Immediately, Brother Hao's eyes rolled and he counted on his heart. Pretending to be casual and asked, "Jiajia, let's travel for a few days, what do you think?" ”

"Yes, yes!" Guo Jiajia raised her hands and feet in approval.

A conspiracy is brewing

…………

SX Province. TY City.

A domineering man in black casual clothes stood in the hall, and two girls in the back, one with a white scarf on his face, and the other with a pair of large sunglasses that could cover half of his face.

"Haohao, why don't you go to Sanya? Why not go to Hawaii? What are you doing here? The woman in sunglasses said.

"You are so stupid to ask this question, you see that Zhihua didn't ask this question," the casual man smiled.

"Haohao, actually, I don't know, I'm just embarrassed to ask you more." The scarf girl said weakly.

"Huh!" For those who forcibly demolish the stage, it is not easy for casual men to say anything, "Since you are here, there is a reason to come here, you can follow me with peace of mind." ”

The three of them are Brother Hao, who enjoys the blessings of all people, the violent woman Guo Jiajia, and the cold-faced sister Wang Zhihua.

On the way out of the airport, there were a lot of onlookers. Looking at the figures of the two women and the lips when they speak, they are silently obscene!

The three of them rented a luxury hotel at random and began a multi-day tour.

Brother Hao said, "TY is known as the treasure land of Dragon City, and there have been many awesome people here in history, from emperors and queens, princes and nobles to Jin merchants who have gone all over the world, leaving countless historical relics. TY's famous scenic spots are mainly concentrated in Jinyuan District in the southwest of the city and Yingze District in the city center. There is a Jin Ancestral Hall with the spiritual veins of the Tang Dynasty buried here; There are the largest existing Taoist grottoes of the Yuan Dynasty in China - Longshan Grottoes; The "Twin Towers in the Sky" of Yongzuo Temple has long been praised and has become a symbol of TY. There are many more relics waiting to be discovered. As a transit station for SX tourism, TY is heading to the ancient city of Pingyao and Qiaojia Compound in the south. Or the Yungang Grottoes and Wutai Mountain in the north. All pass through here......"

……

"Haohao. This is the Yungang Grottoes? How do you make so many holes in the mountain? Guo Jiajia asked innocently.

Brother Hao felt that he should give his wife a literacy sweep, "Yungang Grottoes, that is, where we are standing now." It stretches for 1 km from east to west. There are 45 main caves, 252 large and small cave niches, more than 51,000 stone carvings, one of the largest ancient grottoes in China, and Dunhuang Mogao Grottoes, Luoyang Longmen Grottoes and Tianshui Maijishan Grottoes are known as China's four major grotto art treasure houses!

The first cave and the second cave are double caves, which are located at the east end of Yungang Grottoes. Two layers of square pillars are carved in the center of a cave, and the statue of Maitreya is erected on the back wall. Most of the Buddha statues on the four walls are weathered and eroded, the two sides of the cave door on the south wall are carved with Vimo and Manjushri, and the relief of the Buddha's life story in the lower part of the east wall is relatively complete; The center of the second cave is a square three-layer tower pillar, each layer is carved out of three pavilion-type Buddhist shrines on four sides, and the inner wall of the cave is also carved out of the five-layer small tower, which is the image data of the Northern Wei Dynasty architecture.

The third cave is the largest grotto in Yungang, the front wall is about 25 meters high, it is said to be the Tanyao translation scripture building, the cave is divided into front and back rooms. A Maitreya cave chamber was carved out of the upper middle of the front room, and a pair of three-story square towers were carved out on the left and right. The west side of the south side of the back room is carved with three statues with round faces, plump muscles, fine corollas, and smooth clothing patterns. The seated Buddha is about 10 meters high, and the two Bodhisattva statues are each 6.2 meters high. Judging from the style and carving techniques of these three statues, they may have been carved in the early Tang Dynasty (seventh century AD).

The fourth cave, the center of the cave carves a rectangular column, the north and south sides are carved with six Buddha statues, and the east and west are carved with three Buddha statues. Above the door of the cave on the south wall, there is the inscription of the Zhengguang year of the Northern Wei Dynasty (520~525 AD), which is the latest inscription of the Yungang Grottoes.

The fifth cave, located in the middle of Yungang Grottoes, is a group of double caves with six caves. The cave is divided into the front and back rooms, the main image of the north wall of the back room is the Buddha of the three worlds, the central sitting statue is 17 meters high, it is the largest Buddha statue in Yungang Grottoes. The four walls of the cave are full of carved Buddha shrines and Buddha statues. On both sides of the arch, carved with two Buddhas sitting on the top of the Bodhi tree has been embossed to fly to the sky, the lines are beautiful. There are five four-storey pavilions in front of the two caves, and the existing building was rebuilt in the eighth year of Shunzhi in the early Qing Dynasty (1651 AD).

The sixth cave, the plan of the cave is nearly square, and the center is a two-story square tower pillar connecting the top of the cave, which is about 15 meters high. Below the tower pillar is called the layer of the big niche, the south side carves the sitting Buddha statue, the west side carves the sitting Buddha statue, the north side carves the statue of the Buddha and the Buddha is seated, and the east side carves the Maitreya statue of the feet. On both sides of the large niche on all sides of the tower pillar and the eastern, southern, and western walls of the cave and on both sides of the open window, 33 reliefs depicting the story of Buddha from birth to enlightenment are carved. This cave is magnificent in scale, rich in carving, refined in technique, is the most representative one in Yungang Grottoes.

The seventh cave, there are three layers of wooden eaves in front of the cave, and the cave is divided into two rooms before and after. The upper wall of the back room depicts a Bodhisattva sitting on a Leo seat. On the east, west and south walls, there are carved Buddha shrine statues, and the six offering bodhisattvas on the arch of the south wall are beautiful and realistic. The relief carving on the top of the cave flies into the sky, vivid and lively, each takes the lotus flower as the center, circling and flying, and the dancing posture is moving.

The eighth cave, there are five heads and six arms on both sides of the cave to ride the peacock of the Kumara Heaven, the east side is carved with three heads and eight arms to ride the bull of the Maha Shou Luo Tian, this kind of statue is extremely rare in Yungang.

The ninth cave, divided into two rooms before and after, the front room door arch two pillars are octagonal, the wall of the room is carved with the Buddha shrine, the musician, the dancer, the statue is vivid, the sense of movement is strong.

The tenth cave, excavated at the same time as the ninth cave, is divided into two rooms. The antechamber has flying sky, with a beautiful posture and harmonious proportions. In the upper part of the open window, the composition of the stone carving group Buddha is complicated, exquisite, and eye-catching.

The eleventh cave, there are square tower pillars that go straight to the top of the cave in the cave, and there are Buddha statues carved on all sides. On the front, the statue of the Bodhisattva is well preserved. The Buddha shrine on the wall around the cave is full of carved statues and small Buddhas.

The twelfth cave, the upper end of the main wall is engraved with the person of Lingletian, holding the string pipe, percussion instrument, the expression is very different, the image is vivid. The pan flute, gonghou and other classical instruments in their hands are very precious and are important materials for the study of Chinese music.

The thirteenth cave, in the middle of the end seat a cross-legged Maitreya Buddha statue, more than 12 meters high, between the left arm and the leg carved a supporting arm wrestler statue, this is the only case of Yungang Grottoes. The statue of the seven Buddhas in the upper part of the arch of the south wall door is exquisitely carved and decorated, and the posture is elegant.

Cave 14, the statues are more differentiated, the upper part of the west wall, there are still some statues on the east side of the square Buddha pillar.

The fifteenth cave, carved more than 10,000 small Buddha sitting statues, known as the Ten Thousand Buddha Cave.

The sixteenth cave, the sixteenth to the twentieth cave, is the first five caves in Yungang Grottoes to open and excavate, commonly known as 'Tanyao five caves. 'Cave 16 is oval in plan. The main statue in the middle is 13.5 meters high, standing on the lotus seat, and there are thousands of Buddhas and Buddha shrines carved on the wall around the wall.

Cave 17, the main statue is the third Buddha, the middle is the sitting statue of Maitreya, 15.6 meters high. The east and west walls are carved niches, the east is the sitting statue, and the west is the standing statue. The Buddha shrine of the thirteenth year of Taihe of the Northern Wei Dynasty (489 AD) on the east side of the Ming window was engraved later.

The eighteenth cave, the middle statue is more than 15 meters high, the right arm is exposed, wearing a thousand Buddha robes, the depiction is delicate, vivid and touching.

The nineteenth cave, the main statue is the statue of the third generation, the statue of Shakya in the cave, 16.8 meters high, is the second largest statue in the Yungang Grottoes. Outside the cave, two ear holes are chiseled, and each carving a sitting statue of 8 meters.

The twentieth cave, the front belt of the cave has collapsed before the Liao Dynasty, and the statue is completely open-air. Standing statue is the three Buddhas, the Shakya sitting statue in the middle, 13.7 meters high, this Buddha statue has a plump face, the shoulders are broad, the shape is majestic, the spirit is vigorous, it is the representative work of Yungang Grottoes carving art. ……”

In the evening, several people returned to the hotel, and in a few days, the three of them browsed more than 50 scenic spots, and finally the entire SX tourist attractions were almost visited.

"Haohao, are we going back?" Guo Jiajia has been traveling in the past few days, and she has seen such a majestic atmosphere, antique but modern atmosphere of various scenic spots, and her heart has calmed down a lot. Leaving now, she really sighed.

“NO！ NO！ NO！ Brother Hao pulled up his English: "We still have a scenic spot that we haven't got!" ”

Brother Hao still came here for a purpose: first of all, of course, to run in the relationship between Jiajia and Zhihua on the road, of course, more importantly, he wants to come and see, Yingxian! By the way, let's see if I can take some back.

"What attraction?" Guo Jiajia asked.

"Let's go to bed first, I'll know tomorrow" Brother Hao sold a pass.

Early in the morning, the sleepy-eyed Guo Jiajia was dragged up, and then the three of them got on the bus bound for Yingxian. (To be continued......)