The bald guard's wings flapped up and down, making a continuous "pop" sound in the air, and the white feathers fell freely, but it was a pity that the bald guard looked too hideous, and he didn't look like an angel, but like a demon who pretended to be an angel.

Kohei cursed and ran quickly, this guy was clearly the villager she had just entered this strange place to fight with, and had copied her abilities and saved them.

So a holy lightsaber appeared in his hand, and Kohei was not so surprised.

It's just that the feeling that she is running on the ground and there is a birdman in the sky who keeps chasing is really terrible. What's more, the birdman is still imitating his own abilities.

Thankfully, the terrain was narrow, and there were dense shantytown-like low-rise buildings everywhere, and whenever the birdman swooped in, she would suddenly burrow into a low house, and constantly jump from one window to another, and the angry birdman screamed, and the lightsaber kept slashing through the roof, splitting the house behind Akira in half.

Perhaps because the believers were concentrated underground, and the shanty town was largely deserted, she was able to maintain a relatively fast speed while dodging the birdmen.

But once she runs out of this narrow and dense village and into the forest, I am afraid it will not be so convenient to dodge.

What to do?

Suddenly, a spacious house appeared, which seemed to be different from the low architecture of the village.

Kohei went in without thinking, but instead of slashing the roof of the house as before, the birdman flapped his wings and landed.

After entering the house, Kohei found that this place was really different from the previous one, there were two neat rows of glass covers displayed in the center of the room, and the glass covers emitted a soft yellow light, like the display cases of a large museum.

Before he could see what was inside, Kohei hurriedly closed the door and found some debris behind the door, and sure enough, the birdman did not dare to use his lightsaber to directly slash the door, but pushed it hard, making a "boom rumble" sound.

It seemed that this house must have a special meaning for them, and seeing that the birdman would not be able to enter for a while, Kohei sighed and returned to the center of the house.

He had long been curious about what was in the glass cover, and she leaned over to take a look, only to find that there were neat rows of egg-shaped objects inside, each egg was about the size of a football, and the warm yellow light was evenly covered on it, just like the chicken farm in the human world hatching chicks.

She suddenly remembered what Asami had told her, and Asami had given birth to a bunch of eggs, and those eggs had slipped down the pipe and disappeared, and it seemed that some of them had arrived here.

At this moment, the door was pushed open with a bang, and the birdman broke in with a menacing momentum, and the lightsaber was particularly bright in the dimly lit room.

Although this nursery was larger than the shanties outside, it was actually unobstructed inside, and the birdman circled around the glass cover and found no sign of anyone, which made him wonder that no one had escaped from here just now.

The birdman searched carefully again, and the result was still the same as before, and then he rushed out of the house with some chagrin, wondering if he had missed something just now, so he flew up again and looked around.

After a long time, until he was sure that there was no danger, Kohei crawled out of a corner.

She is now more and more proficient in using dreams to construct reality, and she understands the principle that a year in a dream is a day in reality, and the two can be completely out of sync in time.

And when she escaped in the glass cover, she even daydreamed, while the dream in her mind was going on, in reality she was still dodging the attack of the sphere, so to speak, at that moment she exerted a huge amount of energy at the moment of life and death, until now in retrospect, her heart is still pounding, just a little bit, she is about to completely become the fertility machine of this damn race.

So, when the birdman kept chasing after her, she could dream of a darkness that would envelop her in such a way that no matter how many times the birdman walked around the room, he would not be able to see her.

After the danger had left for a while, Kohei had time to take a closer look at the furnishings.

Inside the narrow glass cover is a long row of neat round eggs, about twenty-five centimeters in diameter, and the eggshell is translucent, and from the outside you can faintly see that there seems to be a mass of objects inside, not the kind of uniform circle, but an ellipse, and the two ends of the elliptical have irregular sharp corners.

A warm light source covers it, and the objects in the eggshells are constantly spinning and swimming, and seem to like the constant light and heat.

Akihei walked around the glass enclosure and found an entrance to the underground at the end of the room.

She hesitated, not knowing whether to go in or not, but as soon as she heard the whistling of the birdman's wings across the air outside, she knew that going out at this time would be tantamount to death.

So, she opened the passage and looked down, but she didn't expect that the basement was brightly lit, and it was completely dim and narrow as she expected, she put away her slightly nervous heart, and gently sighed with relief and climbed down the ladder.

The space in the basement is not small, and it is basically the same size as the room above.

But to her surprise, a row of transparent pipes hung down from the basement roof, and directly opposite the pipe exit was a barrel-like object resembling a disc, with pipes connected to the bottom of the barrel, making it look like a factory, but she didn't know what it was producing.

What about those transparent pipes that lead to the glass cover above?

Just as he was thinking about it, he heard a strange "gurgling" sound from the ceiling of the basement, and after a while, the edge of a circular object suddenly appeared at the top of each passage.

Kohei's eyes widened, if she was not mistaken, wasn't it the round egg that had been placed in the glass cover before, struggling at the entrance of the pipe.

They didn't seem to want to leave the warm place, so they kept twisting and turning, wanting to stay a little longer, but the transparent pipes were so smooth that their writhing accelerated their slide.

As if he could hear their screams, they fell down the pipe and landed on the barrel-shaped object, where there were discs that reflected cold colors, as if they were made of steel, and it was no wonder that the round eggs were very resistant to this.