Chapter Seventy-Eight: Film Review

In the midst of the rambling, the main speeches were finally finished, and everyone stepped down.

Sitting in front, the movie finally begins.

Lin Mu sat next to the little girl, watching her wink at herself from time to time, very cute, Lin Mu had an urge to pinch her face.

But I have this heart, but I don't have the courage.

finally got to the end of the movie, and Lin Mu breathed a sigh of relief and was stopped by the little girl when he wanted to go home.

It's not her name, it's a stage name.

"Master, you stop."

Lin Mu turned around, only to see the little girl running up, pulling on his skirt with both hands.

He also has a notebook in his hand.

When he walked up to Lin Mu, he looked at Lin Mu with his head held high and said, "Can you sign for me?" ”

Lin Mu squatted down and said with a smile: "Okay, what's your name." ”

"My name is Little Princess."

"Little princess?"

"Yes, my parents call me that, and I'm a big fan of yours, and I watch your live broadcast on the computer every day, but you haven't broadcast live anymore."

"Thank you then."

Lin Mu smiled and wrote in his notebook: "To my cutest fan, and the first fan to ask me for an autograph, I wish you a happy day and always healthy, Lin Mu." ”

After writing it, he returned it to her and said, "Remember to go back, I'll broadcast live tonight." ”

"Really?"

"Really."

"Then let's pull the hook."

"Okay."

"Pull the hook, hang yourself, a hundred years, don't change."

Saying goodbye to this little fan, Lin Mu returned home and really broadcast live for a while at night.

The next day, both the movie review and the audience review came out.

One of them is very serious and reasonable, and the first article Lin Mu reads is this one.

1

I watched this movie twice, and compared to all the previous movies that I watched more than twice, the process was completely different - usually I always planted a seed in Thunderbolt, and when I met someone I particularly liked, I went to buy pirated discs, Blu-rays, or even went to the cinema. This time it's the opposite.

Two months ago, I went on a business trip, and my work tasks were not heavy, so I visited several famous scenic spots, and also went to the theater to see the so-called "super good reputation" "those years" that I heard earlier.

2

I don't know why, but when I came back, I often thought about it, and I had a strong urge to watch it again - the sporadic applause and low crying of the whole film at the end of the movie theater, which surprised me at the time.

From a cinematic point of view, I personally think that it is difficult for this film to be scored 60 points, and like the repeated "childishness" in the lines, its cinematic technique can also be described by this word.

In addition to the traces of professionals that can be seen in the post-editing, the plot jumps, camera techniques, picture layout, tension and fullness of the story, dialogue, tones, props, and a series of details, etc., are not very professional and even "naΓ―ve" - including the unanimously praised film soundtrack and sound effects - The difference between the plot jump, the camera technique, the picture layout, the tension and fullness of the story, the only thing is that the camera equipment is expensive.

3

Still, I'm going to be steadfast in giving it a full 5.

Because of emotion, memory, and sincerity.

4

Because each of us is in this way in our youth. We probably wouldn't jerk off in class, probably wouldn't have the guts to be naked in front of our mom, and probably wouldn't have gotten past our college roommates.

But other than that, we've all been there.

We also sat barefoot side by side under the flagpole by the playground to talk about the future, folded the boat lights and put them in the stinky river pond next to the school, pressed the corridor lights downstairs of her house on the night of heavy rain, and frantically called our mobile phones until they ran out of battery when the earthquake came.

In front of girls, we have changed magic, written love letters, played basketball and played handsome, and borrowed rubber to talk;

We've pulled out the valve core of the girl we like, cut the ponytail of the girl we like, painted her white shirt with a ballpoint pen, and grabbed the snake and put it in her drawer;

We would deliberately stay with her on duty, deliberately walk in front of her with heavy buckets, deliberately argue with her, deliberately ride around a bend - following her on a different path after school;

We weep together when she is sad, laugh together when she is happy, relieve her when she is embarrassed, and silently bless her when she leaves......

We all hugged our guitars and made a fuss about the girls' dorm on the day before graduation, but in fact, everyone just wanted to sing to one person;

We've all gotten together to see Ai Iijima, Madoka Ozawa, and Anna Oura, but neither of us knows what it's really like to be pistol-free;

We've all handed love letters to good brothers, and the girl herself has been in love for three years;

We all slumped when we fell out of love, but in fact, those wonderful girls have always helped us grow;

We all have our hearts beating faster when we confess, and our hearts are snickering when we face confessions;

We are all looking forward to growing up quickly at the moment of youth, and moving our youth at the moment of growing up......

5

There is a dialogue in the movie that I remember very deeply, a few boys who like the heroine, at the girl's wedding, say: "If you really like a girl, it is absolutely impossible to sincerely wish them eternal happiness." Those like us who put arrows in the back are true love. ”

However, when the girl took her husband's shoulders and walked down the red carpet, smiling and sweetly satisfied, the boy said to himself: "I was wrong - it turns out that when you really like a girl very, very much, when she is hurt and loved, you will sincerely wish her happiness and joy forever." ”

I believe this is probably true love. Even in this materialistic and false and filthy world, such love must exist.

At the very least, we are willing to envision its existence.

6

I believe that for those who have seen this movie, there are naturally many people who are moved, and there will also be those who are disdainful.

Frankly, this is not a mature film, and the writer and director Lin Mu lacks the editing skills and the ability to make a good story into a script structure, and he is unable to carry the values and thoughts about youth in a youth film - which is actually important. In a way, he only has the ability to try his best to fully present the memories that he can't get back, but he is reluctant to throw away.

Compared to Christopher, who photographed memory fragments at the age of 30? Nolan, at the age of 31 shot Edward Scissorhands Tim? Burton, at the age of 34 Luc who filmed the killer Leon? Besson, David who filmed the Seven Deadly Sins at the age of 33? Finch, as well as Guy Ritchie and Kubrick, who also shot two big smoking guns and the road to glory at the age of 29, and now 21-year-old Lin Mu must be a promising director. It is also obviously appropriate to blow "those years" into the sky.

But his sincerity, his nostalgia, reverence and even a little fearful attitude towards the lost youth are enough to make every audience who sees this movie pay respect.