Chapter 35: I had to take it

Don't look at the impression that Huang Kan gives others, he is very sharp and loving, in fact, he is indeed a well-deserved literary talent, and even has a group of young female fans in literature and art in many local girls' schools.

That's right, even if he clearly opposes women going to college on "Xuehuan" and looks down on women's IQ, there are still female fans, maybe in their opinion, this is a man with a true temperament, not hypocritical, how can not fans reflect their dare to love and hate women in the new era?

And Huang Kanna always maintains a retro dress, with the banner of holding high the banner of Chinese studies, and even attracted a group of ancient students, they resist the "New Culture Movement", and think that the group of scholars who introduced Western philosophy and thought, as well as the so-called "Enlightenment Movement", are all conspiracy to "change Xia with raze".

Fortunately, since the territory of China is getting bigger and bigger, and in the process of becoming an empire on which the sun never sets, the high-level bigwigs always have clear minds, not "meat eaters are despicable, and they fail to plan far", under the will of the high-level, they have promoted all this, but it has also led to the chaos of the current imperial culture and ideological circles, and the sharp confrontation between the old and new concepts.

The so-called new ideas and new ideas do not refer to the culture and ideas that come entirely from the West, but to the scholars in China, such as Qi Di and Ren Peiyuan, mentioned above, based on the philosophical ideas that were produced during the Renaissance when the West was still suppressed, and the new ideas are believed to be more beneficial to the rule of the empire, the supremacy of capital, and the development of science, and in order to maintain the competitiveness of the country, it is of course necessary to advocate such more advanced ideas and concepts.

In fact, it can also be seen from the side that the top leaders of the Chinese empire are no longer the ancient monarchs and ministers, but the big capitalists who put interests first, and they vigorously support and advocate all new cultures, new ideas, new technologies, and so on that promote the development of capitalism.

In fact, this is the very revolutionary role played by the bourgeoisie.

The bourgeoisie will destroy all feudal, patriarchal and idyllic relations where it has already gained domination.

It will ruthlessly sever the feudal fetters that bind people to their natural superiority, and it will make there be no other connection between people except naked interests, except for the ruthless "cash transactions".

The bourgeoisie has torn off the veil of warmth and affection that has shrouded family relations and turned them into purely pecuniary relations.

The top brass of the Chinese Empire apparently felt that the empire they ruled was not capitalist enough, so they had to vigorously promote and expand the market and dismantle all the old things that hindered the development of capitalism.

The Brittan Empire in the West, on the other hand, is suppressing capitalism, and the other side is not a constitutional monarchy, but still a feudal monarchy, and the Illuminati cult......

Therefore, don't look at the fact that the two empires are now equal in strength on the surface, maybe in a few decades, the national strength will not be at the same level.

Judging from the fact that Huang Kan can have so many fans, he knows that this person is really talented, so his appreciation level is naturally not bad.

And why did he look down on vernacular literature before?

It turns out that this is also due to the fact that vernacular writing has only just emerged, and even the advocates of the "New Culture Movement", that is, those bigwigs in the literary world, do not have any beauty in the vernacular writing, which is not to say that their writing is not good, but because they deliberately pursue the straightforwardness and easy understanding of the article.

If classical Chinese has been used in China for thousands of years, and its various writing techniques and rhetoric have been developed perfectly, so that the masters of classical Chinese writing can always write ancient texts full of beauty and charm, then vernacular Chinese is now like a child who has not yet grown up, and it is really too difficult to compare it with ancient texts!

This is the reason why Huang Kan can so justifiably despise vernacular literature and admire classical Chinese.

But now, when Huang Kan finished reading this "Listening to the Snow Night", he fell into an indescribable shock!

Huang Kan even felt that his thoughts and concepts had been strongly impacted!

Can you still write like this in the vernacular?

Can the vernacular be written with such meaning and beauty?

The most important thing is that he feels that if he writes the same content in ancient Chinese and vernacular, there is no doubt that the vernacular will be more expressive and impactful!

Of course, the premise is that this vernacular text is written by Wang Defu, a strange person!

Although the vernacular text is not concise enough, it can make the description more delicate, can make the whole article appear more graphic, and make people unconsciously immersed in it......

In ancient Chinese, it really needs the reader's associative ability, and it also needs to be repeatedly figured out, just because a word in classical Chinese contains more content, which naturally makes it more difficult for readers to read.

This vernacular article actually made the mean Huang Kan regard his author Wang Defu as a strange person!

He used to think that the editor of "Xuehuan" had blown it too far, and secretly swore in his heart that he did not intend to approve a vernacular article anyway, but now, he had to accept it!

There is no way, now, if he is a dead duck and forcibly scolds Wang Defu, then what he will lose will only be his own reputation.

After all, this "Listening to the Snow Night" can be seen by all readers who read "Xuehuan", and the most foul thing about vernacular is that it is indeed easy to appreciate compared to ancient Chinese, and everyone can feel its goodness......

If Huang Kan forcibly said that it was not good, it would definitely make others think that this talented man who admired Chinese studies, his literary literacy was not as good as that of high school students, but high school students liked "Listening to the Snow Night", a gorgeous and gorgeous writing that showed off its writing to the pinnacle.

"Wonderful!" Huang Kan almost under the gaze of many students in the Department of Literature, forcibly maintained a calm and breezy attitude, and said these two words.

These two words, as if they had become the switch to end the pause button, suddenly made the atmosphere in the classroom warmer, and the literary and artistic young people seemed to have forgotten how they had mocked Wang Defu before, and instead began to discuss the vernacular writing skills shown in Wang Defu's prose......

Huang Kan breathed a sigh of relief inexplicably, fortunately, no one of his classmates stood up and asked an embarrassing question, that is, didn't everyone still mock each other in fancy ways before, why did they all start to study each other's articles now, is this change too fast?