It's hard to believe that the first job that Comrade President just came back from was to talk nonsense with a certain eldest sister for most of the day, and then the two of them "said goodbye" and went to do their own work.

On the premise that the age gap is more than 10 years old, the "wind and water" in the other party's life and topic field can be chatted, and it does not make people have any sense of disobedience, I have to say that Gong Daiju is a person who has both a level of conversation, life experience, and quality of life...... Well, the translation of human language means that sometimes he is quite a bad woman.

But the addition of Yamoto must be a good thing for Mad Poihat, this kind of original painting, as long as she has no personal will, then Miyadai will definitely not let her do any character design, supervision, nor let her do any performances, supervision, but will let her continue to paint, until she becomes the most awesome painting boss.

And what role can the addition of a good concept artist play in Mad Poihat's overall painting quality? It's really hard to say, and if you talk about average, then she doesn't help much. Because in the tight production cycle, the amount of work that an original artist can perform is limited after all, everyone is a meat person, and no one has the ability to "infinite CUT system".

However, there will definitely be a clear jump in the expressiveness of the paintings of those key scenes in which Yamoto participates in the future, which is direct and objective.

If the production cycle is extended, then the role she can play will become more obvious, but this situation is very difficult to happen, and there are many cases of sacrificing quality in order to catch up with the cycle than in order to ensure quality...... Unless it's to make that kind of real animated film.

Whatever the reason for a "free man" to settle down, as long as it is beneficial to Mad Poihat, the Miyadai is grateful...... He even said that he felt that he was in a good mood today.

If you put a high-level person in the company, then the person who is willing to learn will always learn something from such a person.

This can be regarded as an external condition that creates a slight advantage. Of course, compared with the environment, many things still depend on people, and those who want to improve can always improve, and those who can improve will continue to improve.

Miyadai's attitude is still relatively optimistic, with a high-level original painting, there can be five high-level original paintings, with five high-level original paintings, there can be ten high-level original paintings, and with ten high-level original paintings, then Mad Poihat is like a bone society.

However, such good news does not mean that Gong Daizu will "do everything" today, in fact, what happened next was not very smooth.

However, because these things were generally expected, he was already mentally prepared, so he didn't feel that there were many "blows".

…………

"Senior sister, is the animation copyright thing you talked about going well?"

After briefly confirming that there were no problems with the ongoing production, Miyashiro began to pay attention to the part of the work that he should be more concerned about—the next planning of the company.

"It shouldn't have gone well." Iwami said. Obviously, the senior sister's work has encountered some difficulties.

"Isn't it that simple?" Hearing her say this, Gong Dai's first reaction was indeed "sure enough", things can't always develop as she wants.

Besides, if you want to cooperate with upstream copyright owners, it is normal to encounter such a thing. Although Mad Poihat was working on his own animation projects before, compared to such a "traditional" way of cooperation, their previous approach was "different".

Mad Poihat has been working with third parties before, but these "third parties" have little to do with the animation industry...... In fact, they are suspected of being a layman.

However, the objects to be cooperated with are a little different, and the upstream parties of copyright such as Wenku are not too interested in this kind of bottom-up copyright cooperation, first, they cannot make concessions to the initiative of the project; Second, Mad Poihat is not the kind of established animation company that gives them a fair amount of confidence.

To put it bluntly, it is still related to 'qualifications'.

"On the side of Dengeki Bunko, the statement they gave was that there were some special requirements for the animation broadcast time, and the original author of the novel and the library were inclined to favor that the animation broadcast time could be stuck during the release of the last two volumes of the novel, and the novel could be released at the same time as the last volume of the animation ended."

"For the sake of the integrity of the story, the author doesn't want to see too much original content, but if you start animating now, the content of the novel is only enough to make a single season, which will inevitably cut off the integrity of the story, which will lead to some visual problems...... However, the good news is that the other party is optimistic about Mad Poihat's screenwriting and production ability in daily dramas, and obviously our self-recommendation will be within their consideration, but they still need to continue to think about what to do. The senior sister explained in detail.

This argument is quite tenable, and it doesn't sound like a made-up reason for rejection...... It is estimated that the possibility of the other party changing the schedule is not large, but according to the senior sister, at least our initiative is not in vain. Gong Dai said after thinking about it.

'Dragon and Tiger' is a light novel, where emotional conflicts erupt fiercely in the middle of the game, and if he were to judge it, he would also think that it is not suitable for the production and broadcast format of everything in two. A half-year episode and two broadcasts of the first and second seasons are very different.

"The Monogatari series is relatively simple, and the publisher is mainly concerned about the possibility of adapting the work, because ...... That's really not easy to adapt, I have this feeling after reading a little bit, there are too many dialogues. "Iwami doesn't actually hate works that compose stories in this way, and even thinks it's quite fresh and interesting to read, but in terms of the difficulty of adapting words to images, this kind of work can be said to be difficult to do well.

"According to So-kun, they are worried that there will be an adaptation of the kind of animation that is 'miserably animated'." The senior sister found the most appropriate adjective in what Gong Daisheng once said.

"In this case, 'Monogatari' really needs a convincing animator who can play the style of the work. For such a work, the choice of supervision and performance is undoubtedly the most important, and some characteristics of the text novel require the special style and charm of the supervisor to bring out the best, and even some seemingly inadequate points can be turned into advantages...... If I insist on talking to the other party, the most likely way to continue is the 'co-production' method, which I have a little bit of an idea. Miyadai said.

If you want to talk about the current SHAFT, it is not necessarily much better than Mad Poihat...... Not even necessarily better than Mad Poihat, who lacks the kind of topical independent work that they have, despite a long history of co-production and a much deeper relationship with the industry than Mad Poihat's side.

The accurate way to say it would be "temporarily missing".