"So-kun, Kobe Overseer ......"

Kayuko Suzuki, who was following him, didn't say anything when Miyayo played the "counterattack" before, but she still reminded him of the consequences of doing so.

At such a time, Suzuki was obviously a little apprehensive about taking such a resolute attitude towards important employees in the company.

Miyadai didn't worry too much about this, otherwise he wouldn't have done it, so he just smiled and said, "After the work that needs to be done is done, the Kobe overseer can leave his job, and this process is already good for this kind of unstable element, isn't it?" ”

What's the use of staying for people who can't be used at critical moments and like to stick a knife in the back at more critical moments? Gong Daisheng is not idle to a corner and then keep intriguing.

Kawa Lankui's attitude was much tougher, she stretched out her left and gave a thumbs up to Gong Daiyu, "Kayuko don't worry too much, the Kobe overseer takes himself a little too seriously, you must know that the three-legged toad is not easy to find, and the two-legged superintendent has." ”

Well, there's nothing wrong with this statement in the island country.,It's true that there are two-legged animation supervisors.,But the problem is...... Forget it, let's not mention this for now.

Naturally, Miyadai knew that things were not so simple, but fortunately, this magical overseer had to complete the job at hand first, no matter what.

"In short, let the performance and painting supervisors keep an eye on it, don't really collapse the picture." He said that his previous statement was just a hard word, and he didn't really want to do that. In this small island country, there are more than 500 animation companies, and the competition in this industry is still very cruel, and no one will smash their own brand without nothing.

After saying a few words so casually, the matter of the Kobe overseer was put down by them, and at this time, the three of them had more important things to deal with.

The three of them walked into a small conference room one after another, and the situation they faced here was even more difficult than the farce caused by the previous supervision.

There were already people waiting for them in the conference room.

"Mr. Gong, did something happen outside just now?" After seeing the three of them enter the door, the man asked seemingly casually.

This is the producer of this animation company, named Kentaro Sasaki, who looks to be in his early 30s, with a square face and a wide forehead, and a pair of black-framed glasses on the bridge of his nose, giving people an overall feeling of being very stable and, of course, somewhat old-fashioned.

Gong Daiju is quite optimistic about this person, but unfortunately everyone's path is different - in the current equity dispute between Mad Poihat.Works, he is on the opposite side of Gong Dai, and he is also playing on behalf of other equity parties at this time.

Producer (note) is a crucial position for any animation company, but unfortunately Sasaki is not needed.

Here I have to mention the far-reaching production committee system in the history of commercial animation, which was tried from the Valley of the Wind to EVA, and now it is the time when the production committee system is popular, and it has become the most mainstream production system for commercial animation.

Co-financing and risk sharing are its main characteristics.

The characteristics of huge investment in commercial animation, extremely high risk, slow return on investment, etc., are destined to give birth to a similar system, and the production committee system has indeed introduced a lot of social funds to the animation industry, which it has contributed to, but one thing that has to be mentioned is that this system makes the right to speak in animation production from the animation company of the producer to the production committee of the funder.

All the decision-making power and copyright income of the animation are concentrated in the hands of the production committee, and the relationship between the production committee and the animation company has become similar to that of a real estate developer and the construction team, and the animation company is neither responsible for planning nor sales, but only responsible for the production in the middle.

Therefore, as long as the animation company does not contribute to the production committee, then it has no direct stake in whether an animation is losing money or making money, and how many small discs it can sell, and the animation company only takes the production fee.

In a position like Sasaki's, he is responsible for how to connect the construction team with the developer's work, and he is directly related to the question of whether an animation company can receive animation production work...... Of course, he is not professional, before that he only worked in the assistant former president Gong Seongmin, in fact, in Mad Poihat, the key person is still Uncle Gong.

"It's nothing, Sister Suzuki just broke her foot and almost fell, let's get down to business."

Miyadai squinted his eyes and shook hands with Mr. Sasaki as he spoke, he didn't believe that the overseer was making such a good fuss outside, and this one in front of him could not realize anything?

It's just a raccoon dog.

The four of them sat down at a conference table, with production director Aoi Kawakawa on one side, general affairs Kayuko Suzuki and Miyashiro on one side, and producer Sasaki on the other.

Sasaki flipped through the several documents on the table, and after a moment of silence, he spoke, "Mr. Gong, the problem we are facing now is very simple, with the financial situation of Mad Poihat, if we want to survive the current predicament, there is no doubt that increasing the capital is the most feasible way, so we still hope that you can agree to the increase of capital injection by the equity party, which is also the consensus of other shareholders." ”

He didn't talk much nonsense and went straight to the point, and there was no need for some polite words when things got to this point.

Gong Daiyu shook his head, "First of all, to correct a point, the problem faced by Mad Poihat is now my personal problem, and you are only part of the problem, and the solution to the problem proposed by the problematic party will only lead to a bigger problem, so the suggestion you gave, I only have a three-word answer - I don't have to talk about it." ”

Mad Poihat is faced with the problem of breaking the capital chain, and increasing the capital is naturally the easiest way, but the only problem is ...... Gong Daiju has no money, so once he accepts a new capital injection, he will not be able to maintain the original proportion of shares.

With a controlling stake in hand, many problems are not a problem for him, and once this guarantee is lost, with the particularity of his age and identity, the other party has 10,000 ways to sweep him away.

And even if he had money, his first choice was not to inject capital, but to do the same thing as he is now - to reclaim the shares. Some of his thoughts were obviously not the same as those of the deceased Uncle Gong.

"Mr. Gong, we can understand your current mood, after all, this company is Mr. Gong Chengmin's life's work, but from the company's own considerations, our approach is correct, at least so that this company can survive, I hope you don't be stubborn and emotional." Sasaki said.

There are often various reasons and arguments for seizing people's property, and Sasaki's rhetoric is not new, but this one has no possibility of convincing Miyadai at all.

Note: There are several types of animation producers, from studios to music to production to distribution to distribution, etc., but I won't go into too much detail.