The price of this drawing is more expensive.

"Yang Pendant: Condenses the power of yang, which can avoid the corrosion of shadow energy, increase the resistance of the 'yin' attribute, and increase the damage to yin spirits and undead creatures. Price: 10,000 ingots. ”

Duchamp read and recited this line of words, and found that there was a great mystery in it: there is an attribute in this world that is yin!

It's such a painful world, and there's nothing left here. Duchamp rubbed his temples with a headache, carefully checked the list of ingredients, and found that the main reason for the appearance of this recipe was that he had a raw material called 'Fragment of Divinity'. Isn't that something dropped by those monsters in the Salt Sea?

This fragment is really not enough, a small pendant, it costs 300 fragments, and you must go to the salt sea in the future and brush some more.

The formula of the Yang Pendant requires a high-strength gemstone with empty attributes, 200 grams of Semeria stone, and 300 fragments of divinity, which are necessary, and some other fragmentary materials are also very valuable.

Duchamp looked at it carefully, and of all the drawings that could be used, only this one was the most special. He made up his mind to spend 10,000 yuan. After placing the order, he painfully saw that there were less than 10,000 ingots left. He glanced at the list of drawings again, and found that the line of the Yang Pendant was not grayed out, but an extra line appeared: Sold out.

Although he had expected this to be the case, Duchamp sighed regretfully.

The items in the mall are not infinitely available, and the number of commonly used healing potions is very large, which is calculated in units of "hundreds", but it is also one bottle less for one bottle.

Rare things, such as potions that can increase the maximum potential of the character, there is only one bottle of each, Duchamp has already drunk them all, and it is now in a state of "sold out".

These drawings are also the only items, buy one less one, and, after buying, will not be added to the product list of the guide workbench, can only be temporarily processed, that is, each drawing can only be made out.

Duchamp thought about it seriously and decided not to make it right away.

Why not? Because he wants to steal the teacher.

This is the only drawing!

He got something first, ate his fill, covered himself with a blanket, and fell asleep.

When he felt that his energy was back to his best, he got up, went to the toilet, and clicked on it unhurriedly.

The conductive workbench extracted 1,000 pieces of empty attribute Yaohua wafers and some other attribute Yaowafers, and took out a shiny golden gem from the material drawer, which was the best empty Yaoshi crystal Duchamp found in the old mine of Mainz, although the size is not too big, but the density is extremely high, and the quality is evaluated as S level by the guiding workbench.

If there are enough flare wafers, the conductive workbench can also synthesize gemstones, the purity of the gems is naturally needless to say, but the density is unsatisfactory, and the self-evaluation of the conductive workbench is B-grade, and the natural seven-shine stone that has really been precipitated and refined by the years cannot be compared.

Qiyao Stone, which is an incredible substance in this world, is a natural crystallization formed in the land and mineral deposits with the washing of Qiyao veins flowing underground, and its characteristics are that the older the formation, the higher the density, and the more brilliant the light. Polished into gems and shining, it is a treasure for everyone in the secular world, and it is also a good thing that martial arts and mages are vying to find to increase their strength.

Some natural seven-star stones, in the process of formation, are influenced by the rules of this world, and will record these rules in the gemstones, which are called natural magic gemstones, and each one is very valuable. The magic crystal of the Warcraft also simulates this natural phenomenon. Through the decipherment of natural gemstones and magic crystals, humans have been able to artificially synthesize some crystallization circuits.

On the mainland, the Epstein Foundation is the authority on deciphering the spell gems in the natural Qiyao Stone, as well as the magic crystal structure of the Monsters, and based on this, the Tactical Guides have been introduced. The artificial simulation of nature, the reproduction of nature's accidental gifts with industry, from this point alone, is how remarkable this institution is.

Other manufacturers on the mainland, such as Lane Ford, have only been able to reluctantly imitate the successful conduction technology developed by the Epstein Foundation.

Duchamp watched intently as the depots worked meticulously, first out of Semrian stone and other materials to create the deductor pool, a structure that was necessary for a piece of magic jewelry to continue to work. Patek Philippe's mass-produced magic jewelry does not have this thing, this is not Duchamp's intention to cut corners, but the craftsmanship and materials are not something that jewelry of that level can afford.

Then, the conductive workbench used the dazzling wafer to synthesize some small crystals of different colors. Then it set these things aside, stretched out a tiny carving knife that was barely visible to the naked eye, and began the miniature carving work on the empty attribute crystal, carving intricate and mysterious patterns.

Duchamp was dumbfounded, with his naked eye, he couldn't see the action of the guide platform at all.

He suddenly thought of a way, mobilized all his mental strength, and tried his best to get closer to the little carving knife.

He closed his eyes, and the every move of the carving knife slowly came to his mind.

With this stroke of the stroke, a complex and detailed texture is slowly forming. The inside of the graver is hollow, a semi-liquid substance filled with these textures, and if you guess correctly, that's what those divine fragments are all about.

Duchamp has always prided himself on his ability to remember thanks to his player system.

But he found out how wrong he was. As the symbol becomes more and more complex, its front begins to blur and is about to be forgotten.

He had to devote some mental energy to comprehend these textures. Only by understanding can we truly remember.

His eyes were closed, and he was sweating profusely.

I've never been so tired.

After an hour, the complex texture that spread all over the surface of the empty crystalline crystal was finally completed, and Duchamp was pleased to find that with the completion of this texture, he actually had a little understanding of the true meaning of this pattern—this was an attack, an attack everywhere.

With the last stroke of the carving knife, this intricate texture shines in its entirety, a sign of successful engraving, and then, submerged into the surface of the Void Stone, never to be seen again.

The workbench immediately began to engrave a second texture, and Duchamp did his best not to keep up with the carver's footsteps from exhaustion.

After a long time, this second pattern was finally formed.

The small carving knife began to engrave the third texture. But Duchamp's mental power could no longer follow the carving knife, and he was engrossed in recalling, trying to memorize the first two lines.

The mystery of this second pattern was soon understood by Duchamp, that is, protection, all-round defense without weaknesses.

But how should they be applied?

Unconsciously, Duchamp repeated these two lines over and over again until he was sure that he had memorized them.

The carving of the deflector is nearing completion, and in Duchamp's contemplation, it has completed the structure of the third to sixth layers, and is now engraving the lines of the last layer.

Duchamp hurriedly mobilized his mental power, looked at it carefully, barely supported it for a while, and felt dizzy, it turned out that his mental power could not support such a high-intensity use. He watched with regret as the carving knife carved the last section, and then the light flashed and disappeared in the middle of the stone.

The guide workbench continued its work, inlaying the engraved empty attribute gems and other small crystals one by one into the base of the guide pool made of Semeria stone, and after connecting each part of the pattern, the entire pattern emerged layer by layer, began to shine, and then stacked layer by layer, forming a real three-dimensional array.

Duchamp used his mental power to cover this array, and he was immediately stimulated, and his exhausted mental power could no longer withstand such high-intensity work. Duchamp fell backwards and fell asleep, and outside the window, the sky had begun to brighten.

The workbench was still working silently, mixing alloy and Mithril to make a chain that connected the pendant to the chain.

When all this was done, the workbench put away all the tools and turned it into a normal alloy table. On the tabletop, there is a pendant of the sun that has been completed.