The duel of the center

Under the basket, Hanagata once again shook Akagi Goken away with a feint, and then turned around and jumped up for a jumper, all of which showed the solidity of Hanagata's shooting foundation.

"Brush"

Basketball goes to the net.

Looking at the back of the flower shape slowly moving away, Akagi gritted his teeth stubbornly. For the first time, Akagi regretted himself, why he didn't join the basketball team when he was in junior high school, otherwise he wouldn't have been repeatedly won by the other party because of his poor foundation.

"Damn!"

As the score was stretched again, Akagi let out an unwilling muffled roar. Obviously, when Mitsui Shou was single, the score was still anxious, but why was the score pulled away as soon as the basketball was handed over to his defensive opponent!

The facts are in front of him, Rao is based on Akagi's self-esteem, and he has to admit that Mitsui Shou is indeed stronger than himself.

Xiangbei attacked.

After Mitsui Shou dribbled the ball through the half, he faced Kenji Fujima's defense on the outside.

After the score was gradually pulled apart, Hikaru Haneda's purpose was already obvious, that is, to train the troops.

Whether it is the contest between Mitsui Shou and Fujima on the outside, or the single fight against Akagi on the inside, all of them make the two realize their shortcomings and advantages in actual combat.

Although in the process, Mitsui and Akagi can also take this rare opportunity to improve themselves, but, for now, it is Fujima and Hanagata who have gained more obviously.

Playing against Kenji Fujima, Mitsui's improvement is simply the improvement of his ball-handling skills and defensive experience after playing against an agile player like Fujima.

Fuji Zhen recognized his own shortcomings in the duel with Mitsui - his height is not dominant in front of most opponents, and his shooting is not as talented as a natural shooter like Mitsui Shou. So, use your speed advantage wisely, disrupt your opponent's position by breaking through, and then pass the ball to teammates who have the opportunity.

This style of play obviously brings Kenji Fujima's own advantages to the best and makes the threat he can cause even greater.

One is to improve one's own skills and experience, and the other is to change the style of play and improve the team as a whole after having a deeper understanding of oneself. I can't say who has the best promotion, but I can only say that the changes caused to Fujima are undoubtedly more beneficial to Shoyang with Hikaru Haneda.

As for the duel between Hanagata and Akagi, it seems that it has simply improved Hanagata's self-confidence.

Hikaru Haneda knows that because there is a center Shigeki Hirokawa that no one can shake in the Xiangyang basketball team, Shigeki Hirokawa has always had a great psychological shadow on the flower shape.

Otherwise, Hanagata wouldn't even have any intention of making head-on contact with Akagi. As a center, he doesn't even dare to collide with his opponent under the basket, and in the long run, this inner cowardice will only make Hanagata's dominance under the basket weaker and weaker.

Without a dominant center, what can he do if he shoots well? Even in professional basketball, there will be a lot of rebounds due to the shooting percentage problem, let alone a game with a lower shooting percentage such as high school basketball.

In the original book, Akagi Goken once said, "The person who controls the rebound can control the whole game." In a sense, this is definitely a true saying for the high school basketball world.

It's not terrible for a person to not be able to grab a rebound because of their physical fitness. But the physical condition is actually not bad, because of psychological reasons, the position is not stuck and the rebound cannot be grabbed, which is a big problem.

Hikaru Haneda signaled Fujima to pitch the ball, just so that Hanagata could be more active in grabbing rebounds when facing Akagi, who was in the weakest state, so as to gain experience and confidence.

Of course, this is also because Haneda Hikaru knows that after two years, the control of Akagi, who has grown up, under the basket is terrifying. Being able to defeat Akagi in the first year of high school will be more psychologically advantageous for future Hanagata facing the full body Akagi.

Kenji Fujima, on the other hand, did not think that far ahead due to the amount of information. In Fujima's eyes, I only saw that Hanagata did not have much advantage in competing with Akagi for rebounds. For the sake of offensive efficiency, it is undoubtedly the best choice for Hanagata to defeat Akagi, who has a poor foundation, with his good shooting.

This situation made Haneda Hikaru feel a little ironic, obviously wanting Fujima to realize the disadvantages of going it alone after the duel with Mitsui. The result was indeed a success, but after successfully changing the way he played, Fujima interfered with the growth path he designed for Hanagata.

By passing the ball after the breakthrough, he not only trained himself, but also gave Hanagata Toru a chance to use his strengths to counter Akagi's shortcomings. This shows that Kenji Fujima, who has calmed down, is indeed very good at reading on the field, but it's not good if it's too good, Hikaru Haneda complained silently in his heart.

After gradually getting used to Fujima's agile skills, Mitsui Shou once again faced Fujima's defense, and finally was not as constrained as he was at the beginning.

In the face of Fujima's defense, Mitsui chose to dribble sideways. The advantage of dribbling sideways is that the basketball is far away from the defenders, and it is not easy to be disturbed by Fujima's agile skills. However, the disadvantage is also obvious, due to the sideways, the offensive line has also become single, if the explosiveness is not as good as the opponent, then the breakthrough is basically not to think about.

Fortunately, Mitsui Shou didn't think about breaking through at all, as long as Akagi can guarantee rebounding, for Mitsui, there is not much difference between shooting outside the three-point line and shooting inside the three-point line.

With a backward step jumper, Mitsui and Fujima, who are about the same height and jump, can only look at each other and smile in the air.

The moment the orange basketball left Mitsui's hand, he was unwilling, and the more frustrated and brave Akagi immediately took advantage of his size and stuck the flower behind him.

Hanagata put one hand against Akagi's strong back muscles, and only after the trajectory of the basketball was getting closer and closer to the basket did he suddenly withdraw his hand, turn flexibly, and compete with Akagi, whose center of gravity has shifted slightly, for the position of starting and jumping.

Akagi, a first-year student, is obviously inexperienced, so the position of the jump is important. However, if you can use your strength to destroy your opponent's center of gravity and affect your opponent's jump, like Shigeki Hirokawa, it is undoubtedly the most labor-saving and effective method.

Although Hanagata can't outperform Akagi in strength, he can use experience, and Akagi Gangken, who can only use brute force, can only use brute force.

"Bang!"

The basketball bounced off the hoop and made an uncomfortable iron slap sound for Mitsui.

At the moment when the basketball was bounced, Akagi couldn't care about continuing to wrestle with Hanagata, and the two of them jumped up at the same time in what they thought was suitable, and their four raised arms were staggered in the air.

"Ahh

Akagi let out a roar in the air.

"Smack!"

Perhaps it was because of the sound bonus, Akagi's big red hands were the first to touch the orange basketball, and then grabbed the basketball without a teacher.

"Mitsui!"

There were a few lessons of being broken by the flower shape, and Akagi made a move that surprised everyone the moment he landed, only to see Akagi throw the basketball in his hand towards Mitsui Shou.

Akagi!

Feeling the change of his friend, the glasses brother who has no sense of existence on the side doesn't know whether Akagi's pass is good or bad, but his heart still becomes relieved.