The style of the third mural is abrupt, and a huge and terrifying humanoid monster appears in the middle of the mural, although it does not depict its appearance, its bloody violence can still be felt.

A pair of huge palms tightly clutched the two people who were pinched to death by it, and the droplets of blood that flowed down their hands were exaggeratedly magnified, like half-opened faucets, dripping into a small stream.

In the huge deformed mouth, the half-stump was clenched tightly, and the sharp fangs completely bit through the half-stump body, revealing the sharp parts.

Next to the monster, there was a group of soldiers fighting with spears, trying to launch a fierce attack on the monster, but the length of the spear was the same as the monster's leg hair, and it was impossible to pierce its heavy skin, and the attack was in vain.

The soldiers were surrounded by a crowd of people running and fleeing, although they were just stickmen, but they could still be seen from the bending of their limbs, they were very frightened, to the extent of exaggeration.

This is the end of the picture, and next to it, is the fourth mural.

The man with the staff in his hand sat on a tall horse, dressed in gold and armor, and was majestic, and he was still holding the staff tightly in his hand, oh, no, it seems that it should be the scepter that belongs to the king, and the person holding the scepter should be the king himself.

After the king, there were dense soldiers like ant colonies, all with shields and swords, and they were murderous, and they drove towards a small city in the distance, which was supposed to be the dwelling place of the monsters.

Then, there's the fifth mural.

The monster's huge size was in stark contrast to the murderous elite soldiers, and on the tragic battlefield, the corpses of countless soldiers were stacked on top of each other, as tall as half of the monster's body.

And the huge, fierce monster, although there were wounds on its body and blood flowed out, it was still full of evil, and in its hand it held a huge tree, like a wheat harvest, and swept through the tide of soldiers, crushing the pair of valiant soldiers.

And the king who was at the end, with a scepter in one hand and a sword in the other, was eager to try, and the guards beside him, each with their own weapons, followed closely to protect the king's life.

"So many soldiers are charging and fighting to no avail, you are just a king, and you are not a god descending from the earth, rushing up to the iron will definitely be dead."

I muttered quietly and looked to the side for a sixth mural.

However, I was amazed to find...

There is no sixth mural!

Just looking at it well, this is gone?

The instantaneous contrast made my mind disturbed, and I almost jumped to my feet and scolded, but fortunately I managed my emotions properly and did not make such a boring and rude behavior.

Since there is no more here, is it possible that the next mural will end in a few other caves?

It is not yet known what the mural is intended to mean, but it is at least a good condiment in the search for Patche's niece.

After making up my mind, I continued on to the next cave.

The fifth cave is much more lively than the fourth, and from time to time a demonized bat will come out and launch a sneak attack on me, and then it will turn into a cloud of black smoke and dissipate without a trace, leaving behind either one or two copper coins, clanging, and not even one of the materials will explode, which makes me very unhappy.

Fortunately, there were no traps in the fifth cave, so the journey was smooth, and when I reached the end, I saw a portal on the fourteenth floor.

In addition to the previous three caves, now I have found four caves that can go up to the fourteenth floor, looking at the only dark cave on the far left, I thought to myself: as long as I finish this cave, the rest will be a dead end.

When I walked out of the last cave that was still relatively clear, I turned around and saw that it was the seventh cave.

Sandwiched between it and the fifth cave is a cul-de-sac.

I wonder if the mural will be inside this sixth cave.

Step into the sixth cave and discover different places.

Here, unlike the previous and subsequent caves that can be walked, there are many similarities with the fourth cave - that is, quiet.

Whether it's a monster or something, everything is so dead and silent, surprisingly quiet, quiet and terrifying, as if the whole world is the only one who exists.

If it weren't for the traveler who often walked alone, he would not be able to resist the invasion of that terrible sense of loneliness.

I proceeded cautiously, raising my vigilance by ten percent, and sweeping every corner.

However, to my surprise, there were no traps in the sixth cave, which made me even more sure of one thing: the traps were not innate, they must have been man-made.

The reason for this judgment is because I found a pattern, a law from the cave.

The eleven caves on the thirteenth floor all have their own distinct similarities and differences, and the five caves that can be walked through are all well-ventilated, the ground is slightly dry, and the demonized bats that live in them are relatively active; Caves that are impassable, such as the fourth cave and this one, are warmer and quieter, and even the demonized bats in them appear lethargic and generally do not attack passers-by.

Not only that, but the internal structure of the five accessible caves is almost identical to the rock wall structure, and the same is true for the fourth and sixth caves, where several rudimentary and hidden deadly traps are displayed, but none of them are found in the sixth cave, which means that these should be man-made, not intentionally by the creator god in the first place.

The thought of the trap in the fourth cave makes me angry, and if I catch the bastards who set the trap, I'll drop them and make them the dinner for the demonized bats!

After walking a hundred and ten meters, at the end, as I expected, there were indeed murals.

Light the torch again, and take a closer look, the content of the mural continues from the previous article.

Sure enough, the sword-wielding king hung up.

He was pinched to death at the hands of a humanoid monster, however, until he died, he still wore the crown and held the scepter, I don't know if he was attached to the power of the king or the faith of the kingdom, but he was dead, it didn't matter.

The king died, and the soldiers fled like ants.

At this point, the scene becomes so tragic that it is a one-sided slaughter game of monsters.

Turn to the next mural.

On the screen, a stickman with a glowing body is standing in the void, his hands raised high, as if he is carrying out some ritual.

At his feet, countless densely packed stickmen knelt on the ground, praying and worshipping the stickmen in the sky.

In the distance, a group of huge humanoid monsters were frantically attacking the air in front of them with their weapons, and several of them were trying to push through the air barrier blocking them with all their might.

Not far from the air barrier, on a cliff, there are also several stickmen, holding their respective weapons, standing on it.

After a careful count, there were seven in total.

Unlike other worshipped stickmen, they appear more heroic and fearless, and they are not afraid of death in the face of the tide of monsters.