"Hey, have you listened to Professor Shen's two new tunes?"

"Of course I listened to it, it just shocked me, Professor Shen also wrote a paper specifically for these two songs, and now the old professors in our school are going crazy!"

"Why are you crazy?"

"Of course you don't know the problem of academics, academic problems are something that has been developing slowly for a long time, but with a sudden leap like Professor Shen, I'm afraid the hearts of those old professors will not be able to bear it, right?"

"Uh... Is it the same as Copernicus's heliocentrism? Professor Shen won't be dragged to be burned, will he? ”

"This shouldn't be, after all, it's modern, and everyone will be more tolerant of new knowledge, but well, I'm afraid there is still a long way to go before this new subject is officially put on the stage..."

"Indeed..."

After the release of the two "Hunting" songs, even such students will have nothing to discuss a few words.

This is enough to see how Shen Wuhuan's new topic has shocked the entire academic community.

At this point, people really began to pay attention to all the previous music of Shen Wuhuan.

To put it simply, it can be divided into two categories.

The first category is very traditional and serious classical music, which is also very popular with the older classical scholars, and Shen Wuhuan is also able to achieve today's status because of this.

The second category is those unconventional etudes and pieces such as "Introduction" and "Love's Sorrow and Joy", which focus on the humanistic spirit or the rich personal spirit.

Traditional classical music is not difficult to parse because it has various stereotypes, and its significance is greater than its academic significance.

But iconoclastic classical music is very difficult to parse, and many times these scholars look at the score without understanding why the composer did it.

This creates a great deal of unknown.

Isn't the purpose of scholarship to explore the unknown?

While such an impact opens a new door to the academic community, it will inevitably put Shen Wuhuan at the center of the fire.

On the one hand, scholars are eager to make academic breakthroughs, and on the other hand, their preconceived notions do not allow them to recognize the concepts proposed by Shen Wuhuan.

What the so-called new era of classical music is like should not be proposed by individuals, but by the academic community.

Although Shen Wuhuan is a professor, she is still too young after all.

Unlike the old school of thought, young scholars who like this new type of music invariably stand up for her.

"Neo-classical music breaks the traditional stereotype and shows the composer's unique ability to compose, although this will reduce the production, but all the pieces will no longer rely on the stereotype, which will broaden our horizons and let us see new things, why not do this kind of thing?"

"The concept proposed by Shen Jiaoshou has promoted the appreciation of classical music, and more humanistic atmosphere can be felt from the music, which is completely different from those difficult classical music, serious things are indeed essential, but relatively speaking, things closer to humanity are what we urgently need at present!"

"I think we should give a unified name to the neo-classical music proposed by Professor Shen, so that we can classify it, so what do you call this neo-classical music, Professor Shen?"

Faced with this question, Shen Wuhuan gave full play to his identity as a person from another world and gave the answer very cleanly.

"I call this kind of music that focuses on self-expression and expresses the composer's personal thoughts and emotions Romantic classical music, and to give a clear example, "Introduction and Rondo Caprice" is a marked romantic music, which has a distinct nationality, individuality, emotion, and a new spirit and an extremely instructive title, which are the hallmarks of this new music."

Shen Wuhuan's explanation received great attention at once.

The so-called Romantic music was originally based on the Romantic period, and it was also given to later generations.

However, in this deformed era, Shen Wuhuan showed classicism and romanticism at the same time, constituting a colorful new era.

Enthusiasts began to have a heated discussion about "romantic classical music".

"It's true that the names of the pieces we hear on weekdays are all musical names like "Piano Sonata in A Major" and "Violin Concerto in C Minor", and we don't know what these composers want to express, but if you look at Professor Shen's songs, although they also have that kind of inexplicable name, there are more titles like "Winter Wind", "Riptide", and "Hunting" that can make your imagination soar when you hear the name, which is really amazing!"

"Distinct national character, so the song "Introduction" should be a piece that carries a strong Spanish style, right? No wonder it is so enthusiastic and unrestrained, even if it is mixed with some sadness, but it can also contrast the joy and high-spiritedness of the whole piece, which simply opens the door to a new world for us! ”

"Indeed, the previous music was more about feelings, but now listening to Professor Shen's music, we can participate in it, in fact, although I have the habit of listening to classical music, but more often than not, I am just a spectator, and I can't participate in the music, but since I listened to Professor Shen's music, I have found that I can also be a member of the stage behind the music!"

Countless praises rushed towards Shen Wuhuan.

But what followed was a counterattack from the old school.

They couldn't find a real refutation of Shen Wuhuan's summary, after all, this term called romanticism was not something she came up with on the fly.

It turns out that the world doesn't know how long it took research to establish such a standard of the times, how could it be easily refuted by them in a short period of time?

Since it cannot be refuted academically, it is necessary to refute Shen Wuhuan from the point of character!

"I did hear Professor Shen's academic opinions, and although I can't give an accurate conclusion on whether this kind of music is music of the new era, I have seen a lot of strange phenomena from it."

"For example, in terms of the nationality proposed by Professor Shen, Professor Shen, as a CN musician with top technology and knowledge, does his work not have any national character of my CN nation, is this a bit unreasonable?"

"From "Winter Wind", we can't feel the national integrity of the CN people, and from "Introduction", we can only feel the customs from the other side of the ocean, so may I ask Professor Shen, where is the national character of our CN?"

This expert really saw what was missing from Shen Wuhuan's body hidden in it.

The works she came up with are all high-quality works, but in the final analysis, those are the works of foreign composers, where can the national character that truly belongs to CN people be reflected?

For a while, even those who supported Shen Wuhuan couldn't help but start thinking about this problem.