If just because Xu Shizhe and Zhang Wanyi have the name of husband and wife, it would be too superficial to characterize Lu Popce as a junior, and then dislike such a character.

In fact, before Xu Shizhe fell in love with Zhang Wanyi, he and Lu Popce were the most compatible "sexual partners" relationship, which is commonly known as "pao friends", they may have everything between them, but there is no love, so the relationship between the two is very relaxed and pleasant, they can talk about art, aesthetics, poetry, etc. all day, and of course have sex while talking.

Neither of them thinks that there is anything sacred about sex, people have to eat and drink, and of course they have to have sex.

Lu Poppy doesn't care that Xu Shizhe has many "sexual partners", because she also has many lovers, among whom there are also lovers who give up their families and want to marry her because they fell in love with her in the process of physical communication, but there is no doubt that they were rejected by Lu Poppy Meng, who just wanted to live a light life without responsibility.

She is such a versatile and stunning beauty, for countless men, it is like a poppy, addictive, and after becoming addicted, I want to get closer to her, but I find that she is like a cloud in the sky, drifting farther and farther, it is clearly the extreme pain after being addicted to drugs, but being forced to detoxify......

The lover who gave up the family for her found that his past dedication to marriage was ridiculous and purely superfluous, maybe if he wanted to be with Lu Popce forever, he had to become a person like Xu Shizhe who could completely separate the soul and the body.

To sum up, "Love and Sex" seems to be a triangular love story of a man and two women on the surface, with various H descriptions, so that it can be a magic material to solve the desire of single dogs in this era, but it is actually a philosophical novel in essence, as long as readers see the essence through H, they will fall into thinking about a series of issues, such as light and heavy, spirit and flesh, love and sex.

In the book, Wang Defu proposes a series of survival codes such as emotion, sexuality, spirit, flesh, memory, and weakness, and corresponds to the characters one by one, supporting their respective states of existence, showing the duality of mind and body.

And each keyword is a side of the different possibilities of the character.

Possibility is the most active way to fight against one-offs, and thus his H masterpiece can be seen as a dismantling of the "absolute" of self-righteousness.

And because of the lack of absolute meaning, life has no dependence and support, and it is not even as definitive as the feathers flying in the wind.

Therefore, the ending of the novel, of course, will also make the reader feel confused, in order to reflect the impermanence of life, Xu Shizhe and Zhang Wanyi finally came together again, but died in a car accident, at that time Zhang Wanyi couldn't stand Xu Shizhe's behavior, and chose to leave, Xu Shizhe finally found that he really cared more about "love" than "sex".

It's a pity that whether they can be together satisfactorily or not is controlled by Wang Defu's pen.

The reason why he thought about such an ending is, of course, to end when he wants it to end, and the protagonist is dead, so what else to write?

It can only be said that even if the writer is unfinished, he can make readers feel that this ending has "deep meaning", symbolizing the impermanence of life.

As for Lu Poppy, she obviously hates loyalty and any kitsch behavior that pleases the public, but it is ironic that her profession is an actress, and she rejects kitsch in life, but on the screen, she is always in kitsch.

In the existence of human beings, each person's pursuit of the meaning of life is different, and the way is also different.

In the book, Wang Defu tries different ways of choosing the meaning of life through Xu Shizhe and Lu Poppy, and the common denominator between the two lies in the rebellion against "kitsch".

Wang Defu believes that kitsch is a common disease of human beings, and it is a kind of behavior that pleases the public and favors society by lying and destroying individuality.

In the works, Xu Shizhe and Lu Popce both embody anti-"kitsch".

The difference is that Xu Shizhe rejects "kitsch" with a superficially relenting resistance; And Lu Poppy is a betrayal, a resistance to escape.

But in the end, they can't break free from "kitsch", just like his "Love and Sex", if there is no kitsch content to please readers, then how many people will read his works, and the philosophical thoughts he wants to express will naturally not be able to convey to more readers.

Of course, the pure literature of the high and low can't make everyone like it after all, for ordinary readers, it is enough to just be a book of romantic poets, as long as they substitute the male protagonist, of course it is very cool, which man doesn't fantasize about his top looks and talent, and there are girls on his fingers?

Of course, it will not be as easy for other writers to write about the poet's protagonist, unless the writer himself is good at writing poetry, otherwise if you just use words to describe how talented the poet is, but you can't put any work on his head, then this description is empty and powerless.

Wang Defu directly pressed "Farewell to Kangqiao", "Accidental", and "One Night in Fei Lengcui" on Xu Shizhe's head, those literary and artistic young people who like modern poetry in this era would never have thought that they would one day go to a H masterpiece to find poetry.

Wang Defu spent a week, and finally wrote the beginning of "Love and Sex", one of the highlights in it, there is "Farewell Kangqiao", which is to attract literary and artistic youth, for ordinary readers, the highlight of the opening, of course, is that the male protagonist is engaged in Yanmar abroad, he uses delicate brushstrokes to depict a blonde beauty with a hot body, whose style is different from that of an Oriental woman in bed, which can definitely attract readers who have not opened foreign meat.

After all, there are no European and American cat movies in this era, let alone writing vernacular essays about how Chinese men engage in foreign girls, which is why Wang Defu is confident that his opening can attract ordinary readers.

After getting the beginning, Wang Defu also thought of a pen name for himself to hide his true identity, although the New Culture Movement is now vigorous, but his "Love and Sex" is still too explicit, and may be scolded by readers who can't understand the profound connotation of his work, and scolded for being vulgar after finishing it, so a pen name is necessary.

Wang Defu thought for a moment and came up with an interesting pen name - Ms. Yiren.

Don't think this pen name is strange, in fact, the male literati of the Republic of China period in Wang Defu's world seemed to yearn for women's clothes in their hearts, so they happily added the word "lady" to the end of their feminine pen name.

For example, Mao Dun has a pen name "Ms. Feng Xu", Liu Bannong has a pen name "Ms. Fan Nudong", Zhou Zuoren has a pen name "Ms. Pingyun" and "Ms. Biluo", Zhao Jingshen has a pen name "Ms. Luming" and "Ms. Aisi", and Sun Xizhen has a pen name "Ms. Zhiyun". The most interesting thing is Liu Yazi, an old poet, who actually has a pen name "Ms. Songling".

Some female literati in the Republic of China probably couldn't get used to the phenomenon of some male literati using feminine pen names at that time, so some real female literati gave themselves masculine pen names, such as the female writer Bingxin, she may have felt this, so she wrote articles under the pen name of "man", which is really full of personality.

Wang Defu is paying tribute to the masters, and by the way, he misses the unknown online writer he once liked.

----------------

Second more ~~~ ask for rewards, collections, and recommended tickets~~~!!