Throughout the history of music, Mozart is also a unique genius in this long river.

But this Double Piano Sonata in D major is clearly not as popular as it is in the modern moment.

In fact, K448 is not even found in the heavyweight works of many Western music scholars.

Only Grout's "History of Western Music" has a few words about this piece.

"The Sonata for Two Pianos in D major, K.448\375a, composed in 1781, was composed for the performance of his female disciple Joseph Owen Longhamma."

Mozart's six-piece piano duet described above is historically true, but in this case, there are not so many legendary parts of the piece to write about.

Therefore, in the Japanese manga "Symphonic Lover's Dream", it is described as the only two-piano sonata in Mozart's life.

In fact, there is nothing wrong with this understanding.

In fact, except for the K448 piece, the other five pieces can be played in the form of a four-hand combination, and a few of them can be played on two pianos.

So K448 is Mozart's only two-piano sonata in the true sense of the word.

It is its peculiarity that gives rise to new associations.

Such a special piece was composed to be played with his female disciples.

Even if musicians are more or less like ordinary people, they are still human at the end of the day.

Human beings naturally have seven emotions and six desires.

We can speculate a little about this motivation.

And the reason why this piece is not valued in the history of music, but it is flourishing in modern society, please search for the "Mozart effect", and the specific content will not be expanded here.

But more people are willing to believe in K448, which is a special name.

"Love Song".

And the same thing is happening today.

The relationship between Li Yunxi and Shen Wuhuan has not blossomed so far, but there is a personal way to fall in love.

And now this piece played together is all the love that a musician has shown.

If the first movement is a flower fairy cheering in the flower field, then the second movement is a lazy leisure in the midst of joy.

The melody flowing between Li Yunxi's fingers is beautiful and soothing, and Shen Wuhuan is paired with a strong rhythmic accompaniment texture in this melody.

The sweet and greasy feeling came spontaneously.

Suddenly, the audience was transported into a wonderful world like a dreamland.

The second movement begins in G major, but from measure 13 onwards, the tonality hovers between G major and D major, a tonal instability and melodic harmony that coexist with Mozart's unparalleled compositional skills.

And the look and feel of the whole melody is dreamlike.

Among the melodies of the whole connecting section, Shen Wuhuan's melody is elegant and beautiful, less of the urgency of the first movement, and more of a poetic and poetic feeling that is as smart as classical dance steps.

And Li Yunxi's piano sound is completely in line with her mood at this time.

What's more, Li Yunxi has been fully integrated into the music, and her level has quietly evolved in the deep meaning behind this song.

Emotional and humanistic spirit are at the heart of classical music.

These things are not born in the melody, but are filled in by the performer's own soul!

And Li Yunxi has finally become such a performer.

While the soothing melody is refreshing, the strong contrast between the two pianos is also produced.

It's like a sign that two different people are blending with each other at this moment.

This kind of emotional exchange is estranged.

It's virtual.

It's dreamy.

It's like a third type of contact, and it can't be described in words.

Only two people in the center of this stage can feel the strong feelings from each other.

Perhaps Shen Wuhuan is not good at expressing himself in words in this regard, but if those vows that will disappear with the passage of time are transformed into eternal music, then this must be the strongest bond in the world.

All gems and treasures cannot match the charm of this song.

Emotional feedback is reflected in the song.

The lingering and sympathetic emotional exchange is even more transparent than the previous song "Colorful Clouds Chasing the Moon".

If it is said that the love of the goddess pursued by the king of people in "Colorful Clouds Chasing the Moon" is an illusory but romantic feeling.

Then the feelings in the second movement of K448 are the original obsessive emotions in the idyllic spring of the lower riba people.

It's a pleasure that is closer to the hearts of ordinary people.

With the playful accompaniment implied in the melody, it reminds people of the "he" in the depths of their memories who once made beautiful moments that could make you smile.

They snuggled up to each other, imitated each other, teased each other.

This spiritual pleasure transcends the flesh, transcends life, transcends time!

Similarly, in the second movement, there is a Canon-esque two-piano imitation, melodious and soothing.

The degree of tacit understanding between the two people has reached a new peak again at this moment, as shown in the same music.

Their souls became one in this moment.

At the end of the second movement, the most fantastical and romantic melody of the whole piece appears.

Starting with measure 106, Mozart brought a creation that could be said to be unique at the time.

In this passage, the rhythm is left to the player's own devices, which is used to show his joy at breaking with the church and officially becoming the first freelance musician in the true sense of the word!

Both pianos have a short "flowery" singing.

The flower cavity is one of the most high-profile singing methods in bel canto singing, as graceful and beautiful as a nightingale.

At this moment, the melody of the two pianos does not have the "human voice" of a singing instrument, but it still begins to sing like a nightingale.

This short singing is like a celebration, and after a subsequent reenactment, it ends neatly in a series of descending imitations.

One of the most lingering and melancholy movements has finally come to an end.

Shen Wuhuan gasped in disbelief.

Her physical abilities, human brilliance, and playing skills have all reached the pinnacle of her life, and even when she was at her peak, she was not as good as she is now.

But even so, playing this low-intensity piece made her feel unsupportable, but she didn't want to stop.

Li Yunxi's state at this time is also the same.

But they were all laughing.

The joy in the music and the joy between them are intertwined, and the desire to play is getting higher and higher, and they will not let this piece stop abruptly.

They will tell the world together that the emotional exchange between them is by no means as simple as falling in love in the eyes of ordinary people.

It's all in the melody.