The soft murmur of the violin was like a bird that pierced through the misty sky and moved everyone's ears in an instant.

Xiang Yinyi pulled the bow with a relaxed face, and the melody was like a never-ending river, flowing in her mind.

With the newly learned memory method and the short practice and observation with the orchestra, it will not be too difficult to play this piece according to your own impressions.

"The problem is her"

Xiang Yinyi shifted his attention to Zhou Wenping.

She sat upright, her back curled slightly, and she didn't look good.

Xiang Yinyi also vaguely saw beads of sweat slowly falling on her cheeks, obviously she was in a rather nervous situation.

In a trance, I saw her fingers tapping lightly on the keyboard.

A series of notes as clear as spring water swept through people's hearts.

Short but powerful, full of emotion.

It's a refreshing sign, but it's not so unexpected.

Xiang Yinyi pricked up her ears to listen to the melodious melody from the piano, and with her own understanding, began to look for an accompaniment point.

In fact, she did a very good job, and even if someone else came in, it might not necessarily be better than her.

Her melodic compositions are so ornate that many people take years to practice to become proficient in techniques that she feels as easy as if she didn't need money.

On the other hand, Zhou Wenping.

She was just repeating the melody.

The composition of the melody she uses can be said to be simple, and the casual short phrases are also extremely "childish", like a kindergarten teacher who is giving an enlightenment lesson to kindergarten children.

Sometimes, without the accompaniment of the telephony, her phrases have only one part.

The alternating high and low voices seem to be playful.

The performance of the two brings two extreme feelings to people at this moment.

The performance of the Xiangyin instrument is gorgeous and full.

Zhou Wenping's performance is gentle and immature.

Gorgeous does not mean flashy, and immature does not mean childish and ridiculous.

These two different styles are perfectly integrated in the first movement of the piece in A major.

In a trance, with the accent of the musical phrase, the whole introduction quickly crossed over and entered the climax of the presentation section.

Zhou Wenping swept away the previous immaturity, and the symphony of high and low voices was played, presenting an audio-visual effect that was no less than a symphony.

And Xiang Yinyi also changed his previous gorgeous skills, closely followed the direction of the main theme, and was at ease in front of an accompanist.

Before and after the introduction, the completely different playing styles of the two men did not spoil the style of the whole piece.

Smart, casual and full of personality.

That's their style of playing, and it should belong to everyone.

Naturally, it is impossible to compare with the grand performance of nearly 100 people in the orchestra with only two people, but the emotions and expressiveness that can be expressed are not inferior to the performances of the previous orchestras, and even more fascinating.

Even Shen Wuhuan couldn't help but praise in his heart when he heard such music: "It's really great, this kind of music is what we should pursue." ”

Even Shen Wuhuan couldn't help but admire the performance of the two, and the performance of the others was even more exaggerated.

Originally, in their hearts, this inexplicable performance must have had the absolute upper hand with Xiang Yinyi, and Zhou Wenping, a little girl, could not play anything eye-catching.

I didn't expect it.

Even the immature arrangement at the beginning still seems as flawless as a meticulous craft.

And Xiang Yinyi's willingness to be a green leaf, even if Shen Wuhuan has words first, but if there is no sympathy, the music will not be so harmonious.

The most important thing is that when I hear the music played by the two of them, I can't help but feel a surge of joy in my heart, as if my emotions are ignited by the music, and I am constantly excited in my heart.

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Why is that?

As the performance of the first movement ended, many things were already clear, and Shen Wuhuan immediately clapped his hands and made the two stop playing.

Zhou Wenping was the first to jump off the stool, ran to Shen Wuhuan and asked, "Professor Shen, how am I playing?" ”

"Very good, you must have put in a lot of hard work, right?" Shen Wuhuan touched her head.

Zhou Wenping just smiled lightly and didn't say much, but the excitement in her eyes couldn't be faked.

Xiang Yinyi put down the piano and gave Zhou Wenping a thumbs up, "I didn't expect you to look weak, but playing the piano is unexpectedly infectious." ”

"Thank you." Zhou Wenping nodded quietly, and her emotions became more and more high.

Shen Wuhuan no longer looked at the two little girls who seemed to be fettered, and turned his head to look at the other members of the orchestra.

Some people are entangled, some are lost in thought, and only a few people have their eyes fixed at this time, and they seem to have gained something.

Shen Wuhuan simply spoke: "Okay, after listening to the performance just now, do you know what I want to say to you?" ”

Xin Xiangyang was the first to raise his hand, "I think the teacher is trying to tell us that sometimes the rendering of emotions can be more resonant."

Zhang Hailu then said: "Well, probably want us to throw away the burden on our bodies?" ”

As the two of them took the lead in speaking, the atmosphere of the orchestra gradually became lively.

"It's about making us more intimate."

"We should focus more on expressiveness than technology."

For a while, everyone began to express their opinions, some of them got to the point, and some of them didn't, but this did not affect Shen Wuhuan's good mood at all.

The orchestra is a whole.

But the orchestra is not really a whole.

If everyone in this room is a living person, if they are allowed to follow a set script, why not let the computer control the electronic instrument for the concert?

This is the meaning that people give to music, and it is also the meaning that music gives to people.

Thinking of this, Shen Wuhuan opened his mouth and said: "What you just said is right and wrong, but I think the biggest doubt in your heart must come from the two people who played just now, Xiang Yinyi and Zhou Wenping. ”

"Needless to say, Xiang Yinyi, with unique talent and perseverance, why does Zhou Wenping's music have the same scale of expressiveness?"

"She actually has nothing, and it is precisely because of nothing that I am relieved to let her express it in her own way, this kind of free and pure affection is from the heart."

The members of the orchestra seemed to have understood something, and could barely control their desire to play.

In the end, Shen Wuhuan said softly.

"Technique is something that everyone must persevere to hone, but don't let your spirituality be worn out by boring practice, which is equivalent to putting a shackle on yourself, please play more freely!"