Live music is naturally not more sophisticated than CDs, but live or concerts are the kind of things that pay more attention to the atmosphere than the sound quality, and most of the actions of people who are willing to pay for tickets are to feel the atmosphere rather than enjoy the music, so as long as the performance of the singer does not reach the point of "miserable", then this kind of activity is not unsuccessful.

Besides, the scene of NEKO is at least better than the four words "miserable", so I don't know where Gao Zhi is, so Miyadai doesn't think there will be any problems with the girls...... If you think about the "nature" of the singers, the performances, and the audience, then things are stable.

The otaku didn't come to see how they sang, but how they were "cute", even if there was any mistake in the performance, everything would be OK as long as the "meow" sounded...... If you want to deal with otaku, this kind of "acting" can be regarded as a winning law of cause and effect spell.

The proximity, atmosphere, fans, and other factors bring more inclusiveness, which can probably be regarded as a big advantage of performing in a small venue.

Miyadai didn't stay here for long, in fact he left not long after the show started, and as he said before, he had some other things to do today.

…………

After leaving the library, Gong Daijuan planned to meet up with today's "assistant Jun" first, and then go to the TV station...... Of course, it would be more accurate to say "waiting for convergence".

Kyoto is not a very large or large city, but because of the dotted and linear way of activities, even if you have been here for a long time, Miyayo is not very familiar with the city.

At this time, it has not yet reached the point where an electronic map is invincible in a few years, and it is theoretically possible for Miyadai to get lost, and this possibility is not low - well, this is actually an "excuse" that seems reasonable.

A familiar car drove by from a distance, and then stopped beside him...... It is inevitable to say that it looks familiar, because the car is printed with the logo of Mad Poihat, and this car is the property of the company.

"I'm sorry for the trouble, Ms. Sugita, I brought the documents I wanted?" Gong Daiyu opened the back door and asked before he could sit down.

"Well, here it is." Naoko Sugida said as she handed a file bag placed on the co-pilot to Miyayo in the back.

"What's next?" She asked again.

"Well, I'm in trouble." Miyadai opened the file bag and glanced at it, confirming that it was exactly what he needed...... However, insisting that the document was just an appearance, what he was thinking about at this time was that he seemed to have formed an "indissoluble bond" with the female driver.

Speaking of which, it seems that Mad Poihat's anime projects have always been related to TV Kyoto, and to those who don't know why, this kind of TV-centric production method seems to ...... It seems like a relic of the last century. Sugita said.

She definitely belongs to the supernumerary staff of Mad Poihat, and there is no reason to come and be a driver in terms of the job she has accepted, but Miyadai has called people so dignified, and she has not been refused...... This shows at least two things, first, that she is a good person; Second, the average person cannot refuse such a request that crosses the line slightly, especially if the request is made from the top down.

"The 'absolute advancement' of the production system...... This statement is definitely impossible to talk about, and it can only be said that what is suitable is the best. Animation requires money, and most of the animation companies responsible for producing it don't have the capacity to finance it, so most of the time they are in a subordinate position. In an example like Mad Poihat, whose foundation and industry cooperation relationship are relatively shallow, there are not many partners to choose from, and the TV station is the most suitable one. Miyadai said.

The implication of "suitable" in his mouth is varied, but there is certainly the fact that it is relatively easy to work together.

Without knowing about Mad Poihat, it's easy to think of it as an affiliate of the TV station...... Even after learning about its specific situation, you can look at it this way.

However, for quite special reasons, Mad Poihat can have full freedom and autonomy when using the TV station's funds and connections to build the "production committee" of the investment body, which is to obtain investment and maintain a considerable degree of dominance in the planning, on the one hand, because the projects themselves are of considerable quality, and on the other hand, they have the "key" to win.

Obviously, the latter is particularly important.

"So Mad Poihat is a producer-centric animation company?" Sugida glanced in the rearview mirror and said that there was nothing wrong with her statement, but that Mad Poihat's use of the producer's method was quite chic.

Even if Mad Poihat is able to truly "gain a foothold" in the industry and maintain the leadership of the project while obtaining more diversified funding methods, the existence of this TV station is very important at this stage, so the producer is also very important.

But on the other hand, if you lose the fulcrum of Mai Iwami Rinka, Mad Poihat's situation will suddenly become difficult, and Senpai and this animation company don't seem to be unbreakable...... This is also what Sugita is more concerned about.

"We're a production company centered on work and creation." Miyashiro repudiated Sugida's claims...... But it's as credible as it is about who wants to "create happiness with their hearts."

The role played by ability and creativity cannot be compared with financial power, which is as realistic as the skill stream player can't do the kryptonite player.

Rinka-senpai is linked to Mad Poihat's production funds, so it is indeed "producer-centric".

However, Gong Daiyu didn't think there was anything wrong with this, because this was originally his choice, and as for changing to another way, there was no need for the time being...... So he doesn't think there's anything wrong with the "creation-centered" statement.

"Well, wouldn't it be more appropriate to deal with TV stations, Mr. Miya...... It shouldn't be as secure as her, right? ”

At this time, the two of them went to the TV station naturally for the purpose of a new animation project, and Iwami Mai was naturally much more suitable than Miyadai.

"The TV station is our family", this kind of saying is impossible for Iwami Mai to say, because it is not true, but in terms of ownership composition, at least a small part of this TV station belongs to Iwami Mai.

Sena's father, Mr. Maiichi Iwami, is not technically affiliated with a TV station, he is only a member of the board of directors, but he is neither the "chairman of the board of directors", nor the "representative director (chairman)" or "president (general manager)", so he should be called "the chief executive officer (why did you suddenly think of Lee Go-hi)......

In other words, he is not the "number one" in every sense, but he is indeed a real power.

As for the senior sister...... It's a daughter in every sense.

As for Mad Poihat, he is a relational in every sense of the word.