ENE is a character from the "Yang Yan Project", but Gong Dai's character image is not intended to be made in that work, to be precise, he just took this role, and the rest of the things are not intended to be mixed with anything at all.

Mad Poihat obviously didn't have the capital to squander, and he couldn't have gotten involved in such a project at such a time.

He put the character on Mad Poihat's web page and used it as a "mascot" only...... This is the same position as ENE herself in that work.

For a developing animation company that lacks funding and production capacity, the purpose of producing animation works is either to capture word-of-mouth or sales, and the more "capricious" works such as "Yanyang" are obviously not in these two categories, so it is impossible to appear in Mad Poihat's production list.

Just like the agency's contracted artists, there is a separate character introduction page for ENE on Mad Poihat's official website. And on this page, her original character data is used in many places, such as "height 640px" and weight "2MB", but on different web interfaces, in fact, her data capacity cannot be so accurate.

Mad Poihat doesn't have the ability to operate her in a Hatsune-like way, but it leaves plenty of room for the character to be "anthropomorphic". It is precisely because of this that she even marked her character interface with emotional, personal and specific settings such as "My favorite movies are "The Godfather 2" and "A Clockwork Orange".

I can't make it a "fully original character" like ENE who "has no original foundation", and there will be opportunities to sell peripheral products in the future...... Miyashiro was going to make the character appear as a "passerby" in Mad Poihat's animation, partly because it was fun and partly utilitarian, which was an easy way to strengthen the connection between the production company and the work. Over time, she naturally became a representative of Mad Poihat, thus tying the subject of production to the work - when the audience sees the ENE that appears in the animation, they will naturally remember that the work was made by Mad Poihat.

To put it mildly, this should be doing "brand effect".

In the "Burning Sun" anime, ENE is a member of the No. 6 group of Megakure, and here, her number hidden on the outside of the right leg of the skirt has been replaced with No.0, which seems to indicate that this character is the "original image" that was not included in the character selection plan of the VOCALOID project.

In this way, she was posted to the supernumerary staff of VOCALOID, which also happened to take care of the image of the "double ponytail trio".

Users can get a good and fresh sensory experience when browsing the homepage of Mad Poihat's website, because they use the "light reading mode" way of setting up the web page close to the future.

First, Mad Poihat's website attaches great importance to typography, which is concise and elegant, with a comfortable visual experience as the main expression element. Second, they use a large area of wide pictures, with only a small amount of explanatory text, and their pictures account for a much larger proportion of the entire page than ordinary websites.

When browsing the website of this kind of animation company, the general audience, or animation fans, should pay the most attention to the company's dynamics and production planning, so this is where Mad Poihat wants to make an important explanation.

For example, "The Flying Witch" and "IS", which they are currently working on, have a large number of special descriptions, and the characters and other images posted on the website play a crucial "task" to create an attraction before the work is broadcast.

The "Flying Witch" with the heroine's black silk as the main attraction, the heroine's white silk and the "Absolute Realm" as the main attraction are all things that can be expressed through pictures before seeing the picture - the pictures drawn by the original artists on the Mad Poihat website are quite thoughtful, and they don't deliberately draw the characters into color, but ...... This kind of inadvertent color is the real color.

In this regard, there is no doubt that IS has more advantages, because unlike the flying witch, which is a single character, it has a large number of female characters with different characteristics, in order to achieve the effect of "there is always one for you".

The female role of the harem is so important in itself...... Strictly speaking, IS can't be called Long Aotian animation, it should be called a brainless harem.

There's a well-known routine in the harem animation industry.,It's called "date it.、Make it shy.、Take away its first kiss.、Included in the harem",Whether it's "Dating Wars" or "The World Only God Knows" It's all such a routine.,But anyway, this is still a strategy process for female characters.,But in IS, this process is almost nothing.。

It is precisely because of this that it can accommodate so many female characters in just 12 episodes.

Light novels to animation will become a trend in the animation industry in the future, and "brainless" will become the development trend of the original light novels - the threshold for writing light novels itself is low, but the current light novel authors at least know how to work hard in grammar, but after that...... Let's just say that the trend is not good.

In fact, the title of the light novel can reflect the change in the author's or publisher's attitude towards this kind of work, and most of the titles of the current light novel works are similar to "The Melancholy of Haruhi Suzumiya", "Literary Girl", "The Burning-Eyed Xana", "The Wolf and the Spices" This is a concise and concise type, and the titles of the representative works after that are like this: "My sister can't be so cute", "My youth love story is really problematic"......

After that, it's like this:

"If the female agent of high school baseball had read Dulac's management"

"After refining the body of a girl who looks exactly like the student council president on the premise of dating, I became her servant"

Are gay men always keen to compare who is longer? Occasionally, there is a short, terrifying name called the angel's 3 (harmony and difference, collaborative development) p.

Crossing、Another world、Pretending to slap the face of Long Aotian,These routines are all leftovers of the Dian Niang play.,But thanks to the publishing system and the development of the animation industry,These can be published and adapted into animation.,So it's really hard to say that the Dian Niang, who has been leading the industry for 30 years.。

In short, sooner or later, a period of pomp, impetuousness and gimmicks will come, and on this path, it seems that Mad Poihat is one step ahead.

"Chase!"

Miyayo hopes that people who browse the page of Mad Poihat's work will have such an idea, so "cute girl" is crucial.

Of course, the number of views on their web page is still quite pitiful, and before the outbreak of the Internet, this "propaganda mouth" has not yet reached the moment when it can really exert its power.

In addition to some pages that focus on the work, the rest of the content on the website is a little more brief, nothing more than an introduction to some companies, and some job postings.

Mad Poihat is looking for talent in production, concept artistry, and cinematography, and while it's always inevitable to make an animation, at least Mad Poihat needs to be at the heart of the production.

And it's not just a production core.