In fact, there weren't too many people who could play the song in the original China, precisely because it was so difficult to play!

Someone has even complained about straining their muscles from practicing this piece.

Its intricate technique and musicality not only shocked the whole world, but also caused great pain to the non-mathematician.

These piano learners are not only violinists but also pianos.

They were pondering the question, "Why do you want to make a piece so hard?" ”

Of course, no one knows what purpose Paganini wrote the "Bells", but the difficulty alone is not enough to attract countless performers.

What's more, its extremely pleasant melody makes people feel like falling into the clouds.

It is like the morning sun, the orange sun shining on the hearts of the audience, and in an instant, you can forget everything in this world and fall silent in the beautiful melody.

As the melody progressed, the audience had forgotten about the shock.

All of them are silent in the wonderful space created by "The Bells".

Teachers who used to want to see student orchestra jokes were no exception.

Even at this moment, they don't have the slightest idea in their minds that they want them to make mistakes, and even begin to expect that such music can be played for the rest of their lives, never stopping!

Beneath the golden roof of the concert hall, music reverberates.

The upward timbre of the violin in Xin Xiangyang's hand, after the tactful glissando, turned sharply, but flew into the sky in an instant.

It's like a roller coaster, and the thrills bring great freshness.

At the same time, the concerto of the string group played an extremely magnificent and huge momentum, which made the whole music more beautiful.

The coordination of wind instruments also perfectly harmonizes the symphonic colors with the baton in Hu Yaling's hand, and they want to give the audience the best picture!

The bow of Xin Xiangyang's left hand became faster and faster, and the fingers of his right hand changed continuously in a very short time, from a leaping eighth note to a continuous jumping sixteenth note in the blink of an eye.

The overtones that appear and disappear in the melody are as loud as the bells, resounding in the ears.

This greatly increases the complexity and enjoyment of the music.

After a series of descending patterns that fall sharply downward, the idea of the whole piece does not fall to the bottom.

Instead, a soothing upward note flows out from Xin Xiangyang, bringing a strong contrast.

After a brief pause, the violin playfully played a melody like a lark singing, hovering high in the air, flying up and down.

And the sound played by the orchestra is like a bird flying next to the lark, and they surround it, increasing the whole momentum countless times!

After this soothing and light singing melody is over, Xin Xiangyang will officially begin her biggest challenge of the day.

Although a lot of difficult techniques are still used in the first half of the melody that includes the main part, it still can't be compared to the second half.

A large number of continuous and fast transpositions beyond common sense, overlapping notes, large-span chords, left-handed plucking of the strings, just looking at the score makes people smack!

Not to mention playing!

The violin in Xin Xiangyang's hand began to play in a large span, and the jumping middle bow made people begin to dazzle people who had already looked.

And with the accompaniment of the upper bass horn, the violin in her hand became faster and faster, showing an extremely amazing playing effect.

The continuous overlapping of the same sounds is like a sharp contradiction, constantly stimulating the minds of all the audience present.

The full-bodied notes bring such a sharp motive to life.

The same extremely fast downward and upward switching has brought a completely different feeling than just now.

The stormy performance shocked the audience!

Even though this is a concerto recital, the light of the orchestra at this time is completely overshadowed by Xin Xiangyang's performance, and the temperament of a goddess on her body impresses everyone!

The orchestra's orchestra also deliberately darkened the timbre here, turning it into a colorful background wall, which is bound to show the best part of Xin Xiangyang's performance!

As the pattern rises to its apex, the audience awaits a series of astonishing trills, as if it is not the strings that are vibrating but their heartstrings.

Then Xin Xiangyang did not stop her bow movement, it was still an extremely fast bow movement, continuous and constantly changing notes, and the two-stage reversal of the upper and lower tones, these violin sound effects that mortals could not imagine were enriched to the limit at this moment!

And when this up and down change is extreme, the melody becomes light again.

Like a feather held up by an updraft, it slowly flew towards the zenith, and when it touched the incomparable colorful clouds at the top, it touched the wonderful golden bell hidden behind the clouds.

"Ring, ring, ring."

Once again, the theme is repeated, and the bell interaction of violin and xylophone comes again.

But this time it felt completely different from the previous one.

After this roller coaster-like sound pattern change, the sudden appearance of the bell is like the first sound of the beginning of heaven and earth, and the feeling is wonderful to the extreme, which makes people feel like moistening a century-old wine, and the wine is not intoxicating...

Drunk on yourself!

This tense melody, genius sound design, and fairy-like playing skills are complemented by fairy performance.

Anyone realizes that there is bound to be a big event in today's premiere, and it is big enough to affect the history of music!

And this "Bells" will surely become the best classical masterpiece in the world!

The audience is simply numb at this time!

It's completely different from the time of "Twenty-Four", and the twenty-fourth is a track that appears to show off more skill!

Even though its artistry is unparalleled, it is completely opposite to the idea of this "Bells".

The two are also variations, but if "Twenty-Four" is to show the music with the richest possible technique.

"The Bells" is all about showing the music with the richest sound effects possible!

In this almost crazy violin concerto, the orchestra is able to do very little, and even polish is extremely scarce.

But even so, Xin Xiangyang's "Bells" still ushered in a piece of amazement with amazing sound effects!

That's the charm of this "Bells"!

The irresistible charm of human beings!

This challenging melody was perfectly mastered by Xin Xiangyang, but don't forget that this piece is always a concerto.

There are places to express yourself, but there are also places for the orchestra to perform!

Then it was the turn of the orchestra members to show what they were capable of.