Harvey still underestimated the audience's pursuit of phantoms in this era, and once thought that "Frozen" was an animated movie, although it belonged to the genre suitable for all ages, and its attraction to adults should always be much lower. This is all because Harvey subconsciously puts the audience as a modern audience when he thinks about catering to the audience, but for viewers who are new to Phantoms, "Frozen" is even better than "The Count of Monte Cristo" in some aspects.

In the field of phantoms, all audiences are chicks waiting to be fed, and they have not yet formed a good set of phantom aesthetics, and they cannot distinguish the difference between the so-called children's animated films.

You must know that in the era when earth movies were just emerging, just shooting the black and white picture of the train entering the station already made the audience at that time exclaim.

The company has produced countless animated films to accompany everyone through childhood, "The Ugly Duckling", "Snow White", "The Lion King", each animated film has its own unique style, "Frozen" is the essence of the company for decades, return to the essence, a pure, complete and beautiful animated film.

"Frozen" has many ideas that don't fit this era, such as singing, which stems from the unique Broadway culture of the United States, which is untested in this era and may bring a bad viewing experience to the audience. This feeling may be similar to that of Harvey watching Indian films, which he often dislikes by interpolating extremely long songs and dances.

When Harvey was making the animation, he tried his best to express the singing of the characters in the "Frozen" animation as naturally as possible, which fits the inner emotions of the characters themselves, which is also the specialty of Degeni Company.

Regardless of the controversy surrounding the animated film, Harvey has always felt that it is impossible to hide its brilliance.

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There was silence in the Great Illusion Theater, and in the animation, Anna closed the ice door with her hand, and the audience's eyes were only able to take their eyes off the screen after the singing stopped.

When the audience came back to their senses, it was all so incredible in their hearts, and they felt the charm of pop music for the first time in this era when classical music was qualified to be called music. Originally, the singing form of music was only found in the mouths of some bards, who usually brought their own instruments to play in the halls of the tavern, or to sing the praises of heroic poetry, or to express homesickness, or to express longing for something beautiful.

Most of these kinds of songs are popular and straightforward, and cannot give the listener too much room for reverie, so people have believed that songs are mostly vulgar culture since ancient times, and only classical music can be elegant, and only classical music can express the art of music, so that different listeners can find different feelings from music.

Anna's singing of "Letitgo" is completely in line with the audience's understanding of the song, but it sings a completely different feeling!

Letitgo can't be separated from Frozen, it's not derogatory, but only when the two are combined with songs and animations can they show their true charm. If you give "Frozen" a score of 10, "Letitgo" is also a 10, and in this scene, the two are multiplied to achieve a result that shocks all audiences.

"Letitgo" is the truest portrayal of Anna's mood, and a song sweeps away the depression of the previous plot, allowing the audience to experience a feeling of exhilaration.

"Frozen" obviously put a lot of effort into "Letitgo", from the expression of the protagonist Anna when she sings, the mood changes, to the animation atmosphere, the scene changes with the change of the song tune, at the beginning when Anna was depressed, the animation tone was more gloomy, and the scene was depressed and quiet. In the middle, the lyrics change and the style begins to change, and the scene where Anna works her magic and creates the ice bridge perfectly matches the song to rise, and then creates an ice crystal castle bathed in sunlight.

This song can be watched or listened to, conveyed to the audience in the simplest way, and let the audience experience the charm of the song and the characters in the most direct way.

High. The tide passed, and the audience had a tidal wave of discussions.

This scene is so similar to "The Count of Monte Cristo", the audience knows that it is extremely rude to discuss it while watching the movie, but they still can't help but talk about the scene they just saw and the song they heard. "Letitgo" left a deep impression on them, and Anna was reborn in that song, and the audience who witnessed it could not hide their excitement, as if an electric current passed through their skin, and as their blood poured into their hearts, they were emotionally and physically uplifted, and they could not be at peace without doing something.

"I never thought this scene would be so dreamy..." Lottie muttered to herself, this scene in the picture book comics is not so brilliant.

Eve bit her lower lip and sat down in her place when the ice door closed, wanting to say something but not knowing what to say.

In another box, William sat down on the sofa while breathing a sigh of relief after watching this scene of the phantom animation, and said to himself with a complicated expression: "This is the true face of this song, no wonder it is..."

No matter how unfinished the audience is, the animation is still playing, and the plot continues.

The theme of "Frozen" is not as heavy as "The Count of Monte Cristo", and the subsequent plot shows a joyful light-heartedness while being tense, which is also the representative style of Digeni animation, no matter how dangerous the protagonist is, the animation can always create a witty and humorous laugh.

It turns out that audiences with almost the same cultural origins found these witty scenes amused by the audience despite their different eras, and the audience laughed incessantly at halftime.

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"Frozen" is undoubtedly an excellent animation, and the part of "Letitgo" is a rare and very infectious plot representative in the history of animated films, but it is because of this paragraph of "Letitgo" that the quality of the whole animation has been raised by a level, resulting in a bit of an anticlimactic feeling at the end of the animation.

A very standard fairy tale happy ending, lacking the emotional appeal of the high level of "Letitgo".

Most of the thirty minutes produced by Harvedo are to modify the ending of "Frozen", in the original ending, Anna and Elsa meet again, but Elsa becomes an ice sculpture because of Anna's ability, and when Anna hugs her sister and cries bitterly, her true love lifts the magic on Elsa and allows Elsa to recover again, and the prince's plot to plot rebellion is revealed, and everyone lives happily ever after.

When watching this scene on Earth, Harvey once commented that the ending was too hasty, with no music to set off, and no intense ideological and emotional conflicts.

Harvey's self-created ending can't be said to sublimate the animation, at least it doesn't give people a sense of anticlimactic.