Measure 46 "Music of the Night" + "Love Never Dies" (4)

After a round of high court succession, the song enters the finale. The confluence of hundreds of rivers gradually eases from high to low.

What is love? Who can tell?

Tolerance is love, spoiling is love, crush is love, letting go is love, stubbornness is love, abuse is love, and destruction is love. Looking forward to, enjoying, reminiscing, reminiscing, and teaching people to turn back to their hearts. It is like experiencing a journey of love, with beautiful scenery, magnificent waves, and dangerous reefs, and all listeners are not immune to being deeply involved in this beautiful and weird, selfless and crazy, pure and bloody whirlpool of love, unable to extricate themselves.

When I was immersed in it, I couldn't extricate myself, and the song "Love Never Dies", which was also the theme song of Weber's musical "Love Never Dies", sounded in my ears. The shallow chanting and slow singing are like the dawn mist turning into dew without a trace, gently creeping into people's ears.

Who knows when love begins? Who knows what makes it start? One day it's simply there, alive inside your heartIt slips into your thoughts,It infiltrates your soulIt takes you by surprise, then siezes full controlTry to deny it, and try to protestBut love won't let you go, once you've been possessedLove never dies, love never falters

Once it has spoken, love is yoursLove never fades, love never altersHearts may get broken, love enduresHearts may get brokenLove never dies, love will continueLove keeps on beating when you're goneLove never dies, once it is in youLife may be fleeting, love lives onLife may be fleeting, love lives on。。。。。。 "Love Never Dies" is a sequel to Weber's thoughtful work since "The Ghost of the Opera". As the master of the revival of the musical, it is natural to foresee that with the pearl of the previous work in the front, it is inevitable that the bad comments of the dogtail continuation mink will be under the fame, but the sequel must have more far-reaching considerations. At least not for the sake of coming out, the sequel must have its necessity.

"Love Never Dies" is the theme song of this work, and it is also the most recognizable song in the entire musical. The overall tone of the whole piece is continuous lyricism. The surging feelings in his chest were suppressed by a calm speech that feigned composure, and after several reincarnations, he finally sang the theme of his heart in a higher octave - "Life may be like morning dew, but love is unswerving." ”

From desireless and wantless to crazy for love and then to the destruction of not being able to ask for it, after experiencing a turbulent journey, hundreds of rivers converge into one sentence: "Life may be like morning dew, but love is unswerving." ”

Although it is only two short sentences, when heard at the end, it is like two operas, spanning more than ten years, just to say this sentence:

- Life may be like morning dew, but love is unswerving.