"In that case, the art design work will continue like this." After solving the emotional problem of the senior sister and confirming that her behavior did not constitute a privacy violation, the palace representative was relieved...... If you get your permission, you can't call it an infringement, right?

Then he asked, "Aniplex's funding is fine, right, when will it be there?" ”

"It's going to be paid on time, I'm keeping an eye on it over there." Iwami said that the documents that should be signed have already been signed, and theoretically there is no such thing as a breach of contract.

Aniplex has invested a total of 50 million yen in the "Flying Witch", but the 50 million yuan cannot be paid in such a lump sum, and it will only be paid in monthly installments...... It's not because the other party can't come up with so much money at once, it's that they won't do it, and that's what the agreement says.

Based on the principle of cost control, at least staging can limit the occurrence of budget overruns to a considerable extent.

After reading ListenNepster's website and feeling that there was nothing wrong with it, Miyashiro closed the computer and moved to the other side of his desk.

He is ready to continue to do storyboard work on "The Flying Witch".

"By the way, do you have any requirements for Aniplex as a voice actor?" Miyadai didn't know if the other party would decide on the voice actor for the main role.

"I haven't received any comments on this yet, but with the attitude shown by Aniplex so far, I don't think they will interfere too much with the production process."

“……”

Should this be a good thing?

However, as you can imagine, "The Flying Witch" is only one of Aniplex's animation investments, and it is not a key project, so if you don't pay too much attention to it, you will naturally not pay too much attention to it and ask too much.

As long as there are no problems with the use of funds, Iwami feels that Aniplex should be relatively "laissez-faire" with Mad Poihat.

In essence, the management policy of its wholly-owned subsidiary, A-1 Pictures Co., Ltd., reflects Aniplex's attitude towards animation production at this time...... The original A-1 was made with a strong emphasis on quality, but now they're just getting to the point of mass production.

The truth is that although the ultimate goal is still profit, but an enterprise, especially at the beginning stage, there is always a time to put quality first.

Of course, if you don't consider the follow-up relationship handling issues, even if Aniplex makes any excessive demands on Mad Poihat regarding the production of "The Flying Witch", because of the equality of the funding ratio, then Mad Poihat's side also has a legitimate right to refuse...... However, unless it is absolutely necessary, Gong Daiju will still fully "respect" the investor's requirements.

Since the Aniplex is already a behemoth, and it is destined to become an even bigger behemoth in the future, it is better not to have the idea of a small shrimp like Mad Poihat.

"I'm already in contact with the time slot and the channel, if it's going to be broadcast in July, is our progress okay, and ...... How about Miyahara-sensei's script? Iwami asked, she was not professional in the production and could not estimate whether the work could catch up with the production schedule.

As for asking about the script, it was mainly because the script writer was recommended by her, and she was also a little worried about whether the other party would slow down the production progress of the work if she was not competent.

In terms of the general production process, the script work naturally has to be ranked before the storyboard, but Miyadai's side is a bit special, on the one hand, because he is a series composition and has a good grasp of the story line, and on the other hand, it is ...... Ahem, it goes without saying.

For supervisors or directors, how to tell a story in the language of the camera is a top priority, so "picture imagination" should be a core need for them...... With this kind of imagination, we can know how to arrange the lens and how to present the picture.

The difference between animation and live-action drama is that the shots of animation are virtual, so they can be more imaginative and "imaginative", and the production cost of relatively special shots is also cheaper.

From the storyboard to the final picture, what is tested is the ability to supervise, but the difference between Gong Daiju is that he has already seen the picture, so many times all he needs is "retelling".

So his storyboards look extraordinarily detailed and detailed, even to the point of limiting the performance of the performance.

And the supervision with the ability to draw is very different from the supervision without the ability to draw, with the text description and composition, the former can make the picture on the storyboard, while the latter ...... Well, stickmen who can only draw stickmen are always lacking in expressiveness.

Looking at the storyboard of Hiroshi Nagahama and the supervision of Satoshi Kon, and then looking at the storyboard of Mizushima Nu, everyone can understand Nuge's pain.

"The overall progress is still a bit rushed, but there should be no problem, and the senior sister who contacted the broadcast can continue."

"As for the script...... There is no problem in this regard, the atmosphere, mood and details are well grasped, and the other party is very efficient in action, she has completed the script of the six words, and at this speed, the script work will be completed much earlier than the established time point. Miyadai said.

He was still very satisfied with the script writer in Tokyo, and the two of them had met in the past and had a detailed exchange on the production policy of the script, and from the "finished product" presented, the other party's writing fully understood his intentions.

This makes Miyadai more inclined to work with female scriptwriters in the future, because their descriptions can be more detailed and delicate, and as for the macro things, it is completely possible to grasp the composition of the series.

"The Flying Witch" is indeed more suitable for women to perform, in this animation, one of the most prominent features is to fully and reasonably integrate the magical and incredible ability of "magic" into daily life, so delicate expressiveness is the basic requirement of the work.

The heroine "Kihata Makoto" has the ability to use magic, there is no doubt that she is a witch, but the focus of the work is not on the witch, but on the fact that she is an ordinary high school girl before the identity of "witch".

How to make your two identities overlap without being abrupt is one of the key points of the work.

At present, the script that Gong Daizuo has seen can handle this contradiction well, and make this fusion a part that highlights the excellence of the work. This should be the "skill" of a script writer.

Perhaps the composition of the daily storyline of "The Flying Witch" is not exquisite, but it is unusually smooth, natural and warm.