Compared with the light treatment of the environment, the light treatment of the original empty realm in the details of the characters is slightly insufficient, and while taking into account the overall atmosphere conditions, the expressions of the characters are not three-dimensional and vivid...... Flattened faces and stiff demeanor are not difficult to see.

This is mainly a problem of the quality of the performance, and at the same time, the photography is not detailed enough...... Of course, the latter may be caused by the production cycle and cost control, in terms of two ceremonies, to a considerable extent, she is a "three-no" character - or simply facial paralysis, but this does not mean that such a role does not need to perform at a high level, or even on the contrary, it is precisely because she is a facial paralysis that she needs a more nuanced performance.

However, Miss Liangyi's face occasionally has the feeling of building a 3D model and then lighting it at random...... It's a bit extreme to say that, but it's something that can be improved.

The heroine is indeed expressionless most of the time, but her mental activities and emotional changes are actually also rich under this expression, and these "richnesses" ultimately show the anxiety to retake Kuroki and the determination to take action.

Naturally, her emotions can't be expressed with too exaggerated facial expressions - obviously, from the setting level, the two rituals are the kind of characters who can't use "Yan Yi", otherwise she will collapse and collapse.

Therefore, her emotions need to be reflected through the changes in her eyes, breathing rate, speech rhythm and facial shadows, that is to say, while keeping a face that cannot be greatly "changed", more details must be portrayed with heart.

Mad Poihat's performances are relatively good, but for some animation companies, the handling of these details is sometimes not a question of whether they can do it well, but whether they will do it. No matter how obsessed you are with creation, from the perspective of capital investment, animation is first and foremost a commodity, and not all commodities are pursuing the goal of "boutique".

As for Miyadai, Mad Poihat is naturally willing to do those details, after all, they can animate according to their own wishes to a certain extent - this is one of the places where the production committee has a voice.

So now the two ritual faces in the picture, d Poihat is growing rapidly, they have passed the period of only adding skills to the photographic processing, and now they are developing in the direction of being able to shape the picture more three-dimensional and vivid.

Of course, photography is something that can be used to deceive people, and there are more people who like to sigh "this light, this water" at various times than those who pay attention to the movements and performances of the characters.

Adding stunts and painting are also inseparable, but the former is much easier to catch.

In terms of the structure of the whole story, "overlooking the landscape" is an important plot of the transformation of the two ceremonies from "puppets" to "humans", so these detailed portrayals are even more important.

…………

The number of "suicides" continues to increase, and the evil trapped in the Wujo Mansion is still fermenting, five or six people...... Maybe the next one will be the turn of Kurokiri, whose soul is detained.

Through her special "vision", after observing from the outside, the two ceremonies saw a total of eight spirits suspended around the building, which she judged to be the same as the number of people who would eventually be martyred, and because of the certainty of the number, the possibility of Kuroki being more seriously surprised was reduced.

This may be a situation that can give people a little peace of mind...... It wasn't until the seventh person fell in front of her eyes like a rotten tomato, and then she realized that even if there was a final spot, the possibility that Kuroki would fall into it completely would not be diminished.

Maintaining an indifferent self is a rational decision, and it should be a meaningless person except herself, but emotionally it is telling her what she should actually do, and people are always a little afraid to step into new and unknown areas, such as ...... Trying to care for others?

Not only what kind of psychological game has been experienced, but the final direction of things has been determined from the beginning, even if he is afraid, a person cannot go against his true intentions, so in the end he can only be rescued by her.

Beyond the empty street scene, and crossing the old red sunset, the girl came to the Wujo Building alone, and after a little pause to take a large number of the uninhabited buildings to be demolished, she stepped into this dangerous territory and began to explore it.

The corridors of the building are covered with "no entry, keep your distance" seals, and all the doorways are tightly closed, so that only the faint light refracted through the windows can shine into the interior of the building, which has been cut off from electricity...... In addition to the sound of their own footsteps, the two ceremonies could also hear the eerie laughter from the empty interior space, near and far, erratically.

In this environment, the two rituals were naturally on alert, and she pulled out the short knife hidden under the half belt of her waist, ready to deal with possible crises at any time...... Although theoretically, it is unscientific to hide weapons or weapons in such a place.

However, just as she entered this state of alert, an accident happened, and outside the right-hand window of the two ceremonies, which should have been the outer wall of the building, a translucent spirit suddenly appeared and hung there.

Then, the arm holding the short knife of the two ceremonies became uncontrollable, and the blade that shimmered with cold light stabbed directly into his throat...... Under the influence of unnatural forces, her left prosthetic hand quickly faded from its bionic skin, revealing its original appearance, a limb that was bare in its joints like a puppet.

There is no doubt that this is the masterpiece of the puppet Akiko Aosaki, which perfectly compensates for the loss of limbs in a previous accident in both ceremonies.

Then, the hand moves quite frequently, uncoordinatedly, even in an anti-jointed and extremely twisted manner, and the mere movement of this can make one feel a rather strange and unacceptable emotion - this is the most intuitive kind of curiosity.

In fact, it is difficult for ordinary people to accept that a body similar to their own or a body part that they are very familiar with is "moving" in an irregular and normal way, and this kind of action is completely in conflict with the attempt, and it is also very simple to cause visual and mental impact - the so-called "strange species" is like this.

This kind of action impact, in animation, can make the general audience understand to a considerable extent what is called "psychological shadow" and "shadow of the same year".

However, for a work like the Realm of Emptiness, "Hunting for Curiosity" can be called a superficial taste, and as for the character traits of the two rituals, it will not be too long to continue - Liangyi is a rather decisive person who will never drag the mud and water, so when she notices that her prosthetic leg is out of control, she already knows what to do next.

Hands that can't be used, hands that will only bring trouble in battle, just cut them off.

Even if it's your own hand, it's good to cut it off yourself...... Or it's because of your own hands that you need to chop it off yourself.