Paganini's praise will not be repeated even if it is said for three days and three nights in a row.

He has both divinity and demonic nature, and can be said to be an extraordinary being who combines angels and demons.

Technically innovative is not his most commendable point, but it is his extension of musical expression that should be noted.

Although this "Twenty-Four Caprice NO.24" does not have a title (the title of "Drunken Qin" is not confirmed), its heroic and unrestrained expression is undoubtedly a landmark work of romanticism.

The whole piece is written in the form of variations, with a total of eleven variations.

In a very short period of time, the changes in the acoustics were displayed in the most luxurious way.

Xin Xiangyang, who was standing in the middle of the stage, changed into a pale pink dress today, and the whole person looked quite gorgeous.

Shen Wuhuan, who was sitting next to the piano behind her, could clearly see the fine beads of sweat on the back of her neck.

She must have been extremely nervous.

When Xin Xiangyang turned his head, the first thing he saw was Shen Wuhuan's smiling face.

Shen Wuhuan, who was sitting behind her, was like a giant's solid arm, which made her settle down in an instant.

She nodded and motioned for a start.

As an accompanist, Shen Wuhuan is not the protagonist of this performance, she only needs to use the accompaniment to guide the rhythm.

Xin Xiangyang is the real star in the spotlight today!

The first to come is the main paragraph.

The overall melody is repeated in rapid eighth notes.

The timbre is sharp and prominent.

But it doesn't give the impression of noise at all.

Here, Xin Xiangyang uses accents to slightly accentuate the characteristics of the theme structure, which plays a role in soothing this prominent and sharp phenomenon.

At this time, her bow performance became more active and jumpy.

Xin Xiangyang, who was standing on the stage at this time, was like a female swordsman holding a Western sword.

The fast connecting bow and jumping bow are as fast as lightning, just like the steel sword in the hands of a sword master, which is as daunting as a sword!

The audience was stunned!

Have they ever seen a violin played like this?

Those who claim that classical music is an art will always give people a mature and introverted appearance in front of the Tai.

But Xin Xiangyang's performance is completely sharp, with a murderous theme and extremely fast sixteenth note playing, showing boundless domineering!

As long as the opening scene can shock everyone's audio-visual, this is the charm of Paganini!

After the first variation, the next one arrived, and the more shocking arrived.

I thought the theme was already quite fast, but in fact the tempo from the first variation was much higher than the main theme.

Like a dazzling light, it pierced the audience's sight!

This is the best way to describe this paragraph.

The powerful impression effect expressed by the extremely fast Feiton bow brings the simple theme out of the chord breakdown with the addition of ornamentation.

This can no longer be said to be a simple boost!

What kind of technology does it take to achieve a fast pattern and add such a crisp ornament to the molding?

This recital has completely turned into a solo show, and Xin Xiangyang's performance has also made everyone take their breath away.

This was followed by a short, powerful tuning of an extremely strong lianton.

In the last measure of the first variation, which ends with a warm note, the whole piece enters the second variation.

The tempo of the second variation continues the first variation, except that in the second variation, Xin Xiangyang's peculiar way of playing legato on two different strings reminds the audience again.

The previous one was just an appetizer.

Two adjacent semitones are played separately on the two strings, producing an extremely peculiar sound.

It feels like a wheel.

And this special wheel presents a special sense of "tilt" because of the accent performance of the second measure, which is eye-opening!

"Oh my God! What does this girl's head think? Is she crazy? ”

Conservative music scholars couldn't believe their hearing and sight.

This kind of unbelievable design is far from the stereotype of the song, and it is a new type of music that completely shows the charm of the individual.

But how difficult it is for them to admit this, this kind of incomprehensible music, they can only attribute it to Shen Wuhuan is crazy!

I believe Paganini must have been crazy when he wrote this piece!

But this crazy state infected all the audience at a very fast speed and drove their emotions.

What the hell is this listening to a concert? It's a war!

Xin Xiangyang's bow in her right hand and the fingers of her left hand were moving at an extremely fast speed, and it was difficult for the naked eye to tell how much she had done in a second!

The mastery of technology can often be seen with the naked eye alone, let alone such an exclusive show-off track!

Show off, yes, that's what I'm using here.

This tune is as literally descriptive, it's a show-off!

And the audience is obviously quite buying this kind of performance.

The rousing melody floats on the peak, like clouds on the horizon, and while the audience is still floating above the clouds, the melody enters the third variation, but the melody takes a sharp turn.

The third variation suddenly becomes an even and calm octave double note, and it plays a variation on a theme that is extremely flexible and singable.

In a short moment, the tonal character of the second variation is completely stripped out of the audience's mind.

What kind of astonishing expression is this, what kind of god-like variation arrangement is this?

Singing melodies are often used in the violin, and unlike showmanship, this is where the basic skills are tested.

The calm timbre and thick affection are perfectly presented in Xin Xiangyang's performance.

It is from this variation that people know that this student girl of the conservatory is not just skilled.

Her basic skills are equally solid and frightening!

After the third variation, which is like sinking into the valley, the fourth variation is like a string of pearls thrown into the sky.

A series of chromatic tones are played continuously, like a nimble lark soaring freely in the sky.

It flies and sings wantonly, and every time it flapps its wings, it is so vigorous and powerful!

The bow in Xin Xiangyang's hand was the wings of the lark.

The ability to play several different notes with a single bow movement is simply breathtaking.

What's more, each note is extremely full, which makes people unconsciously sink into it.

After a series of astonishing changes, the audience's mood has been like a roller coaster.

In Xin Xiangyang's performance, each variation is extremely short, but the character is distinct.

The audience only felt that there seemed to be a magic power wafting out from Xin Xiangyang's piano sound, which deeply captured their spirit.

The magic was like the palm of the devil's hand, and it was coming at their souls.

And this piece of music has only just begun.