

He Shouchang felt that he was about to fall in love with this work, and he felt that only this kind of work that could really arouse his thinking and touch his heart was the most valuable!

There may be many points of view in the work that he cannot agree with, but he agrees with the creator's philosophical thinking and depth of thought.

This creator can express so many of his own philosophical thoughts in elegant and concise words, and become "golden sentences" one after another, which has shown his talent to the fullest!

Obviously, a novel of more than 200,000 words like "Love and Sex" shows a higher level of writing than Wang Defu's previous essay "Listening to the Snow Night", the latter is gorgeous and exquisite, and it looks like a flowery flower, which can scare readers of the same age, but it certainly can't frighten a literary big man like He Shouchang.

However, this "Love and Sex" made He Shouchang deeply attracted.

Therefore, He Shouchang regretted the treatment of this work.

How can a work with such a deep ideology as "Love and Sex" be quietly listed without any publicity at all?

And the appearance of this work is so down-to-earth, the "down-to-earth" here is not to praise its appearance, but to complain!

Such an appearance gives him the impression at first glance that this is a erotic novel used for the reader's pastime.

But such a "erotic novel", how can it be sold, ordinary readers can patiently read this work, if you only look at the plot, maybe you want to kill the creator, because the ending is that the male and female protagonists are all destroyed......

With such a failed design, it's no wonder that it hits the streets, and its readership positioning has problems, and it even rejects the readers it really suits!

Just because readers who really like to read this kind of book are obviously not the kind of ordinary readers who read novels just for fun, but the kind of readers who really like literature and philosophy, they can draw nourishment from literature, understand the truth of life, and obtain spiritual sublimation......

Reading such a masterpiece, once you can truly appreciate its beauty, the satisfaction it reaps may be much more than that of those works that are purely recreational!

Therefore, such a work has the value of being collected, and if you read it many times, the things you gain are different, or in other words, if you only read it once, you can't feel its profound connotation at all!

He Shouchang used his precious time to read it three times, and the more he read, the more he regretted what happened to him—could such an excellent philosophical novel be buried like this?

At this moment, he forgot what Du Shuhuan asked him to do, but from the bottom of his heart, he wrote his feelings after reading such a work, just hoping to let it be seen by more readers.

“…… It is a book of complex imagery, which is loaded with a variety of meanings: the revelation of politicized social connotations, the investigation of human nature, the presentation of individual destiny in a specific historical and political context, and the exploration of the nature of gender relations. The author blends these elements together to create an extraordinary novel that is both a metaphorical philosophical reflection and a reflection of the joys and sorrows of human life. ”

At the end of the long article interpretation, He Shouchang concluded like this.