People are already rare in mural reliefs, but they are still alive and can turn their eyes?

Everyone stared at Xiaolan's relief, but it was not as magical as the monkey said. Xiaolan remained the same, and it was impossible for her solidified texture eyeballs to move.

The monkey was only dazzled, and did not delve into it.

Regarding the ancient magic mentioned by Uncle Yang, Guanglong has a deeper understanding. In the ancient asura, illusion magic had a deep level of attainment, and was even the most respected and popular profession. "Locking the wall in the air" is one of the more dangerous items, which is divided into dead walls and living walls.

Legend has it that the mage who knew this illusion would sparkle like a standing water surface with a light touch on the wall. Whenever someone enters, the surface of the water stops and then returns to its original state. What is a dead wall, that is, the people in the wall are instantly frozen, and the form is highlighted on the wall and does not move. Living walls are the opposite, people in the walls can still move, and the walls are deformed.

The danger is that when the mage activates the surface of the water again, the people inside may not be able to get out, and it is not a tried-and-true magic. It is precisely because of this that the "air lock wall" slowly faded out of the historical stage and has been lost in modern times.

But the Pangu Tower, created in ancient times, perfectly retains this technology. According to the long wind, what they encountered was undoubtedly a dead wall. To rescue them, the walls must be reactivated. The question is, how can ordinary people have the power of mysteries?

The fat man was noncommittal about ancient magic, and with a bold idea and careful verification, he pointed his finger at the wall himself. However, the wall was so hard that in the end, he called directly with his fist, but he failed to activate the mechanism on the wall.

Everyone laughed, how could it be so easy? But the fat man's actions gave Guanglong a direct inspiration. Liquid walls are not the standard equipment of Infernal Hell. He didn't pay attention at first, it was just that Pangu Tower and Infernal Hell had too much technical overlap that he had to link.

Yes, in the Infernal Hell, the walls are radiated by the leyline primordial stones, and the walls have a flowing effect, creating the feeling of traveling through time and space, tearing into the space of Mishnel. Pangu Pagoda also has a medium to produce, the white spirit bead that is purer than the original stone, which is in the hands of Allure Snow at the moment. As long as she wants to activate, it must not be a problem, and she is not far away.

The Mishnel space, which exists in the Infernal Hell and the Mental Illusion, could also be behind the walls. The ancient Shura people may have already understood the effects of the original stone to achieve transcendent magic. He has experienced the effect of time travel, and he can wander between different dimensions, and the difference is thousands of miles, because there is uncertainty.

This is all Guanglong's speculation, and it is inconclusive. Knight disagreed, arguing that there was indeed a hidden space behind the wall, forming the same mezzanine below. And the long wind they can't move because the mezzanine compresses, clamping them tightly between the walls. The reason for this theory is that people on the wall are mostly running and fixed on the wall. It was only because of the compression of the wall that everyone was looking for a way out in a panic.

Guanglong came to be interested, that is, the wall was a membrane-like structure for a certain time, which was used to shape until the interlayer disappeared, forming the miracle effect of people's relief now. According to this analysis, the restoration of the original texture of the wall is the moment when the spirit bead disappears.

If you want to save people and open the mechanism, you must rely on the power of the spirit bead.

If others are definitely helpless, fortunately, Guanglong is here, he has a cat owner and a green spirit bead.

In fact, when Guanglong analyzed it, the cat owner had already noticed the abnormality. When the cat owner approached the painting wall, the characters on the wall changed significantly. The hard copper wall suddenly softened into a film, and the people on the wall came to life with teeth and claws, desperately looking outward

Escape. It's just that the membrane is extremely tough, and no matter how the people in the wall struggle, there is not much protrusion, and there is no sound.

But the painful expressions of the characters, and even the distortion of the clear facial features, are reflected by the plastic membrane, which really scares the cat owner. The cat owner involuntarily retreated, and the figure on the wall stopped, taking on a hideous posture.

The cat owner gradually understands that as long as he walks to the effective distance of the painting wall, the person in the painting will come to life. The monkey saw Xiaolan's eyes rolling, and the cat owner was also close.

The cat owner warns Guanglong with palpitations, but the latter is analyzing the hyperspace with others and doesn't care about meowing at all. Guanglong was only the cat owner in a panic, touched his head and plunged into a heated discussion again.

When everyone stared at the cat owner with bright eyes, the cat owner knew that something was wrong, and refused to flee in his heart. However, it couldn't get close to the wall, so it had to run in the inner circle.

The escape route is locked, and even if you escape, you will eventually fall into the hands of others. The monkey has quick eyes and hands, and quickly blocks the place where the cat owner must pass, and picks up the cat owner casually.

The cat owner was rounded and slapped directly on the wall.

A miraculous scene occurred, and they were right. I saw that the wall that the cat owner touched slowly collapsed like a piece of cloth, and then the surrounding wall like water began to stir.

Changfeng's spear and Xiaolan's bow and arrow were withdrawn, and the Ghost Slave King and Midnight pushed the wall to try to break out; Other trapped people were affected and pushed in every possible way. For a while, the painting wall was alive, and all kinds of relief demons danced wildly, which made people shudder.

Guanglong noticed that Xiaolan stretched out one hand and made a difficult swing under the resistance of the membrane. When is it, and I still have the heart to say hello.

Unbelievably, the cat owner should have fallen long ago. But it was half exposed outside the wall, slowly frozen. At first, Guanglong thought that the cat owner was frozen, but if he looked closely, he still landed at an imperceptible turtle speed.

The unusual slowness of the cat owner is that time has slowed down. Guanglong is like waking up from a dream, and it is reasonable that the worlds on both sides of the painting wall are different in time and space, and there are differences in time.

Seeing that the hole that the cat owner hit out gradually tore, setting off layers of ripples, from small to large, the surrounding cracks are horizontal, as it slowly lands, the hole shrinks from large. After a short time, the cat owner is likely to be sucked in and never get to the inside of the painting wall again.

Uncle Yang and Knight saw their eyebrows and beckoned to everyone: "Fast forward, no matter how late it is, you will always be trapped here!" ”

Guanglong thought that something was wrong, and he hadn't figured out what danger was inside. However, he is also waiting for death on the outside, and if he wants to save people, he must bravely enter the tiger's den. His thoughts were fleeting, and the others rushed into the rift that was about to be closed.

The rift is a cross-section of time, and although it moves slowly, it is really tightly absorbed, and it is impossible to exit. Guanglong thought that he was about to meet Changfeng, and he looked forward to it infinitely.

Everyone rushed in, and finally the cat owner who was struggling in pain, kicked around with his short legs, and finally escaped from the powerful wall.

The walls instantly converge and ripple, and the painted walls are intact again. The reliefs of Changfeng and others are frozen again, maintaining the final movement. The expressions of these portraits were perfectly preserved, panicked, and there was only one detail that Guanglong did not see: there was no movement in the middle of the night, and a strange smile appeared on his face.

Guanglong's side was not at all the space that was originally expected, and it was empty. Why don't you see them in Changfeng?

( = Old Song)