Communication with Professor Ashley was not very smooth, and it was difficult for Professor Ashley to understand what Duchamp was saying about replacing a shorter set of codes with a longer code. That's the power of inertia.

For many years, the communications industry on the mainland of Semria has been based on the study of the frequency of conductive waves and the search for more rational combinations, especially Professor Ashley, whose supervisor, the famous Dr. Hamilton, is an authority on the study of guided waves on the mainland, and since Dr. Hamilton has not proposed such a method, it must be said that this method is inefficient.

Duchamp came to understand the stubborn preconceptions in Professor Ashley's mind, and he gave up the debate with him, and when he came out of Professor Ashley, he wrote a letter directly to Dr. Russell, describing the simpler way of disseminating and encoding information he had conceived.

It is indeed a bit troublesome to use the machine language of 0 and 1 that are already commonly used on the earth to describe the world of guiding force, because the basic number of this world is 7, not 1, and the study of 7 has run through the history of guiding civilization on the entire continent. Duchamp racked his brains in an effort to connect the earth's digital civilization with the characteristics of Qiyao.

"The decomposition and combination of Yaolibo to improve the utilization rate has become the mainstream of the main director's computing world, but the calculation method I proposed is the extreme simplicity of the world's origin, which can easily break through many things that we cannot do due to the limited line transmission frequency, the computing power of the power guide, and the fineness of the manufacturing process.

For the most complex information, we will also finally parse it into the combination of the simplest two numbers, so that the queue of information forms a neat and easy to transmit and restore shape.

If I had to describe it in a specific form, then I can only say that in a river of the same width, a fleet as wide as 1 sub-moment is certainly easier to move lightly and quickly than a fleet of ships as wide as 7 sub-moments, or even multiples of 7 times wide.

In the past, on potentially crooked river channels, the same kind of goods were bundled together in their entirety. Due to the need to keep this queue open, a large number of times, the river surface is wasteful and empty. Now, we can divide the cargo into many small packages and run them by smaller vessels, so that we can transport more goods at the same time, make reasonable use of the space of each ship, and accommodate more information transmission on the river at the same time.

At the same time, since there are only two characters in the encoding, it is likely that there will be a large paragraph of similar information, and we only need to tell what the first repeating character is, and how many such characters are there, so that we can save a large section of space and compress dozens of packages of goods into one package.

In this way, whether it is to do calculations, or to transmit, or to encode or restore, we just need to follow a simple and easy way, that is, to find the fastest way to transfer 0 and 1. Many problems can be easily solved using the switching principle and intermittent transmission of the conduction loop.

Of course, I admit that I don't know much about the Qiyao calculation principle used at this stage, and there may be an erroneous assessment of the efficiency of both. ”

After expressing his meaning clearly, Duchamp lamented that he did not study information management in his previous life, and there may be many errors in the expression of this most critical technology, and he knows very little about how to implement it. He expressed his understanding of integrated circuits, modem, digital signals, and information compression as much as he could, and wrote it as a protracted text, and as for the logical parts of it, he had to rely on Dr. Russell's head to make up for it.

Duchamp read the messy letter, sealed it, and delivered it to the mailbox, thinking to himself, sure enough, smart people can only get together with smart people, otherwise the cost of communication is too high. Professor Ashley is a good man, but not enough understanding. Dr. Russell's family, the family has four smart heads, tsk!

After solving this problem, Duchamp began to help Eric with another task, to find a suitable experimental target for the class's guiding force experimental team.

After all, it is only a first-year student, and it is really not easy to find a suitable entry point to join such a high-end experiment. Duchamp said sincerely: "Why don't you let the students of the interest group follow the learning line of the communication class first?" ”

Looking at Eric's face, there was a difficult face. Duchamp had no choice but to change direction: "Professor Ashley has a lot of materials to be sorted out and popularized, why don't you let these students go to the lab to help organize the materials and prepare for the online course next year?" ”

This task may sound much more ambitious, and students who have fallen into a hands-on death situation seem to be more willing to do this kind of work, and half of the professors in the Guiding Lab are now very short of such errand runners.

Duchamp shook his head and secretly called this group of 'reformists' 'verbals'. After dealing with this group of classmates, he walked to find the 'Vase Pie'.

'Vase pie' is a new term that comes out of the mouth of 'oral school', specifically referring to a group of conservative boys led by Limmour.

The 'vase pies' have been very busy lately, setting up a radio station and arranging a New Year's radio concert, which is enough for them to spend their little time in the music club.

The president of the music club is a second-year girl named Vicky, who is working with several classmates in the drama club to choreograph a new type of play: radio plays. The content is excerpted from popular novels.

On the top floor of the student union building, a tall transmitter has been erected, which is far from being called a 'transmission tower'. One for recording, one for broadcasting, and one for rehearsals and breaks. These houses have been heavily remodeled to improve the quality of sound transmission. In order to ensure the quality, Duchamp dispatched the technical staff of the Green Leaf Society to participate in the construction of the radio station, and for this reason, he was also criticized for 'not doing his job'.

Duchamp walked to the door of the rehearsal room, knocked on the door, and a boy came and opened it. Inside the door, there are vases.

"Steiry, you're too late, we've already rehearsed the repertoire three times." Learmor said enthusiastically.

In addition to the "Last Rose in Summer", which had already been rehearsed skillfully, there was another "Yesterday" recommended by Duchamp, as well as "Anthem", "Day of Departure", "Glory of the Sword", "White Flower in the Wind", etc., which were popular in Erebonia.

Duchamp watched these tracks and always felt that something was missing. A hymn is a song in praise of the goddess; The day of the expedition, if memory serves, is an ode to the determination of Emperor Draquels the Great; The Light of the Sword, is a song that praises the way of the sword, which is deeply loved by boys, and the white flowers in the wind are a lyrical parting song.

These songs seem to be a little different from the theme of spring.

He looked at the repertoire list again, and it suddenly occurred to him what was missing: Strauss!