Speaking of totems, the Terrans also have them.

However, with the migration of time and the concentration of royal power, some totems have been lost in the long river of time. Others have become national emblems, family emblems and the like. At this point, the totems preserved by the human race are far less intact than those of the barbarians.

Although the barbarian totem culture is still prevalent, civilization is the source of power for the entire barbarian, and it is also a constraint. It instilled the idea of how the barbarians could survive from generation to generation, and even used the historical monument of 'the words of the ancestors' to block the road of change for the barbarians.

Just like the relationship between the imperial power of the ancient Celestial Dynasty and the scholar class, there is more resistance to help. The scholar class can maintain the emperor's rule for its own interests, and it can even secretly oppose the emperor for its own interests and add to his obstruction.

The second engraving exchange in the second session of the field has begun. But Zhou Zhan, who was watching the battle, stared at the barbarian side on the stage with his eyes.

At the moment when the representative sent by the barbarian side picked up the carving knife, Zhou Zhishu obviously felt a familiar aura. However, the feeling is not simple. Among them, there is also a hint of dark and obscure.

This made Zhou Zhenju, who originally had the idea of watching the play to a low level, a little unbearable. He didn't understand why the gods who held the miraculous snow fields were in control, and why the barbarians were allowed to have the power of faith? Aren't they, the gods who have always played with the fate of others, afraid of raising tigers? Or do those gods have the confidence to suppress all disobedience? Or do they believe that when someone in the barbarian tribe transforms into a god, they will immediately turn to join them and attack the former people?

After thinking for a while, Zhou shook his head and threw these thoughts behind him. Although he can run amok in most places now, he is really up to the gods. I guess next time it's not much better than deleting the number and retraining. As for the idea of probing the gods? It's just a mediocrity. The ass decides the head, he is not a god, let alone a native of the game world, he thinks so much before he gets sick!

However, just because you can't explore the gods doesn't mean you can't explore the barbarian representatives who are concentrating on carving.

After scanning the system, Zhou couldn't help but say to himself in his heart: "Totemist? ”

The system scanning is powerful, all the demons and monsters are scanned by the system, and all the attributes are naked in front of Zhou Xuan's eyes.

Looking at the totem master in the virtual screen in front of him, his health was crazy, and he finally knew what the feeling was before. If nothing else, the profession of totem master, when carving totems, should use life as energy. Maybe only something as precious as life can carry faith, right?

However, as the totemist's carving knife continued to fall, Zhou knew that the Terran relief on the opposite side would undoubtedly be defeated. After all, everyone has done it with their lives, and it is only natural that you can't handle them.

When the carving knife in the totemist's hand dropped the last stroke, the totem that had been fully formed seemed to give Zhou Zhan a momentary illusion of 'it came to life'.

And the Terran relief master on the other side, although he played well. But the beautiful characters on the reliefs, no matter how beautiful they are, are just dead things, and there is no spiritual shock brought by the barbarian totem at all.

As for the totem carved by the barbarian totemist, in terms of appearance, it is really not as good as the relief. After all, the characters on the reliefs are all based on handsome men and beautiful women. And the portrait revealed on the totem of the barbarian, although there is no obscene quality, does not look like a good person. It can be said that the totem master is undoubtedly inferior in the eyes of Zhou Zhishu in the selection of materials.

However, there are a thousand Hamlets in the eyes of a thousand people. The work that the barbarians did in advance this time was thorough enough, and most of the audience in this one had the masochistic tendencies of the virgin. In terms of art appreciation, it is obvious that there is a lot of talk about the dark side of things such as misery, small people, and massacres. In the eyes of this group of viewers, this is undoubtedly more 'real' of the barbarians.

At this time, hearing the admiration and appreciation of the audience around him, Zhou Zhensheng wanted to complain, 'Child, you are fascinated by the goblin!' People don't live so hard at all. There may be such obscene characters in the tribe, but they will never be the mainstream! ’

In this second game, in the end, it was the barbarians who won the victory. It can be said that in the second match, the two sides drew 1-1.

In the next third game, although Zhou will focus on the injury, he will not put all his energy into it. After all, it wouldn't be long before he had to add fuel to the fire for the barbarians as originally planned, exposing the black materials from the high-ranking Terran officials to the sun.

The third scene seemed very unexpected to Zhou Zhenju, but he didn't expect the theme to be poetry and storytelling.

Supposedly, you may feel a lot of criticism about storytelling, after all, storytellers in ancient Celestial Empire would never have included them in the ranks of artists. However, in this strange place in the game world, storytelling is a big art. As for poetry, it seems to them to be nothing more than humiliation.

Why poetry is humiliation, because the origin of these poems is sycophancy. The target of the horses is none other than the gods who play with all the creatures here. Isn't it the sorrow of everyone to think about the desire to kill each other in their hearts, but having to hear their pathetic fellow clansmen slapping their targets all the time?

For sycophants... No, in terms of poetry, Zhou is more interested in injuries. After all, Zhou, who was born a thousand years late, did not catch up with the Jiajing Dynasty, and he did not see the creation of Qingzi on the spot. Although they are all sycophants in nature, they are different in nature. The Chinese are worshipful and reverent of the heavens, and they are willing to shoot. Unlike the NPCs in these games, who shoot at the gods who play with their own fate and the fate of their families, the senses are of course different.

The representatives of the two ethnic groups also lived up to Zhou's expectations, although these words and praises were Shen Ke after all. However, it can be filmed so straightforwardly, and the expression is so well done. Zhou Zhan had to say a word out loud!

In this game, the Terrans defeated the Barbarians by a crushing advantage. The reason is nothing more than the expression is in place. Looking at the look of the representative of the human race who took shamelessness as glory, Zhou Zhen felt the urge to go up to apprentice in his heart.

As for the barbarians, I really don't know how they survived, and they don't have any acting skills at all. Looking at the appearance of the representative of the human family like drinking nectar, you look at your face-paralyzed appearance without love, it's no wonder that the human family is mixed! Haven't you ever heard that 'if you want money, you have to be shameless?' ’

Under the continuous complaining in Zhou Zhen's sad heart, the two clans went to the storytelling session.

The purpose of this competition, in Zhou's view, is to see who can brag. This one said that there was a certain hero XXXX in my clan who did a big thing, and that one said that his ancestors peeked at the goddess taking a bath and was not killed.

At this level, it is absolutely on the street at the starting point. Look at people's "Greek Mythology", that's the real favorite story. Thinking about the taboo and exciting privacy between the gods and spirits, it simply surpasses the character design of Pu Songling's works.