Chapter 60: An Analysis of Transfiguration

After today's class, Aoyagi has always been very curious about the transformation technique. After a day of classes and practice, as soon as he finished dinner, he went to the courtyard, ready to try his hand at the transformation technique to see what he could become now.

Today, a thin yellow crescent moon hangs in the night sky. The moonlight was not so bright, and the stars in the sky looked much clearer. Compared to the city in the previous life, there are still fewer light sources in Konoha Village, and the impact on stargazing is not so great.

After watching the night for a while, Aoyagi was sealed, and the transformation technique.

Bang ~ Araki appeared in the white mist, then Sugimoto, and then Dingza......

Looking at his own appearance in the reflection, Aoyagi was sure that he was now able to become the person in his memory, and there was generally nothing wrong with it, but some details (such as some patterns on clothes) could not be reproduced well because of the blurred memory.

It's okay to become human, but what about the rest?

Aoyagi sealed again, and after a touch, he turned into a Wind Demon shuriken and lay on the ground. Miraculously, he can still see his surroundings and hear the outside world. It's just that the vision is a little strange. It seems that after becoming an inanimate object, the senses are still functioning, but they are obscured and cannot be seen by the outside world.

I don't know if the material that changes is really iron. However, it is difficult to test, and as long as it is hit with a strong blow, the transformation technique will be lifted.

And what about turning into an animal?

Bang~ A cat appeared on the ground, but the action was a little strange.

After trying to take a few steps, but feeling uncomfortable, Aoyagi lifted the transformation technique.

After experimenting with various things, Aoyagi wanted to learn more about some of the characteristics of the transformation technique.

For example, if you use the Transfiguration Technique and change into a person or something different from your own quality, will the quality change? Aoyagi was very curious, he wanted to know this in his previous life, but he didn't expect that there would be a day when he would personally explore this question.

Standing on the scale, he first wrote down his weight, Aoyagi knotted, and after a burst of white mist, he turned into Araki's appearance, and when he looked down, he really became heavier.

It seems that the quality has really changed. No, Aoyagi suddenly thought of a question, now what is weighed is actually weight, or rather, the size of the gravity on the body, if the gravity has not changed, then the weight and mass are linked, and the weight does not change, which means that the mass does not change. Mass, in simple terms, actually measures how much matter the object has, but because the gravity of the object generally remains unchanged and is positively correlated with the amount of matter (mass), we use weight instead of mass in our daily life. But weight and mass are actually different.

What if Chakra actually changed the gravitational force on the body? Or if it increases the gravity of the body, then it is reflected in the scale, that is, the weight increases, and in this way, the weight on the surface increases after using the transformation, but the material does not increase.

Aoyagi actually prefers that the transformation technique changes the weight rather than the mass. Because it seems easier to increase the gravity of the body than to increase the mass of the body. It's just that when I thought that I could create water out of thin air when I used the water escape in the past (although it didn't last for a long time) (water has mass, that is to say, chakra can at least temporarily create a substance to increase the mass), so it's not difficult to temporarily increase the mass of the body, right?

It seems that this question is quite difficult to figure out, and Aoyagi can't think of any way to explore it due to the limitations of knowledge. Anyway, it didn't matter if I couldn't figure it out, so after Aoyagi recorded it in a notebook, he threw it aside.

Dropping out a question, Aoyagi had another question. What determines the weight after transformation?

At the time of transformation, the transformation can be completed by simply visualizing the image in the mind based on the observed appearance, body shape, clothing, and other visible objects, and using the transformation technique. In this process, there is no weight involved.

So can you change your weight and become a thinner target? For example, can you become a slimmed down Araki?

Aoyagi tried, but it didn't work, and the weight was still at that value. Maybe if you know what someone looks like, you can become like that, right? But there is no way to just know what a person looks like at the moment, and then be able to use his spirit to guide him and transform into his slimmed down.

Why is this happening?

I think this weight should be the real weight of the original character, right? But he didn't know Araki's weight before he transformed, so why was this included in the effect of the transformation? What he didn't know was actually given his own transformation. Aoyagi thinks the more reliable explanation is that the world automatically gave this data to change the transformation technique in that direction.

It may be like this, as long as you know the external details and general outline of a person, when you use the transformation technique to transform into him, you are sending a message to the world through chakra and deceiving the world, and you are that person, so that the person's corresponding weight and other specific data will be given to the form after your transformation. Or rather, the world automatically fills in the rest of the details.

Hey! Aoyagi suddenly had a magical idea, if you want to know a person's weight, you can look like him or her. Then diverge your thinking, if you want to know a girl's three ...... Stop!

I can't go on any longer, it's a dangerous idea.

Well, let's see if the weight changes when it becomes a dead thing.

Turning into a wind demon shuriken, Aoyagi looked at the value on the scale with difficulty, and there was indeed a change. There's no point in lifting the transformation and continuing to change the weight. It seems that no matter what it becomes, the weight becomes the weight of the original object.

And in the process of using the transformation technique continuously, Aoyagi also discovered that not only do you need chakra when using the transformation technique, but you also need to consume chakra to maintain the transformation, and the chakra consumption rate changes with the change in the degree of change, and the greater the degree of change, the greater the consumption.

Why does it take chakra to maintain a transformation? It must be to resist the correction of the world, right? Thinking about it, Aoyagi could only come up with such a reason.

Next, let's study the small items that appear after the transformation, such as the contents of the Ninja Bag.

Aoyagi transforms into Sugimoto, takes off his ninja bag, and puts it on the table.

Carefully looking at the ninja bag behind him, kunai and shuriken are nothing special, and they feel almost the same as the real thing.

So what about using it? Aoyagi picked up a kunai and threw it to the ground.

Kunai collided with the ground, and after a while, it turned into a white mist with a bang, and at this moment, Aoyagi felt the chakra on his body fluctuate disorderly. It didn't last long before Aoyagi's transformation technique was lifted and he turned back into his own form.

It seems that if something that comes with the transformation is violently collided and disturbs the composition of the chakra, it will explode after a while, and this will also interfere with the transformation technique, causing the transformation technique to be lifted. It seems that the accessories that appear in the transformation technique, together with the other parts, are considered a whole, and there is a connection and influence between them.