The first part of "The Legend of Sword and Fairy" is very classic, and the classic is so classic that when netizens on the Internet first saw this TV series, almost all of them were abusive and puzzled.

Because...

It is a tragic TV series, and at the end, only Li Xiaoyao is left to die alone, which is rare in the era when he was used to the atmosphere of happy endings.

Of course, on the one hand, tragedy has created the classics of this TV series, and more importantly, "The Legend of Sword and Fairy" is not a tragedy for the sake of tragedy.

Tragedy for the sake of tragedy can only be said to be a tiger that does not become an anti-dog, giving people a feeling of deliberate tragedy, and such a deliberately set tragedy will only make people criticize and puzzle.

This was true at the beginning, but with the precipitation of time, this criticism and incomprehension gradually turned into a more profound high evaluation, so far the first part of "The Legend of Sword and Fairy" also made Hu Ge, an actor with good character and appearance, the first actor in ancient costumes in the hearts of the audience at that time.

Why is word-of-mouth changing?

Because the tragic story of the first part of "The Legend of Sword and Fairy" is completely based on a convincing idea, many people complain about the idea of "Breaking the Sky" because "Breaking the Sky" is a typical commercial text, catering to the audience's tastes, it is a cool article, and there is no tenable idea.

And the first part of "The Legend of Sword and Fairy" is more classic than the others, because the screenwriter perfectly fits the tragedy and idea of the theme, so that after watching this TV series, people can still think and have their own experience.

The most important thing about becoming a classic is that it can make an impression.

"The Legend of Sword and Fairy" used a successful tragedy to make the audience impressed, which is going to talk about the screenwriter's power, he cut the story of the game through some deletions and his own understanding, in order to create this atmosphere, the screenwriter first spent nineteen episodes like a frog boiled in warm water to create a seemingly happy comedy development route, that is to say, before the nineteen episodes, all the story development is towards the great consummation.

But no one could have imagined that the final outcome would be so bleak.

The screenwriter used his own unique technique, first set up and perfected one by one, brought the protagonists and supporting roles, and all the members together, introduced these members in a large way, filmed everyone's characteristics and temperament, gave people the most basic impression, and then gathered together, with a special scene, that is, it took an episode of time to create a beautiful scenery.

Let the protagonists make good wishes when they are in a beautiful fireworks scenery and seem to be a happy painting style, and promise each other to push all the foreshadowing and beautiful atmosphere in the early stage to the top.

Subsequently.

The screenwriter began to follow the progress of the plot with everyone's wishes and all the promises, so as to ruthlessly turn all the good things into nothing, and in the finale, he left along with the supporting roles such as Jiu Jianxian, and the whole play ended with Li Xiaoyao's vicissitudes of life, and the scene of Ling'er dying in Li Xiaoyao's arms made this sadness be sublimated to the maximum.

These tragedies seem to be deliberately set.

But.

Let's take a look at the other side, the screenwriter has set the dark line early, and none of these many tragedies are actually tragedies for the sake of tragedy.

And the so-called tragedy for the sake of tragedy, that is, regardless of the cause and effect, it is to make the audience unhappy, without any role in promoting the plot, the death of this supporting character has no value, and it is a feeling of deliberately feeding to the audience.

So, here's the problem! What is the dark line set by the screenwriter? In fact, it has been there from the very beginning, and most of the tragedies in the play are in response to the puzzled questions of the final demon king of the whole play, the Lunatic Master.

That is the theme of the first part of "The Legend of Sword and Fairy".

First of all, Bai Yue's questioning of love, a tragic story is staged, then there is a question of friendship, another tragic story is staged, then there is a question of family affection, followed by a tragic story is staged, and in the end, it is a question of all the themes of "love", and the story lines staged by these doubts are the beginning and end of the tragedy, and it is also a tragic story that makes the audience begin to think about the hidden life principles in each story.

In a similar vein, the death scene of Jiraiya in Kishimoto's manga "Naruto" also had to die in order to advance the plot.

These tragedies.

It's all valuable.

And the most powerful thing about the screenwriter is that almost all the tragedies in the first part of "The Legend of Sword and Fairy" have achieved the role of promoting the plot, and they have to make people ponder when they see the end.

In the end, relying on the screenwriter's skills, the first part of "The Legend of Sword and Fairy" became the pinnacle that other versions could not surpass, and similarly, the editor also received a large number of blades.

After sorting it out, Lu Yu serialized the story of the first part of "The Legend of Sword and Fairy" in detail on the script for his small team.

In fact.

Zhao Quetian is the first person to get this screenwriter, and as a clothing supplier in the road defeat group, he has the right to read this information, of course, he was also fed a mouthful of.

A mouthful of uncomfortable.

The story is good.

But the premise is that if the whole story is not tragic, it is even better.

"The final ending is so bleak, I strongly urge you to change the script!" Zhao Quetian dragged his tired body and complained viciously in the tavern that was temporarily expanded in the Weiwo Peak.

It's really painful.

The story in it raises the tragedy to the limit, from the time when the Lunatic Sect Master was a child when he was still Shi Jieren, the emotional collision between him and his father Shi Gonghu is a tragic emotional line.

And similar to this father-son conflict, in fact, is very common nowadays, many parents and elders want their children to become Jackie Chan, but neglect to care for their children, and finally make their children have a distorted hatred for their parents.

This is the tragedy of family affection.

That is, the tragic line of the first part of "The Legend of Sword and Fairy" in terms of family affection, if Shi Jieren's father-in-law Shi Gonghu could give some care at that time, Shi Jieren would not have transformed into the Moon Worship Master, then all the tragedies would not have occurred.

The question is!

In addition to this emotional line, each supporting character has its own tragedy, from Jiujian Immortal to Jin Yuan, Jin Yuan to Lin Yueru, Lin Yueru to Zhao Ling'er, and between Tang Yu and Anu, including the ending, all are tragic.

And these tragedies are natural, without any intentional setting.

As a director and screenwriter, Lu Que was on the side, so when Zhao Quetian finished reading the story for the first time, he decided to send a blade on the spot, and when he saw a clip in the middle, Zhao Quetian's deep experience couldn't help but have some tears.

And that's the charm of this classic TV series.

"Senior brother, are you lacking in virtue or not?" Zhao Quetian pointed to the details in the story and said, "You can't see that others have Taoist couples? ”

"Kill a couple and count it as a pair? Ling'er and Li Xiaoyao are such a good pair, do you want to dismantle them? Excessive, right? ”

Lu Yu shrugged his shoulders and replied without raising his head: "Old Zhao, do you know? I just like the way you look at me and you can't get rid of me. ”

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