The next day, Liszt got up early and went to the family's shooting range alone for basic training and shooting training. The so-called basic training is not a simple physical exercise, but the training of the assassin and the witcher's body technique, as well as the use and production of various props and traps recorded in Yang's notes. Among them, he valued the "acceleration" of the Assassin's Way and the "leaping" skill of the witcher the most.

Through a series of physical explosive training, an extraordinary Assassin can master an instantaneous speed burst technique - acceleration, in which the Assassin's nerve reflex speed and muscle activity will break through the limits of the human body to a terrifying level, allowing the Assassin to launch an instantaneous one-hit kill or escape from the predicament. This technique is perfect for Liszt, who has a faster nerve reflex than ordinary people.

And the technique of leaping was summed up in the battle by Liszt's father, Young, and his friend Covaan. The battle in Hell is fierce, the enemies are innumerable, and the dense javelin throwing and evil magic make it impossible for the two to stop and shoot accurately. The two must dodge while countering effectively. And "Leap" is the extraordinary skill they have learned and perfected in battle. "Leaping" is not a simple dodge of rolling, it is a skill that requires the user to maintain absolute balance of the body and the ability to use the bow and crossbow while rolling, and to maintain this state for a long time. Actually, it's hard to do. Because the body of a person must be in an upside-down state when rolling, it is simply a fool's dream to ensure that the hit rate of the bow and crossbow will not decrease in this state, at least, Liszt felt that before he learned to accelerate, it was impossible for him to be able to pull the bow and shoot arrows while rolling, let alone the hit rate. However, Liszt had learned guerrilla shooting techniques for many years, and was actually no stranger to this kind of mobile shooting, but his current physical condition could not allow him to make that kind of superhuman technique, so he only planned to train the fastest and most labor-saving tumbling technique in his notes, without considering the deeper realm.

The training methods of the Assassin Order Vizjata were harsh, even brutal. In order to achieve the goal of exceeding the limits of the human body, many training methods need to endure great pain and suffering. Liszt's original so-called archery training, compared with this, is simply a child's play, and there is no comparison. But Liszt was not a flower in a greenhouse, and he understood that if you wanted to get something, you had to pay the same price. He didn't want to lose his family and friends anymore, so he had to endure it all.

Sir Roland watched Liszt's hard training from afar from the shooting range, and his heart ached. He didn't know when Liszt got up, but this kind of life was too cruel for a child of Liszt's age. However, since Liszt had made up his mind, Roland decided that he must do his best to help him, support him, and treat him as an adult like himself. Roland didn't expect that one day, the safety of the family would be pinned on a seven-year-old child, which made him feel extremely ridiculous, but he could only accept this fact.

Liszt, who had trained for seven hours, was exhausted and lay on the ground motionless. According to Liszt's plan, five to twelve o'clock in the morning was the time for physical training, leaving an hour for eating and resting, from one o'clock to five o'clock in the afternoon to learn about nobility, religion and history, and then in the evening to train the spiritual strength. It was arranged all day long, and there was no waste. Only robots can do things like Liszt.

At lunchtime, his friends finally saw him. While Hadrig was still happy that Liszt had become his brother, Liszt went to Sir Roland to learn from him. However, Hadrrig also knew why Liszt did this, and in addition to gratitude, he also forced himself to learn knowledge that he didn't want to see, and he didn't want to drag the family back. Mila on the side looked at the busy family, sighed slightly, and went to prepare for the training for Liszt in the evening.

From Sir Roland, Liszt learned about the royal family of Tranvikan, to which Hadriger's grandfather was loyal, as well as the history of Rugoin, Westmar, and many other worlds on the other side of the continent, which taught him a lot and allowed him to grow into a true nobleman.

The long and boring study of history made Liszt a little drowsy, especially since he had also trained a lot and was very tired. But the thought of his father's encouragement, the love and affection from the Emmon family, and the blessings of his friends filled him with strength, and he believed that everything he did was meaningful and not in vain.

In the evening, Liszt went to the agreed garden to wait for Mira's arrival, and to be honest, there was nothing too much to know before, whether it was training or learning. But the next psychic training was different, it was an area he had never touched at all, and his consciousness would follow the psychic power to another world, which made him excited and a little nervous. Just as he was pacing back and forth with mixed feelings, Mira came out with a crystal ball.

Looking at the excited Liszt, Mira laughed: "I knew you were the reaction, most people were very nervous when they first carried out the 'meeting', and you will be so excited!" ”

Liszt shook his head: "I do get a little nervous, but it's not enough to make me afraid. ”

"That's good, if the first 'rendezvous' is too intense, it will be difficult to succeed. Come, take this crystal ball, keep your eyes on it, slowly empty your mind, calm down, and get rid of the distractions in your heart. Mira said.

Liszt did as Mila said. For deep meditation, Liszt actually had training in his previous life, but the name was different. When aiming at the arrow, you must have no distractions and pay full attention, otherwise, if you shake the slightest, the arrows will deviate from the target. However, despite Liszt's experience, his excitement and nervousness kept him out of shape for a while. Mira knew about Liszt's problem, but she didn't point it out, she wanted Liszt to understand it himself, and it would take a lot of training to quickly enter deep meditation.

After a long time, Liszt finally calmed down the irritability and excitement in his heart, slowly extracted the distracting thoughts in his heart, and gradually entered a state of deep meditation.

When Mira saw this scene, she immediately released a simple magic on the crystal ball, only to see that the crystal ball began to glow slightly, and began to attract various elements wandering around, and at the same time, a power in Liszt's body was also attracted, slowly flowing from Liszt's eyes, and colliding fiercely with the attracted elements. Eventually, the collision intensified, and after reaching a certain point, the two suddenly merged into one and disappeared into thin air. Only the crystal ball, which is still glowing slightly, proves that none of this is a dream.