Darkness is not scary. It is only in darkness that light has the value of existence.

There are buildings, but there is no sign of life. If you don't build a good person and leave, what is the meaning of building? In other words, the things in the house have been moved, but the gemstone glass is more valuable, why is it not missing.

The answer given by the Ghost Slave King was even more terrifying, he said that it was a mansion built specifically for the dead.

The underground city is no smaller, larger than any of the hells above, and the roads are getting wider. As they walked through the glorious streets, they found that all the roofless high-rise buildings were strewn with strange shards of glass scattered on the ground.

Arrogantly picked up the glass shards, looked at the truncated tall buildings, and said, "The glass shards are the roof, which are oppressed by the upper floors. What he meant was that the Infernal Hell was sinking, gradually crushing the underground city agglomeration.

Guanglong thought about it, it was not unreasonable, the underground city covers an area far beyond the Infernal Hell, and there is no support, which is equivalent to hollowing out the underground. In time, hell will fall completely, crushing the glorious city to the ground.

At the same time, the Ghost Slave King proposed: "Do you think that the well that came down is very strange, the height of the cave entrance is obviously passed by people, and it is a waste of water to cross it." ”

In the arrogant words: "It's not a well, it's a tower." ”

As it was, they were underground cities that entered from inside the tower. Because there are no supports around the tower, they are all filled to create the illusion of a well. On the other hand, urban agglomerations have high-rise buildings on top of them, so they will not collapse completely.

The destruction of the underground city is only a matter of time, but it is a pity that it is a treasure that will be fascinating.

At the corner of an intersection, there is a clear mark carved on the wall: N30. Guanglong affirmed: "It's the name of the street, No. 30 North Street." ”

Changfeng disagreed, the mark carving was unskillful, as if it had been carved in a hurry, and the traces were recent. The crooked mark is indeed unnatural, who carved it, and what message does it convey?

At this time, the arrogant who stopped said vigilantly: "I always feel that someone is staring at us, everyone be careful." He looked into a nearby window, and there was no one.

Guanglong had long felt this way, and from the moment he stepped into the street, a pair of vigilant eyes watched them from behind the window. He had always thought that he was a reclusive person in the city, hiding for fear of outsiders, but he instinctively found that there was no one in the past. The city was so empty that it gave them the illusion of being nervous.

Changfeng still warned them, "Maybe it's the Nether Army that is rounding up us, so be careful." "It is true that quite a few soldiers have been washed down by the water.

Continuing on, in the open field, there is an imposing building. The splendid glazed gold roof stands tall from the silver roofs of other buildings; The gables on both sides are pure black stone, without a characteristic texture, hard as steel, which can reflect human figures; The stone pillar at the main entrance is white jade, perfect without seams, so transparent that you can even see the shadow on the opposite side; The steps that extend down are made of gold bricks, each of which is immaculate and eye-catching.

Guanglong couldn't help but bang on the gold bricks: "Such a big gold brick, if you go home with one piece, you won't make a fortune." He tried to lift the next piece, but it didn't move. Strangely, there is no cement bond between the gold bricks, as if they are placed on the building blocks, why do they suck each other together.

In addition, on both sides of the temple, there is a yellow bronze pillar, polished and shiny. The copper pillar on the left side is coiled with dragon-shaped creatures, growing against the scales, dragon claws flying, and the dragon's head staring at the people from the top of the pillar, magnificent; The bronze pillar on the right side is a serpentine creature with sparkling feathers and hovering in an orderly manner, and the head of the snake is fierce and shivering at them.

The two statues of the divine beast are with their mouths wide open, with ~ glowing pearls in their mouths, and the doors of the statues are like daylight. The eyes of the divine beast are missing, there are no inlaid gems, and there is really a posture of rushing over and biting everyone when it is resurrected.

The shy Niannu was frightened to see it, and after just one glance, he hung his head in fright, and stumbled into the gate with the others.

Let's call it a temple for now. This building is neither Chinese nor Western, and the nondescript style is completely different from the others, and it is obviously important.

In the center of the temple's main hall, there is a long solid table with 10 chairs on either side of the table. On the side of the table, there is a chair standing tall. Looking at the layout, it is a conference room. There is little dust on the tables and chairs, and it feels like someone has someone to wipe it every day.

Finally seeing the long-lost table and chairs, Guanglong couldn't help but sit on it, and he was still in the top spot. Unexpectedly, the chair sank, startling him. Everyone was curious and thought that the furniture and foundations were too old to collapse.

The material of the table and chair is also very special, not stone or wood, and the surface is smooth like a metal texture. They tried to move their chairs, but they didn't move at all, and they looked like they were on the ground.

On the walls on both sides of the huge conference room, the green glow turned out to be a mural of luminous lumines. Guanglong leaned over to look at it and found that its style was similar to the black hole mural on Prison Island. The pigment of the mural has its own fluorescent effect, and the color is bright ~ beautiful, and it has not faded after the wind and rain of history, and it is particularly eye-catching in the dark.

The content of the mural mostly describes the life scenes of the ancients, and the netherworld here is naturally about the netherworld. Although it is a mural, some of the patterns are made of reliefs, that is, the whole pattern protrudes from the wall, and there is a strong sense of three-dimensionality.

Most of the ancient frescoes are exaggerated: this painting, for example, has a rectangular box in the middle, with a pointed tip on the top and a flame below, clearly a rocket. Inside the rocket is also a picture of a man with a tube in his mouth. The rocket is a relief, which is exactly the point of the whole painting. Around the rocket, a large number of people sat around, all with solemn expressions, looking forward to the launch of the rocket. Let's ask how there were rockets and other flying machines in ancient times, not an exaggeration.

Changfeng explained that ancient people had a narrow vision, and it was indeed exaggerated to see that they didn't know. But most of them are realistic, and they don't have the technology to make rockets, which doesn't mean that others can't. The ancients simply recorded what they saw. It's not that the rocket is hard to confirm, the aircraft can't be wrong, it's not like it's a product of the Netherworld.

Guanglong pouted, could it be that there are also highly civilized aliens visiting? In his world, there have also been flying machines on the murals of various countries. No one knows what it means. Is it a coincidence or is it true.

The Ghost Slave King was more observant, and he pointed to the crowd in the painting and said, "You think the surrounding people are really humans? ”

Guanglong didn't pay attention to what was strange in the dense crowd. He followed the guidance of the Ghost Slave King, and saw a few people standing with horns on their heads?

There are indeed unusual people in the crowd of the mural, with two horns on their heads, and the image of an abominable evil ghost.

The Ghost Slave King combines rocket launchers and suspects that the person with horns on his head is an alien. The people sitting next to him were all hostages.

Guanglong doesn't think so, the long-horned man in the painting is a metaphor, and other normal people represent the good and bad in the world. In ancient and modern times, everything with two horns is synonymous with the devil and everyone's memory. Besides, they have never seen aliens, why do they look the same as them, this is all human imagination out of thin air.

So fictional gods, devils, and aliens are not human figures, but other creatures that have been seen. People create things unknown in this world in their own subconscious.

Guanglong was surprised that the Ghost Slave King, as a netherworld, actually had the concept of aliens.