First, the questions raised by the reader about some of the details of the book are explained. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

1. The formula for calculating the probability of death: first of all, the reader should understand a concept, that is, the author's mistake and the character's mistake in the book, for example, if Qin Ming says 'I am God' in the book, then it is not that the author thinks that Qin Ming is God, but that Qin Ming himself thinks that he is God, which should be clearly distinguished.

So Ning Wenrui's calculation formula is wrong, it doesn't mean that the author miscalculated, but Ning Wenrui's calculation was wrong, as for why Ning Wenrui miscalculated, it was because Ning Wenrui's calculation was a rough calculation, simply put, it was casually said, logically speaking, the danger would increase with the increase in the number of summons, which he was right, but he didn't think it was necessary to calculate the specific value so clearly, so Ning Wenrui just said it roughly.

If the author writes that Ning Wenrui took out the calculator and started calculating the specific values, and then wrote a lot of calculation formulas, it is neither necessary nor meaningful.

2. Regarding the rationality of the summoning spell, first of all, the author borrowed the content of the book of the other world in the book, and said that the safest summoning spell will also have abnormalities, that is to say, no matter how perfect and reasonable your design is, there may still be abnormalities in the end, and even for example, if you summon a mermaid, it is possible to run out of an otherworldly evil god directly (although the probability is extremely low to almost negligible).

In the past, summoners must have conducted many experiments when designing spells, and spells will be determined after many successes, for example, when summoning mermaids, the spell content has the word "half-man, half-beast", and it has succeeded several times, then the spell will be determined.

Of course, summoners can also use the word "half-human, half-fish" to summon, but it is possible to summon a fish-man instead of a mermaid (the difference between the two is Baidu), because the summoning spell must not only determine the characteristics of the target you want to summon, but also avoid confusion with the characteristics of other otherworldly creatures, so sometimes you must use vague words.

Or maybe the summoner who created the spell didn't want to try too much, and it was possible that he ended up using [Half-Human, Half-Beast].

It's like the keyboard we use, with its key layout extending from the typewriter, which is not the most reasonable in itself, but a lot of things are just wrong, so please don't be too nitpicky.

The so-called existence is reasonable, and the author will not explain too much about the content of the spell in the future.

3,About random summoning,First of all, let's declare that in the first volume,The protagonist has not used real random summoning,Random summoning,Refers to the summoning technique that does not specify a specific world、Nor does it specify the form of the summoning target,Because in all the different worlds,There are nine different worlds that have been determined,And an unknown number of undetermined different worlds,These nine have been determined to be relatively safe,And those that are not determined, no one knows what it looks like,So the danger is completely immeasurable。

Because of this, random summoning is dangerous, and when the protagonist summons creatures from the world of Kegumo, it is not strictly a random summoning.

All existing summoning techniques are finally determined by summoners through continuous attempts to modify, and in the process they are all summons with uncertain targets, if this is a random summoning technique, then every summoner in the past cannot avoid using random summoning.

Again, spells that are not sure of the target's name, but only describe the target's form and characteristics, and the world, are self-created summons, not random summons.

When you create a spell and modify it repeatedly, you can finally summon the same creature every time, and it's an existing summoning spell. , that is, the relatively safe summoning spell, but as written in the book, even if there is an existing summoning spell, it is not absolutely safe.

4. Regarding why the expulsion technique was not used on the Nightmare Elves.

First of all, the expulsion technique is not a panacea, it is only effective for some otherworldly creatures, and some otherworldly creatures that are too powerful or have special abilities cannot be expelled.

Second, it is necessary to involve another hidden setting of the book, [the concept of secondary worlds], which was originally intended to be explained in the third volume, but since someone asked, I will explain it a little.

The secondary world is a special space attached to the main world, and there are many worlds that have the existence of a secondary world, for example, there is a special space called the Chaos Abyss in the Purgatory Realm (Gozares World), which is a secondary world.

The Nightmare Elf is not a creature of the Atlantis world, but a creature of the Nightmare World, and the Nightmare World is a secondary world, which is attached to both the Atlantean world and the real world, so when the protagonist summons the Green Goblin, the Nightmare Goblin can respond to the protagonist's call, and after making a bet with the protagonist, he can also return to the Nightmare World directly.

(There will be a lot of content related to hidden settings in this book in the future, and the author of this kind of content can't write it directly, so please be patient with readers and friends, and it will be explained in later chapters)

5. On the question of who the protagonist is. ‘

To confirm again, the protagonist is Xing Tianyu, and the other three are all supporting roles, but due to the particularity of this book and some negligence of the author at the beginning, the supporting roles are too heavy, and there is a feeling of dominating the crowd.

This point will be fully suspended at the beginning of the second volume, please rest assured.

That's all for the details at the moment, and the author will explain more in the future if there are more doubts.

6. About improving combat ability in Nightmare Space.

All the objects that the protagonist conjures up in the nightmare space are transformed through the materials he has in the past, for example, the protagonist has seen a martial arts movie Huang Feihong, then he can conjure up Huang Feihong, or similar martial arts characters, but the combat effectiveness of the martial arts characters cannot really be as powerful as in the movie, but must follow the rules of reality.

So in the book, I wrote that when the protagonist was fighting against the ancient soldiers, he found that the combat effectiveness of these conjured ancient soldiers was very erratic, because their combat skills were completely derived from movie games.

But relatively speaking, the beast is more real, because the protagonist has watched documentaries such as the animal world and seen the real fighting methods of beasts, and the fighting methods of beasts are usually relatively simple, and it is impossible for wild wolves to play a set of swordsmanship, all they can use is to pounce, scratch, bite, and scratch, and the specific power only depends on speed and strength, and these can be conjured up in the nightmare space.

The Sphinx's combat mode is also derived from the material that the protagonist has obtained in the past, such as the Sphinx gliding and pounce, which may be derived from a documentary about the eagle.

The Sphinx's grasping and biting skills come from a documentary about lions.

The combination of these materials forms the protagonist's subconscious Sphinx's fighting style, of course, this Sphinx is definitely different from the real Sphinx, but at least it can be used as a reference.

Therefore, it makes perfect sense for the protagonist to use the nightmare space to train his skills against the beasts.

The effect of training yourself against humans is relatively poor, because the swordsmen and warrior knights in the movie often use some flashy moves, maybe a very powerful swordsman in the movie will be knocked out by the protagonist in the nightmare space, but because the protagonist may have seen some videos of real swordsmanship, it is also possible to conjure up a real master.