For Xin Xiangyang, the difficulty of this task is already nightmare.

She's just a student, and it's incredibly challenging to let a student play in an unfamiliar environment.

Not to mention the fact that this situation is almost without warning, and it has to be locked into an improvisation.

It's just too hard.

What's more, just by hearing the content of the task, Xin Xiangyang felt his hairs stand on end, and a cold sweat broke out.

It's not a good state of performance.

To put it bluntly, she was terrified of the task.

So much so that in the sentence "You have to show your mood when you were playing in the amusement park before" said by Shen Wuhuan, Xin Xiangyang couldn't think of the so-called mood when you were having fun.

In fact, Shen Wuhuan knew very well about the negative effects that would occur in this state.

But she couldn't wait for Xin Xiangyang's little bit of change.

For people like Xin Xiangyang, who are new to the core of performance, I feel that this thing is not something that can be had.

The necessary stimulation is the medicine for the senses.

Otherwise, what do you think Shen Wuhuan would suddenly invite Xin Xiangyang to Happy Valley to play? It's not going to be a knife to snatch love, right?

"Don't be nervous, I'll be there to cooperate with you, play with confidence, and then pay attention to my piano."

Shen Wuhuan's encouragement did not make Xin Xiangyang any better.

She was still observing her surroundings.

This KFC is so crowded that it's almost overcrowded.

Although the voices of communication between different people are not too high, after there are more people, all kinds of voices are intertwined, like a symphony full of life charm.

The complex environment made Xin Xiangyang even more bottomless.

"Playing in this environment, will people listen to my tunes?"

This is actually a common mindset before playing.

It is common for musicians who are entering competitions for the first time.

They have confidence in themselves, but they are also inevitably hesitant about the attitude of the audience.

Especially in classical music competitions, you can even see the audience sleeping there at the end of the competition, which has nothing to do with the performer, but completely related to personal qualities.

But in fact, the blow to self-confidence is very serious.

Letting Xin Xiangyang play the music in an unfamiliar environment, although it is very different from the state described above, it homogenizes the core thing.

That's the tension.

Shen Wuhuan peeled off all the shells on Xin Xiangyang's body, and then let her feel the changes in her emotions in the most primitive state.

That's what makes it possible.

Seeing that Xin Xiangyang was slow to make a move, Shen Wuhuan felt the need to force her.

A series of bright, optimistic and penetrating violin sounds suddenly split the sky in half like a thunderbolt on the vast sea.

All the tourists around turned their attention to the woman standing in her seat and playing the violin.

"Eh, what's that? Street performers? ”

"I guess it's a flash mob or something, right?"

"What a beautiful sound, does a violin make such a sound?"

In just a few bars of leaps, Shen Wuhuan's piano sound firmly grasped the ears of everyone in the store.

The person standing next to Shen Wuhuan unconsciously took a few steps back, keeping a certain distance from her, as if it was a stage specially made for her.

The busy staff wanted to ask if she had ever reported anything like this, but on the way there, she was attracted by the music and stood there for a long time reluctant to move.

Improvisation is a necessary means for professional performers.

It's a great way to express your personality.

In the Violin Concerto, the cadenza is often referred to as an improvisational section, in which the player in the high position plays exactly according to his own rhythm and melody, which is often heard in the infinitive style.

And Shen Wuhuan's performance at this time is the beginning of the infinitive.

Her violin is melodious and childlike.

Excitement is mixed with a hint of trepidation.

Just as she had experienced before.

We often hear that every punch and kick of a martial artist is mixed with truth, and in the duel between martial artists, the fists and feet are not fighting but communicating.

Similarly, Shen Wuhuan's performance is also an exchange with Xin Xiangyang.

She tried to awaken the feeling in Xin Xiangyang's heart with the notes.

To Xin Xiangyang's ears, these melodies are not a string of melodious and gorgeous passages, but more like Shen Wuhuan's guidance to her.

She finally mustered up the courage to take out her violin and start playing.

As Xin Xiangyang's performance began, Shen Wuhuan lowered his volume relatively and began to accompany him with the rhythm of the other party.

This is not difficult for her, but in Xin Xiangyang's opinion, this is enough to be called a miraculous skill.

After only a few bar changes, the violin duet feels out.

Xin Xiangyang's improvisation also became more and more fluent from the beginning of the meaning from the beginning, under the guidance of Shen Wuhuan.

Feelings of joy and excitement permeated the melody, and Xin Xiangyang integrated the so-called emotions into the sound of the piano.

Of course, this kind of improvisation is not too far beyond common sense.

There is still a gap between Xin Xiangyang's level and Shen Wuhuan, so when it was her turn to be the protagonist, the surrounding audience seemed to come back to their senses.

It was no longer a state of distraction, but some chattered and observed these two people.

Even ordinary people discovered the huge gap between Shen Wuhuan and Xin Xiangyang at this time, but this did not prevent them from enjoying the music.

At this time, Xin Xiangyang no longer had those extra thoughts to think about these issues.

It doesn't matter to her what kind of performance the crowd will have, she just needs to show her best self.

This is the most unusual mentality of a high-ranking player.

Even the most money-loving classical musicians are different from the traditional commercial musicians, who will choose to play in a more flattering way, but will not pay too much attention to the attitude of the audience.

At first glance, it sounds like you don't have the audience in your eyes.

But in fact, it is a sign of extreme confidence in his music.

This state of affairs can quickly promote the growth of the performer.

This is also why the gap between classical musicians and ordinary people is so wide.

They are very knowledgeable people, and their way of thinking is different from that of ordinary people, so naturally there is no intersection.

Xin Xiangyang's unskillfulness in improvisation began to show, and these problems consumed a lot of her brain power, and even her demeanor began to gradually fall into fatigue.

But she had never played so heartily.

This is different from playing the composer's music, it is a special form of expression that belongs to the performer!

She can't wait to be able to play to death!