Fang Yun saw this kind of lecture hall with a sense of familiarity, and immediately imagined the scene of thousands of people listening to the old man's lecture.

The biggest reason why this sixth pavilion ink sword pavilion is difficult to pass guò is the way of forced elimination, because the first test of the ink sword pavilion is the two people competing for brush and ink sword.

Only those who are victorious in the sword of Bimo can accept the second test.

If the winner's calligraphy work is too good in the process of the ink sword competition, it can be directly evaluated and entered the final seventh pavilion.

Taking the pen as the sword, the ink as the edge, and the word as the blade is the test content of the ink sword pavilion.

The students in this ink sword pavilion are not assigned according to the rank ratio, but according to the calligraphy realm, if the two are different, it will enhance the power of the lower rank.

Fang Yun walked up to the desk in the lecture hall, and calligraphy works hung on the wall on one side of the platform.

These calligraphy works are not signed underneath, but Fang Yun knows from the books given by Zhao Hongxiang that every ten-chip calligraphy work will be hung here, and those who can achieve calligraphy ten-level here, except for a few people who died young, most of them are famous in history, and Fang Yun, who learns calligraphy, naturally recognizes their handwriting and style.

Works such as Wang Xizhi, Zhu Yizhang, Chen Guanhai and so on are all listed here, and there are 27 pieces.

In the first place is the work of Wang Xizhi, who is known as the sage of books, "Sword and Ink Post", although this work is not as good as his "Lanting Collection Preface", "Funeral Post" and "Peace Post" and other masterpieces, but it is also a masterpiece of wonderful hands, which has been recited for many years.

In the ink sword pavilion, with the improvement of calligraphy, a different vision will be formed. From the words like flies to the legendary words like Jiao, and among the top ten students in Lingyan Pavilion in the past dynasties, only Wang Xi has reached the word like Jiao.

Fang Yun looked at twenty-seven ten-point calligraphy. The pressure in his heart doubled, although these seniors had entered the Lingyan Pavilion dozens of times before their calligraphy works became ten percent, but after all, they proved that they were extremely good.

Fang Yun has studied countless calligraphy masters in the world of strange books, and the calligraphy skills of these "teachers" together far exceed the twenty-seven people in this Lingyan Pavilion.

At the same time, Fang Yun mastered calligraphy techniques more than these twenty-seven people, after all, he spent a lot of time learning calligraphy and paid countless sweats.

But here's the thing. The twenty-seven people of the Ink Sword Pavilion have paid no less sweat than Fang Yun, and they still have inscrutable inspiration, as well as untraceable magic tricks.

Genius is not scary. What is scary is the perfect genius, because they are not only harder than the average person, but also have inspiration that is almost impossible for others to have.

Fang Yun believes that the top ten seniors who can leave their names on the Mojian Pavilion. All are perfect geniuses.

This ink sword pavilion's handwriting is different from ordinary calligraphy works.

In the Ink Sword Pavilion. Calligraphy, calligraphy, calligraphy, and ink have an unusual power.

To unleash these powers, it's not enough to have talent, it's also a lot of time to practice.

Among the various parts of calligraphy, there are 14 commonly used penmanship alone, including the center, the side, the side, the pen, the brush, the press, the pen, the line, and so on.

There are nearly 100 kinds of brushstrokes that are not commonly used, and there are many unique brushstrokes for individuals.

Even if Fang Yun has been practicing calligraphy seriously, he only has unique features in penmanship and calligraphy, and is slightly deficient in chapter and ink methods.

Once the rules are completed. With the improvement of penmanship, you can at least become a master of the second realm of calligraphy.

Fang Yun had long studied Mojian Pavilion's calligraphy works with the help of Zhao Hongxiang. But I can't see the original works of the famous masters, and now I have the opportunity to carefully observe the calligraphy of more than 20 senior students, Fang Yun is engrossed, hoping to get a more direct and real harvest from it.

Fang Yun re-observed the works of these calligraphy masters when they were young, and when he saw the twentieth piece of calligraphy, Fang Yun stared at it for a long time, his eyes lit up, and he fell into deep thought.

I don't know how long it took, but a familiar voice came from behind.

"Fang Yun, I will no longer despise you, I admit, you are an almost invincible enemy. Chang Dongyun did not hesitate to give up his future in order to protect you, and as for me, I also had the ambition to sacrifice myself in order to defeat you!"

Fang Yun looked back and saw Wei Yu appear under the literary platform, walking towards him.

At this time, Wei Yu had neither the previous arrogance nor the frustration afterward, he was full of energy, his eyes were sharp, and his steps were extremely calm, like a righteous warrior, showing the demeanor of the former Shangshejinshi.

In Wei Yu's hand, he carried a coarse brush.

Fang Yun's heart sank, and he realized what Wei Yu was going to do.

Fang Yun was not afraid, his face was as usual, and he said slowly, "Come on, I want to see how strong your calligraphy is in the end!"

"Sure enough, living up to the name of the mad monarch, you Fang Yun does have the qualifications to be so arrogant! I won't be chattering like before, I just use your words to say to you, it's not that I don't want to let you go, but you yourself chose to fail! The Lei family's dragon stone will definitely not lose to you!"

"Come on. Fang Yun looked at Wei Yu calmly.

Wei Yu carried a big brush and slowly walked up to the stage.

The two looked at each other, and Wei Yu said, "Today, no matter what, it will be the last time I will see you." I heard that you are in good letters, so I will write the word "Yong" and ask Brother Fang for advice!"

After speaking, Wei Yu held a large pen, pointed to Fang Yun, and wrote out of thin air.

There is no ink on the tip of the pen and no paper in the air, but as Wei Yu's wrist and brush move, a black character "Yong" forms with the strokes of the brush.

The status of the character "Yong" in the calligraphy world is extraordinary, and even the calligraphy masters of the three or even the four realms must often practice writing this character.

The word "Yong" is full of the basis of the penmanship of the positive letters, including the side, Le, crossbow, Bao, Strategy, plunder, peck and 磔, a total of eight kinds of brushwork, called the Yongzi Eight Laws, which is the first creation of the sage Wang Xi, and the "Eight Laws" can even refer to the entire calligraphy, which shows how important the Yongzi Eight Laws are.

The character "Yong" not only contains a variety of brushwork, but also contains basic calligraphy and chapter law, and even some calligraphers believe that if the character "Yong" is practiced to the extreme, they will know the calligraphy of a qiē.

Many beginners who want to learn a master's calligraphy often start with the master's character "Yong".

This word "Yong" is the foundation of the foundation.

Fang Yun squinted slightly. With a stern expression, he carefully observed Wei Yu's character "Yong".

Wei Yu deliberately wrote Yong with the sword, but it did not mean respect or courtesy. Instead, I want to completely overwhelm Fang Yun with solid basic skills!

Once you completely defeat Fang Yun on the basis of positive letters, then it will form a strong blow to Fang Yun's state of mind, so as to occupy an absolute advantage, and win step by step.

When Wei Yu's character "Yong" was halfway written, Fang Yun's face became even more grim, because Wei Yu's calligraphy was actually learned from Chen Guanhai!

Chen Guanhai's calligraphy is firmly in the top three among all calligraphers today, not the third. Instead, there are three people who are not superior or inferior and are in the top three at the same time.

In Jingguo, a large number of calligraphers can be regarded as Chen Guanhai's calligraphy, and the biggest reason is that Chen Sheng's authentic works are very common in Jingguo. Especially in the Jingguo Palace and the capital, there are Chen Guanhai's ink treasures everywhere.

From Chen Guanhai's calligraphy works when he was a child to his works after his sanctification, it can be said to be the most perfect calligraphy road in the world, and the brushwork, brushwork, gestures, etc. have been really placed in front of him like a textbook.

Although the way of calligraphy is to enter the four realms, it is necessary to create its own kind of font and brushwork. But that's too hard. It is better to learn Chen Guanhai's calligraphy through guò and quickly enter the three realms.

Chen Guanhai has the sea in his name, and he also likes water very much, when he became a jinshi, he wrote the ancient Xiongwen "Great River Flow", and successfully entered the second realm of calligraphy, creating his own brushwork "rushing", laying a solid foundation for entering the four realms of calligraphy in the future.

Chen Sheng's "rushing brushwork" is a well-known overlord of the Ink Sword Pavilion, because this kind of brushwork is endless. Continuous, initial agitation. Stable in the medium term, full of stamina. At that time, Chen Sheng traveled to the Nine Kingdoms and the Confucian Palace, and did not taste defeat in the Mojian Pavilion, relying on the flow of brushwork.

His peers even laughed and said that the reason why Chen Guanhai created such a brushwork was to dominate the crowd in the Mojian Pavilion.

And now, Wei Yu's "Yong" character actually faintly contains the shadow of Chen Sheng's brushwork "rushing", the whole Yongzi is like a living, and the big black characters seem to be rolling slightly in the air, about to turn into a "never" non-stop Yangtze River, rushing to the sea.

Soon, Wei Yu wrote the whole word "Yong", and saw that the word Yong suddenly cracked into many small dots, flying in the air like flies, which is a calligraphy master who can achieve the word like a fly in the ink sword pavilion.

However, these shattered ink blots soon fused again, and then the words trembled like water waves, and the eight strokes that made up the character "Yong", including dots, horizontal, vertical, hooks, mention, apostrophes, short skimming, and pinching, suddenly cracked, turning into eight crooked ink blots shaking in mid-air, like eight black earthworms.

This is a rare word into an earthworm in the Ink Sword Pavilion, dozens of times stronger than the word out like a fly, and each earthworm has a strong power in the Ink Sword Pavilion.

Different from ordinary earthworms, the surface of these eight strokes earthworms has a faint water glow.

The power of this word "Yong" is at least twice that of the absence of water!

At the same time as the character "Yong" was formed, six pieces of white paper one foot square appeared on the ground, one under each of the feet of the two and two behind each of them.

This is the well-known "return of paper", in the process of the ink sword competition, the person who wins once can leave handwriting on the white paper under the opponent's feet, and at the same time force the opponent to retreat.

Whoever has three pieces of paper is written with words, then whoever loses the battle of the Ink Sword Pavilion this time.

And the return of paper is also the key to evaluating the number of chips.

"Fang Yun, you stand back!" Wei Yu looked at Fang Yun and said, "I don't know what method you used to drive away the people of Xiaoguo Gong and Kangshe Liufeng Society in Danbo Pavilion, but this calligraphy is a consideration of skills and experience after all. If you use the word 'eternal', you will surely be defeated, and if you use other words, you will be afraid, and if you are afraid, your mind will be confused. ”

Fang Yun held the brush in his hand, pointed at Wei Yu, and said: "Your word 'Yong' is indeed good, but unfortunately, you have the word Chen Sheng, but you can't mean Chen Sheng." If Chen Sheng had written this when he was young, I would have lost, but you are different! I like to sit on the banks of the Enlightenment River, and I often see wooden sticks beating my clothes and breaking the water and cleaning my clothes; and I also see the boatman rowing and dividing the water to move forward, so I have comprehended a kind of brushwork, although it is not yet mature, but it can beat you! You are optimistic!"

After Fang Yun finished speaking, he held a brush in his hand and slowly wrote out the word "Yong" in block letters in mid-air. (To be continued......)