Animations that can be highly rated are often not the kind of flowers that are full of flowers, but on the contrary, they are all works with a clear story core and clear plot development. And if this kind of work can be produced, it can largely reflect the attitude of the supervisor or the production team towards animation...... Staff will put a lot of stuff on animation, rather than just using it as a form of profit.

Therefore, good animation does not necessarily need to be very deliberate plot conception, and even a slightly more "old-fashioned" story is easier to carry some special content. In the example cited by Miyayo before, "Spirited Away" has an IMDB score of 8.5 and ranks 28th in the TOP250, which is the highest ranking of all animated films.

In China, for various reasons, we are willing to give animated films a higher evaluation than ordinary movies, so it has been ranked in the top five in the TOP250 of a certain petal for a long time (now it seems to have fallen to sixth).

Satoshi Kon once said, "I think the quality of Tokyo Godfather is the highest in my work to date." In that regard, this film is my favorite work. ”

In fact, his characteristics in "Tokyo Godfather" are largely limited, and due to the lack of production funds, he often has to go into battle himself.

Pixar's pinnacle work "WALL-E", the most essential story content is nothing more than "BOY MEETS GIRL".

However, animators can give completely different ideas and expressions to similar stories, so in the final analysis, it is the difference of "people" that leads to the difference of everything else.

It should be said that there is a clear boundary between the production staff and the investors.

For animators, the animation industry is not a very lucrative industry, and it is difficult for production personnel to get high salaries.

But when those who choose to do animation first devote themselves to this industry, you can imagine that they are very enthusiastic, and in any case, they still have to return to the original sentence: "animation is a dream industry".

So...... Miyadai's words are very correct.

Or when he wants to say the right thing, he can always force this right thing in the direction of "absolutely correct".

"We know that Mr. Gong is an excellent script writer in addition to the identity of 'president', is it because of the attitude towards animation that you mentioned earlier, so you wrote a work like 'Friends of the Week'?" The moderator asked again.

"Yes, we do tend to make this kind of work, in fact, our friends of the week were originally in our production plan, but due to various reasons, especially the limitation of production capacity, it ended up being a work that only I participated in, and the production company had nothing to do with Mad Poihat." Miyadai responded.

The truth is what he said, but when it comes to TV animation, the type of work he said often has no gimmicks and no selling points, so it is difficult to achieve commercial results, and it is impossible for an animation company to survive...... It's hard to become popular with this type of work for a week's friends.

And the script of this animation was finally handed over to the animation company LEEF.,So the role played by Miyadai is just the composition of the series and the original character.,As for the more in-depth production process, he won't be involved - originally this animation was just Mad Poihat's "backup project", if the flying witch or IS is not formed,Miyadai is ready to take the path of co-production as much as possible with the original project like a friend of the week.,But fortunately now Mad. Poihat continued to be able to do his own projects, so the "backup plan" was placed.

"A Friend of the Week seems to be telling the story of a teenager who has only been able to remember for a week and opens up, and we can understand the tone of the story from the introduction. But as I understand it, when you were writing 'Friends of the Week', you also wrote another dark story about hell, revenge and depravity, 'Hell Girl', and it can be said that the two stories are diametrically opposed, so how can this contradiction be explained? ”

What Miyadai said was not consistent with what he did, and it seems that it is easy to get caught in this "inconsistency between words and deeds".

However...... He is really good at reasoning, as if he can really convince people with virtue.

Again, it's a question of two sides of the same coin, or the perspective of looking at things, and it should be summed up like this...... All the creators are just the storytellers, not the stories themselves. We naturally have our own ideas when we make animations, but this idea cannot be completely consistent with the content of the story and the feelings of the audience or readers......"

As if sensing that he was becoming more and more confused in explaining the problem, he changed his words and said, "Let's put it this way, the story of the week's friend is 'what to do', and the hell girl is the story of 'what not to do', and there is still something consistent in their core. ”

"It's just that the expression of 'Hell Girl' is more extreme, and there is more satirical content."

Miyadai seems to have explained the problem clearly, but he is only using the asymmetry of information to deceive people...... The host has not read the scripts of the two works, so he can only let Miyadai, who is the original author, talk nonsense.

In fact? Mao's two sides of one body, one week and hell, are not comparable.

Now the story of Hell Girl has finally fallen into the hands of A-1, but unlike his friends who are sure to be screened for a week next year, Miyadai has not yet received a clear production and screening plan for Hell Girl.

"The most important question is, after trying your hand at animation planning, on-site coordination, and series composition, and achieving success, did you try your hand at being an animation supervisor?"

With the host's words, the main character design, copyright painting and main visual of "Flying Witch" appeared on the big screen behind him, which should be regarded as a kind of publicity...... Gong Daisheng also came here precisely to be able to appear in the show, otherwise he would really be too lazy to spend so much words.

And in the supervision column after the title of the work, "The Flying Witch", it is his name "Gong Daisu".

"An animation supervisor as young as you ...... To be honest, I think it's unthinkable. At this time, the host used a tone of "Are you inflated", and at the same time expressed a skeptical attitude of "Are you looking down on the profession of animation supervisor".

"I don't think age is an obstacle, Tom Tykway started making films at the age of 11, and Spielberg was already winning awards at film festivals when he was 13 years old, although it is impossible to compare with such a celebrity, but ...... I wonder if such an example can help you develop your imagination? "Miyadai is using the example of a famous Western director to scare people, but in fact he is confusing the concept of making a film and making an animation, and the two are still different.

However, in Tisindra's list here, Miyadai seems to be suspicious of putting a map cannon to mock the islanders, but he still said so.

"But why was Spielberg able to shoot 'Schindler's List'? Why was Stanislav able to shoot 'The Dawn Is Quiet Here'? Can Mr. Gong understand? ”

Then the host followed up and said, "The dawn here is quiet"...... Well, isn't it taunting along with him, is he a friend?

As for his question...... The simple answer is that one of them is Jewish and the other is Soviet.

So which is more important, talent or experience?

Gong Daiyu can naturally understand, but he won't answer according to the other party's thoughts, "But...... What I'm going to do is neither 'Schindler's List' nor 'The Dawn Is Quiet Here', I'm just making animation that I can do right now. ”

"There is a limit to anyone's ability, and smart people will only do things within that range." Miyadai said.

With his ability, it's impossible to make a film with a considerable height, so isn't he honestly doing "little freshness"?