There was no time left for Shen Wuhuan to wipe his sweat, and the piece officially entered the third movement.

3rd movement: Agon to fast allegro, 4/4-2/4 alternating beats, G minor, trilogy style.

The first part of the trilogy: the introduction is a solemn board, heavy, solemn, and extremely emotional.

The music of the seven bars used in the introduction and the allegro before and after it are two completely different styles, showing a sharp contrast, maintaining the aesthetic balance requirements of classicism in the form of music, while also revealing the author's extremely profound ideological core.

It's like a sigh after a carnival, and it's a little decadent.

Just like Tatini woke up in a dream, he could only vaguely remember the melody of the dream, but he couldn't fully record it.

But this frustration only stayed for a moment.

Soon the Allegro entered with a continuous bow jump, breaking the solemn mood.

The first half of this Allegro section is dominated by flowing sixteenth notes, with occasional doubles and chords, and a sustained vibrato in the second half.

This is the so-called "devil's trill"!

The strange melody and the two melodies played by the violin at the same time shocked everyone present.

The first is the line composed of long notes played by continuous vibrato in the high voice; The other is a melody dominated by eighth notes in the lower voice, with a key shifted to D minor, ending on a seventh chord.

One high and one low, the continuous trills and the extremely poor visual perception are stunning.

"That's scary, isn't it? It's not a trill, the devil"

"This two-tone performance is amazing, what is it in the head of this composer?"

"Stunned!"

The students couldn't help but exclaim.

But the devil's trills are far from over.

The vibrato in this section is only played with vibrato in the high part of the double note, and it does not reach its peak!

Next is the middle of the trilogy.

The middle part is a part of the continuity, and the transposition and repetition of the first motive still starts with the Zhuang board and is transferred to D minor, which is quite strange but solemn.

It was like the moment of silence before the devil came to the scene.

Finally, the end of the melody turns back to G minor, marking the reproduction of the seventh chord of the entire third movement!

The third part of the trilogy is the reproduction section.

With the first part there are only a few main themes that continue to make a little change.

But it seems that a gallop goes directly into the trill.

This time the trills are even crazier and more gorgeous.

The addition of vibrato to the sound of both voices is really eye-opening.

The same techniques are extremely complex: kneading, double strings, hooks and trills, and the combination of hooking techniques in this piece makes the difficulty of the piece even more difficult.

But just because it's hard doesn't mean it's bad.

Unlike Xin Xiangyang's world-famous songs, it has extremely repetitive techniques and quite far-reaching expressions, but it has never been known.

It seems that the refreshing feeling of cutting out the jade in the gambling stone is so hearty.

It is also very different from the foreign folk music played by Huang Mengmeng, this standard baroque violin sonata is obviously the most authentic classical repertoire, and it has an incomparable sense of nobility with folk music.

Not to mention the expressiveness brought by the repeated techniques, which makes people feel surging.

Everyone present was dumbfounded.

It's not just because of the extremely high difficulty of this piece - Shen Wuhuan's song, at present, is there any song that is not difficult?

But this piece does bring a different kind of impact.

An unhuman style of composition.

The performance of the two tones reveals a thick and strange atmosphere, which is not at all like the music of the world, but reveals a demonic nature that can attract people.

The trembling of the two tones is like a sonic attack, but it does not bring harm to people, and it brings endless pleasure.

It's really like what Shen Wuhuan told in his story.

"It's music from the devil!"

The end of the whole piece ends in a slow adagio, and the solemn atmosphere of the music makes it impossible to guess how deep the artistic conception of the music can be.

The gorgeous singing-like trills and dynamic melodic tones push the unique expressiveness of the music to a limit.

Even though the difficulty of this piece is far from ranking among all Shen Wuhuan's songs, the two-tone vibrato that breaks through the limits of imagination seems to open a new door for everyone present!

It does not use the uncanny technique of plucking the strings with one hand, but it shows all the techniques that could be used in the classical period in this piece.

“bravo!”

In addition to such words and overwhelming applause, there is no sentence that can describe Shen Wuhuan's interpretation of this piece.

Huang Mengmeng was completely convinced at this time

She knows best what her piano is.

The antique piano, which is between cheap and luxurious, has a faint smell of metal, but it does not bother Shen Wuhuan's performance at all.

In the "Devil's Trill" section, this faint metallic smell makes the whole melody even more eerie, which is really eye-opening.

Huang Yun was also quite excited.

The reason why he was reluctant to call Shen Wuhuan in advance was because he wanted to quietly see what she was doing this year from a distance.

You don't need to walk in her work environment, just hear her music and Huang Yun can resonate.

It is like the difference in the artistic conception conveyed in the life-and-death intertwined moves between martial arts masters.

And Huang Yun saw in this piece that Shen Wuhuan's heart as a performer will never stop advancing, and it is still exuding brilliance.

"Professor Shen, did you really listen to this song in your dreams?"

"I've heard music in my dreams, why isn't there anything like this?"

"Then you're not talking nonsense, can you compare with Professor Shen?"

At this time, the entire professor and the crowd outside the classroom were already boiling.

The problem on most people's minds is still that one.

Is the story told by Shen Wuhuan true?

You don't think it's true, but where did this devilish melody come from?

You say it's fake, but Shen Wuhuan's strength far exceeds that of ordinary people, and ordinary people don't have the slightest room to fight back!

Shen Wuhuan chose not to answer all the questions.

After waiting for the heat to slow down, she ordered: "Time still allows us to rehearse once, let's hurry up, there is just Huang Yun, a senior in the orchestra, who can guide you." ”

"Huh? Still rehearsals? ”

"How do you rehearse after listening to music like this?"

In the face of the wailing, Shen Wuhuan said calmly, "A qualified performer, even if the sky is about to fall, when it is time for you to go on stage, you can't have stage fright!" ”

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