Even if the people present are not folk music masters, they are also called the people of the family.

In fact, this sound of horses' hooves is not difficult, and any one of them can do it as long as they understand the principle.

It's just that they couldn't imagine how Shen Wuhuan could use such a short ten minutes to think of playing like this?

The crisp and bouncy jumping bow adds a bit of color to the whole piece.

What's more, the passionate emotions gushed out during this performance, which infected everyone present in an instant, which is not the direction of development of folk music now.

The sound of the erhu has been sad since ancient times, with a tactful bass and a sad high tone, which has nothing to do with joy and excitement.

But at this time, Shen Wuhuan slapped the face of their group of closed people with the erhu in his hand!

"Let you do it behind closed doors?"

The light sound of horses' hooves was followed by a series of light and lidied bows, like a standard adjective, describing the speed of the horses!

And this simple melody is hidden in the 3 octaves that jump back and forth, and with the change of pitch position, the image of "galloping horses" is brought to life

But what happened next shocked the folk musicians again!

Shen Wuhuan actually began to pluck the strings.

Plucking the strings is a formal Western technique, and it is also the plucked string technique of the violin.

Although there is no clear statement in the erhu that you can't pluck the strings, CN has paid attention to rules since ancient times, and innovation is not something that can be done if you want to, you have to comply with the rules.

So even if it's just a simple action, it will never be seen in today's folk music!

The vivid combination of the plucked strings of the large plucked strings and the jumping breakdown chords played in the half-beat of the missing plate makes the whole piece unique and unique, and such passages are also used in the version adapted by Chen and his sons.

The contrast between the rhythm and timbre of the plucked strings and the melody in front plays a further development of the music.

The folk music scholars present had never seen such a way of playing, not to mention that the jumping bow in front imitated the sound of horses' hooves, and the plucked strings at this time were even more eye-opening for them!

What's more, of course, these people know that plucking strings is a violin technique, and Shen Wuhuan's performance of the repertoire in this way does not shock them, and even more so as to take it for granted.

Because Shen Wuhuan is originally a Western musician, it is not strange that she does not play according to the rules?

Although all the people present were furious and wanted to angrily slam this unruly player for playing erhu here, they also knew that it was taboo to interrupt other people's performances indiscriminately, so they could only sulk in place.

Shen Wuhuan's performance also entered the next stage at the same time.

The bow in her hand pulls rapidly, and after the plucking, the piece enters a transitional section that connects the plucking strings with the following melody.

After a brief compression of the theme's melodic material, a more crisp and majestic sound of a horseshoe effect is heard.

Compared with the previous sound of horses' hooves, the sound of horses' hooves this time is louder, which means that the running horses have come to us from far and near!

This section of horses' hooves integrates the theme into the whole song!

So far, Mr. Huang Haihuai's "Horse Racing" can still be performed in the form of the original song, but everything that follows belongs to the adaptation of Chen's father and son.

It's a jaw-dropping performance.

Erhu's quick bow appeared.

The bow rubbed against the strings at a very fast speed, and Shen Wuhuan's left hand was also rapidly changing the pitch, and the rapid progress that made people's blood rush followed.

The image of a running horse with the sound of fantasy makes you can't help but hold your breath!

The legato gets faster and faster, in stark contrast to the previous cadenza.

A tight, uninterrupted melody shoots at the listener like a galloping arrow.

Here, Mr. Chen's father, Mr. Chen Yaoxing, integrated the artistic conception of his erhu solo song "War Horse Galloping" into it, creating an extraordinary and stirring plot.

"War Horse Galloping" is a standard military camp rhapsody, which is related to Mr. Chen Yaoxing's military background.

The whole song shows the cavalry of the frontier steppe showing the scene of defending the motherland and practicing the ability to kill the enemy, full of indomitable fighting spirit.

And in this song, this fighting spirit is amplified for no reason.

It's like a "desperate" struggle between several galloping horses as they are about to cross the finish line!

Behold, the tall red horse is galloping hard, and in front of him is the king of horse racing on the grassland, which is unyielding behind him, and his whole body is condensed with the spirit of success if he does not succeed.

At this time, the melody became more and more urgent, Shen Wuhuan's fast bow was almost out of the sky, and the folk music players present couldn't help but open their eyes and open their mouths when they saw this scene.

deduced a real "jaw-dropping"!

You must know that when the Chen father and son played, the two of them played the same song, as if the galloping horses were competing with each other for the first place.

At this time, Shen Wuhuan played the effect of two people by himself.

She consciously extended the rest of the race during the run, making the spectacle more realistic.

It also makes the audience more immersive!

As the melody continues to increase in speed, the fast bow can no longer meet Shen Wuhuan's requirements, and she uses the technique of the spray bow in the middle phrase to intensify the drama of the whole section.

The so-called nozzle refers to the sudden and intense movement of the capsule like a volcanic eruption, and the instantaneous movement of the right wrist is used.

In the opening phrase of "Horse Racing", this bow technique is used to show the enthusiastic scene of horse racing in the Inner Mongolia grassland.

The spray bow is followed by a fast bow as fast as the wind again, like a final sprint!

When everyone present was overwhelmed by the rapid melody.

The last compressed body footage appears.

Like the great joy of crossing the finish line, the horses enjoyed the excitement of running as they gradually slowed down.

And at the end of the excitement, the horses stopped their hooves, and everyone was greeted by...

One, two, three...

"Hiss---"

Everyone present, whether it is many masters of folk music, or Li Yunxi, Xia Mengxue and others, all gasped at this time!

The erhu in Shen Wuhuan's hand actually heard the neighing sound of a horse!

It's not ventriloquism, it's not that someone outside is leading a horse, it's really using the erhu to imitate the sound of a horse neighing!

This neighing technique is unique even in the original world.

Not to mention the world.

What's more, with Shen Wuhuan's current technology, Ma Xi has simply achieved the point of being fake!

It's amazing!

........

The following don't need money, Chen's father and son, father is called Chen Yaoxing, son is called Chen Jun, both of them are outstanding Chinese erhu composers and performers, please see AV1908395 for related videos, and there are still two chapters waiting for it, which are still being revised and released later.