Master Liao knocked on his chair and thought in his heart.

Today's exchange meeting did discuss some incredible things, and many people present were inspired by Shen Wuhuan's words to have strong national feelings, but Master Liao's reason told him that there were many problems here.

First of all, it is necessary to achieve the symphony of folk music, and it is absolutely impossible to succeed by relying on the power of the people alone, so it will inevitably have a huge relationship with the official.

At the same time, the so-called national symphony is still too ideal in relation to the general environment, and it is not at all clear whether it will be supported by the public and local musicians.

This situation is really not very optimistic, but Shen Wuhuan, who was preparing on the stage at this time, looked relaxed and did not worry at all.

Shen Wuhuan was even more mysterious in Master Liao's eyes at this time, could it be that this person came out of thin air to save Minle?

In fact, the symphony of folk music can no longer be said to be a kind of music reform, but more of a political movement, and it is a necessary change made in line with the current national conditions.

And looking at Shen Wuhuan's answer just now, he obviously did not do much homework, so it is no wonder that Master Liao was so shocked.

Not only Master Liao was so shocked, but several leaders from the Cultural Affairs Bureau were also shocked, including Ning Wenlan and Sun Yunwen.

The so-called symphony of folk music, they have not thought about it, and they have even planned it for many years, but because they have not been able to establish effective communication with folk musicians, this plan has been put on hold.

As for the question of how to complete the symphonic process of folk music, even the Cultural Affairs Bureau does not have any relevant plans, and the reason is naturally that there are no people who are familiar with folk music who are willing to communicate with them, so that this dilemma has been created.

But no matter what, the plan for this general direction was also formulated by the civil servants of the Cultural Affairs Bureau, and Shen Wuhuan not only put forward the same plan, but also completed the most critical part of it?

Is she a monster?

Of course, they wouldn't know that Shen Wuhuan's original world had already made the same plan, and after a long period of research, it had also developed some results.

She's just transcribing them into this world.

"Okay, next, the song I brought to you is "Horse Racing", some of the seniors present should have heard it, but this adaptation I have integrated some other things, after all, we don't have much time to prepare, so please invite our Yu Jie to become Yu's teacher."

Yu Jiecheng walked up to the stage, said hello and sat down.

And Shen Wuhuan sat on the edge of the grand piano with an erhu and a stool.

At this time, the people in the audience looked at the combination of these two people, how did they look at it and how did they feel that it was not compatible.

But now Shen Wuhuan wants to let two musical instruments perform on the same stage?

This has to be said to be a bit crazy.

Shen Wuhuan and Yu Jiecheng's performance of "Horse Racing" is actually derived from an erhu duo performed by Lang Lang and Lang's father at Carnegie Hall.

The whole is short and concise, but it is particularly attractive to foreigners.

In particular, the neighing of horses caused exclamations from the foreigners present.

But relatively in China, most people think that the combination of the two is not outstanding, which is somewhat related to cultural differences.

But it is precisely because of this that Shen Wuhuan chose to let this piece appear on such an occasion again.

Foreigners like it, so naturally we should also develop in this direction accordingly, the purpose is not to make foreigners happy, but simply to make foreigners' money.

Of course, such a statement is somewhat cliché, and complete commercialization is also a phenomenon that artists are extremely disgusted with, but when folk music cannot even guarantee basic economic benefits, if it is not changed, everyone will starve to death together!

Not to mention that in the original world, one of the earliest national musical instruments to emerge abroad was the erhu.

Even when Lang Lang performed Lasan in Europe, the BBC host specially mocked: "Why don't you a Chinese play the erhu, but play the piano and play such a difficult tune?" ”

Even if the erhu appeared in a sentence full of sarcasm at this time, it was still enough to prove that his popularity was opened.

When the music sounds, the melody of the piano takes on an extremely cheerful accompaniment passage, which progresses in a stepwise manner, showing a situation of running from a distance.

The process of erhu "Horse Racing" started at the same time.

At this time, the music is like two galloping horses wrestling.

The erhu's tactful and highly recognizable timbre is even louder in Shen Wuhuan's hands, and the overall timbre is extremely full.

Although Yu Jiecheng's piano is not as exaggerated as Shen Wuhuan, he is also a professional pianist, such a simple melody is still easy to capture, coupled with Shen Wuhuan's specialized performance method, the overall performance is also remarkable.

In fact, in terms of the loudness comparison between the erhu and the grand piano, the erhu is absolutely incomparable to the grand piano, but under the special arrangement, the touch keys of the piano part have been adjusted to highlight the sound of the erhu.

This is one of the main points of this song.

When the horse gallops, the two of them chase after me, although the piano is better than the erhu in imitating the sound of the horse's hooves, but in the movement of the joyful notes, the change of strength and weakness can also bring a strong sense to people.

As the theme of the erhu continues to develop, the touch of the piano also continues to increase, and the anxiety of the competition is reproduced under the continuous heavy blows.

But at this moment, the sound of erhu suddenly became lingering.

The same softer passage from "War Horse Galloping" is used here, and the piano also falls slowly.

After the excerpt, the piano is bombarded with rapid sixteenth notes, and the erhu responds to the same passage with the sound of horses' hooves, as if two horses are making a final sprint.

When the whole music entered the final moment, Shen Wuhuan's signature horse neighing resounded throughout the concert hall.

Immediately caused an exclamation.

At the end of the song, before some folk musicians could react to what this thing was, they saw that in the last rows of the entire auditorium, several foreign reporters suddenly stood up and clapped their palms vigorously.

At the same time, he shouted: "Brava! ”

The foreign journalists were clearly in a frenzy, while the folk musicians were a little overwhelmed, and the strong contrast gave them an extremely awkward feeling.

Even Master Liao was confused, which nerve did this four-dissimilar song just now trigger these foreigners?

How excited they are?

What a hell of a life.