Shen Wuhuan is by no means exaggerating.

Because the piece that Xin Xiangyang wants to play today is also a great song in the original world.

The ninth of Paganini's twenty-four capriccios, "Caprice in E major: Allegro", has a special title.

Its name is "Hunting".

The reason why it is called hunting is because the violin imitates the sound of flutes and French horns in the first and last sections of the piece, and echoes each other, making people feel as if they are in the vast jungle, sounding the hunting horn one after another.

Even among the twenty-four caprice, the difficulty of this piece is extraordinary, and it belongs to the more difficult of the twenty-four pieces.

And the reason why Xin Xiangyang was able to complete the performance of this piece in a very short time has to be said to be thanks to Shen Wuhuan's personal teaching.

When talent is not enough to make her improve quickly, the role of a famous teacher is reflected.

In the field of classical music, a random point of guidance from a master can make you chase after your predecessors like a shortcut.

Xin Xiangyang is exactly how he feels.

When she first got the piece, she didn't even know how to play it.

Shen Wuhuan's weighty performance also makes the whole piece quite beautiful and simple, but in fact it is not like that at all.

The whole piece is in E major, 2/4 time, and three-part asana.

The second half of the piece is a very rigorous and precise four-note bow throwing with large fragments, a special bow technique invented by Paganini.

It was Paganini who invented it, which means that there is no such thing in this world!

When Xin Xiangyang saw this arrangement of notes, he was simply stunned...

But in fact, this particular bow method is not so mysterious: the right hand throwing the bow is played, relying on the natural elasticity of the bow shaft, mainly emphasizing that after the first accent falls on the string, the other notes follow the force of the alto, but naturally but still have a controlled homeopathic pull.

After Xin Xiangyang saw Shen Wuhuan's demonstration, he almost stared out his eyes.

She exclaimed, "And this kind of operation? ”

Well, that's what it does.

In the desperate practice, Xin Xiangyang's potential was also developed.

Classical music is something that the more you practice, the more comfortable you become.

It may seem difficult to get started, but when you actually get started, you'll find that you spend almost as much time going from level 1 to level 3 as it does from level 3 to level 9.

Xin Xiangyang's strings and Shen Wuhuan's accompaniment sounded at the same time.

The high-pitched flute sound lifted the spirits of all the audience at once.

"Is this what Professor Shen said about imitating other musical instruments? It's really extraordinary. ”

"I hear it, it's a flute! Can't imagine that a violin can make such a sound? ”

"I'm shocked, why is this two-tone staccato playful feeling so smart?"

In fact, Xin Xiangyang's strength in this song completely shocked everyone.

It's just a few short bars, and it even makes people feel like they've never heard Xin Xiangyang play.

In fact, Xin Xiangyang is definitely no stranger to the students here, the Conservatory of Music often holds some competitive competitions or theatrical performances, and Xin Xiangyang has a lot of opportunities to show his face.

But today, Xin Xiangyang's performance has exceeded the school's students by too much.

Even among the members of the community who were present, some violinists could not help but feel threatened.

The loud flute was followed by a series of muffled melodies.

The sound is dry but thick, and the French horn sound imitated by the violin quietly appears.

"I'm going, how can I still do this? This must be a tuba or something, right? ”

"There are so many wind instruments that I can't tell them apart at once, but this..."

"How is this done? He actually used the violin to imitate the sound of other musical instruments, could it be true that what Professor Shen said before? ”

Only then did the audience wake up in shock.

Recall what Professor Shen said before the performance.

"But the overall artistic expression is quite rich, and the sound of the violin imitates other instruments, producing an unexpected special effect."

Amid the flute and French trumpet, the audience felt like they had been hunted.

This is the princess selling melons!

This is simply a princess selling melons, and when she goes home, everything is open, and there is cantaloupe inside!

Professor Shen, I solemnly implore you, can you not be so realistic?

At this time, how can anyone say that Professor Shen is touting his work?

Are people like that?

And isn't such a tune worth studying?

Unlike the students, those social people sitting in the audience really understood the value of Shen Wuhuan.

This has almost touched on a whole new mode of playing and composing, which is an eye-opener.

If you can write a paper on this tune, it will definitely attract attention!

At this point, Shen Wuhuan's goal can be regarded as achieved.

On her own, these tunes should be studied thoroughly, and she will go to the Year of the Monkey?

Only brainstorming can make up for this shortcoming, not to mention that Shen Wuhuan himself is not a person who loves academic research, and the reason why he uncharacteristically announced that he wants to conduct academic research is to remind those who really want to engage in academics.

The purpose is also very simple, to break the current sluggish state of CN classical scholarship!

Shen Wuhuan just wanted to tell them: "Come and study my tune!" Ignore the other garbage! ”

Although this is a bit crazy, once this academic atmosphere is formed, it will definitely be a great thing for CN Classical!

Even because of these studies, it is not impossible that a new wave of classical music composers will emerge.

Xin Xiangyang really showed his face today, this is not a very long song, full of calculations, at normal speed, it can be fully played in about three minutes.

Although her performance is still a little jerky, there is no problem at all in terms of technique, and the rest is carving.

Shen Wuhuan asked her to play today not to let her show any skills beyond common sense, but to let her feel the mentality of a soloist.

Xin Xiangyang has this potential, and Shen Wuhuan's sentence of promoting some talented students to the outside world is not empty words.

Being able to be favored by Shen Wuhuan can only be said to be Xin Xiangyang's blessing.

In the second half of the experience of the four-note bow throwing, the whole piece enters the final section.

The sound of hunting horns came again, and people couldn't help but be a little addicted to it.

When the song is over, people wonder why time flies so quickly.

"The name of this piece just now is "Hunting", and the simulation of flute and horn sounds has greatly improved the expressiveness of the violin, showing the richest timbre in the range of the violin as much as possible." At the end of the track, Shen Wuhuan continued.

At this time, no one would think that Shen Wuhuan was talking exaggeratedly, only when she was discussing a piece very objectively.

But then, Shen Wuhuan's speech surprised them again.

"Since the violin can, then there's no reason why the piano can't, so please enjoy 'The Hunting'."