KyoAni's ability to adapt is one of their most commendable strengths, but that ability is based on having the original author provide them with excellent story texts.

This can be reflected in their original production of the "Full Metal Mania Campus Chapter", which can be grasped with great precision in terms of story framework, plot structure, storyboard and rhythm...... Kyoto Animation is really good at adapting novels into screenplays, and using animated lenses to fully display the content of the scripts.

But on the other hand, if you abandon the original part and start with the first word of the story text, then Kyoto Animation's performance is a bit unsatisfactory.

Of course, these are the parts that they don't know yet, and they're preparing to try to completely dominate the animation project.

This attempt should be due to the confidence that the great success of the Suzumiya Haruhi anime series has brought them: on the one hand, Kyoto Animation has confirmed its own ability, and it can even be said that they are much stronger than the original positioning for themselves; On the other hand, they have not fully shared the benefits brought by this "ability......

In this situation, it is not to say that the choices they make next are somewhat "inflated", and basically anyone who puts them in that position will make similar decisions.

An animation company that is ready to take back control of the animation project is definitely the right thing to do, and any animation company would do it if KyoAni had the results they have now.

However, Kyoto Animation's attempts at original animation projects were not very successful, and they will eventually find out that such a conclusion...... A successful work has different requirements for a novel and a screenplay, an author and a screenwriter.

Fortunately, Kyoto Animation made a fairly timely adjustment...... They like to try all kinds of things, and if they don't succeed, they immediately shrink back and never come back again.

Later, they started their own library, with the aim of getting excellent stories without losing the initiative of the project, but Kyoto's library has some of them, but it can't be said to be excellent...... Kyoto Animation's best-known and "mainstay" works are still based on third-party works, not from libraries they have worked so hard to create.

But if you want Miyadai to evaluate the attempts that Kyoto Animation is making at this time, then he must applaud, how can a bullish company be willing to be a downstream tool for other companies to make money?

No, at this stage of Kyoto Animation, it is impossible to "obey people's orders" anymore...... Even the current Mad Poihat is trying to "be independent", not to mention others?

Of course, Mad Poihat's current financial situation can only be summed up as poor and poor, and the reason why it has been able to dominate the funding of various projects...... It can also be said that he is jumping in the "production committee", and currently mainly relies on the ability of Iwami Mai.

and relationships.

For example, the IS they are currently working on, it stands to reason that this project should be more controlled by Kyoto TV, but so far Miyayo has never seen anyone from the TV station, and he has not even seen all the representatives of the members of the production committee......

The senior sister played a role far beyond his expectations, so Gong Daiju often wondered if the original 20% ratio was a bit of a buckle?

If a person is responsible for creation, and a person is responsible for making money for this person's creation, it should be said that the person who makes money is more important anyway.

However, this cannot be said that there is an "imbalance" between the two, after all, whether in the development of the industry or other aspects, Gong Daizuo is a person with "foresight...... Further, he plans to "balance" the two people before the imbalance occurs in a special way.

Ahem, it was precisely because of this foresight that he was ready to borrow a few people from Kyoto Animation...... It's a loan for the time being, and if you can't pay it back in the future, you won't pay it back.

Then again, if he hadn't come a little late, he would have had to intervene in the Suzumiya Haruhi series...... Let's not talk about whether to plug in or not, but in terms of his character, he always has to try to plug it in.

The Suzumiya Kasuga series has made Kyoto Animation a "brilliant" animation company, and what else can be said about the animation that does a reset every two or three years, and dares to go crazy to have an "endless August", but can easily sell an average of 50,000 rolls?

The cold rice is hotter than other hot rice, so you can imagine how hot it was.

However, what is the work that completely consolidates and perpetuates this "brilliance"?

It is a four-panel comic "The Source of a Strong Country" from Fangbunsha.

Therefore, Gong Daiyu directly ignored Shan Moukuan, who is now looking like a "successor...... On the one hand, this is because of the position problem, this thing has a hole in the brain; On the other hand, it is indeed because the other party's ability is not trustworthy.

There is no place for him in the future of Kyoto Animation, and the future animation industry ...... The location is there, but it's getting cooler.

Yamamoto Kan does have a high level of performance, and he has contributed to the success of the Suzumiya series of animations, and it is because of this that he got the opportunity to be the supervisor of "Lucky Star", but for unknown reasons, he was swept away by Kyoto Animation after four episodes.

This is supposed to be an internal contradiction of Kyoto Animation, and the reason given by KyoAni is that "this person does not have the ability to act as a supervisor...... At the time, this reason seemed to be more of an excuse, but I didn't expect it to become a prophecy later.

Later, Shan did not seem to have the ability to supervise.

When he was "forced" to leave Kyoto Animation, he was actually quite beautiful, and even took away a vote of people, as if he had an attitude of "there is no place to stay here", however, ...... He was eventually reduced to a unit of sales (Note).

The gentleman's most successful work after leaving Kyoto is called "Kaminagi", but it has a strong sense of Suzumiya déjà vu, and it is an animation with a KyoAni style (or it may be deliberately disgusting Kyoto, especially in terms of OP storyboards).

As for the other works he oversaw, nothing is worth mentioning.

You see, reality has always been ironic and darkly humorous, and now the street fighters are still glorious, and the young "future stars" are still doing original paintings in obscurity.

If you compare the two in this way, it has to be said that it is a good situation that cannot be better...... This is especially true for some unstable people who don't think it's big things and have nothing to do and like to make trouble.

Concentrate:

1, Yamamoto wide gambled and swore that "if the new Fractale fails in January, then I will end here as an overseer, and I will retire and resign" The first volume of Fractale sold only 883, which is the legendary model of violent death and street fighting, and later the majority of people who love wide took this joke as a sales unit, that is, one wide = 1FRT = 833.

It happened 11 years ago, but the thing is still being overseered.

2, Yamada's first time as a supervisor was K-on, only 24 years old, but many performances and storyboards are also done by Ishihara Tatsu, which can be regarded as an escort.