Master Wu's residence, when Li Xiaoqiang raised his question, he stared at Mr. Wu with a pair of eyes. Put on a posture of "if you don't answer my doubts, I won't agree to you". Seeing Li Xiaoqiang's serious appearance, Master Wu finally showed a kind smile.

Indeed, Li Xiaoqiang's question seems simple, but it is not so easy to answer when compared to the truth. Li Xiaoqiang even felt that for himself, such a question was very important. Because this is already a matter of "methodology". If such a problem is not solved well, it will be difficult for one's Go level to improve substantially.

To say that Li Xiaoqiang is a bit self-aware. He is very clear about his "bottom line". If you want to say that you have any advantages, it is nothing more than a "well-informed" one. Of course, Li Xiaoqiang has always believed that his "rational analysis" ability should be considered good. When my Go level has improved to the current stage, how to maximize my advantages should be my biggest topic in the future.

The next game of Go is actually about making choices on the board. Of course, there are cases of "one way" and "only this hand". But more than that, in fact, it is in the constant judgment and trade-offs. It is precisely because of his own "well-informed" that in this way, the question of "methodology" is crucial. For example, when encountering a formula like "Double Flying Swallow", different ideas will be used, and different methods will be produced. When playing Go, it is very important to maintain a coherent line of thought. You can't use one way of thinking for the last move and another way for the next.

In Go, there is a saying that "brothers fight". "In such a situation, black plays like a brotherly fight." If you hear such a comment, you are accusing black of playing inconsistently, accusing black of playing badly. Such a result is often caused by incoherent thinking.

Mr. Wu Qingyuan did not immediately answer Li Xiaoqiang's question. He is inspiring everyone's thinking step by step:

"Indeed, today's professional chess players seem to be very afraid of others playing double swallows. Since everyone thinks so. Then there must be a little bit of truth. We think that the current level of Go has been improving, and the theory of Go is also being improved day by day. So let's assume that the current theory is correct, and think about our ancestors. Hehe, "Flying with both hands, it's not too tight", why do they think so? ”

Mr. Wu even turned his attention to Zhang Zhidong:

"Xiao Zhang, you are a Go reporter, and you are responsible for spreading Go culture. Let's talk about it first, have you thought about such a question? ”

"This ...... I'm thinking. The reason why our ancestors had this view. Is it because of the reason of "returning the chess head"? ”

It must be admitted. Zhang Zhidong's view should have some truth. In the first three moves of the starting move, the "double swallow" can be understood as the two pieces of white that "attack" the "star" of black. Although white is "attacking", if black has to deal with it, it is easy for black to split white into two.

Since white is likely to have an extra piece, it is necessary to "return" two moves to black when calculating the outcome at the end of the game. Then white needs to think carefully when "attacking" black. These 2 chess pieces are not worth it. This leads to the "double fly." It's not too tight", and it's barely reasonable.

But is the question really that simple? Or is there a deeper reason?

"Xiaoqiang, I can see it. For such a question, you should have your own thoughts. Tell me, what do you think? ”

"I think this should have something to do with the characteristics of the "star position" in Go. If you want to summarize it briefly, the star position should have the characteristics of "difficult to attack and difficult to defend". It is based on this understanding that the predecessors have the "starting hand and double flying." Isn't it too tight"? ”

"Hahaha, yes, yes, your opinion should be very close to the idea of ancient Chinese chess."

Due to the "seat system" in ancient Chinese chess, all openings must be centered around the four "star positions" on the chessboard. If you think about it carefully, the "star position" does have the characteristics of "difficult to attack and difficult to defend". Since this position is relatively high, the "lower plate" of the "star position" is relatively empty. No matter how you deal with other people's "hanging corners", if you only use one hand of chess, it is not easy for the "star position" to take root. If you want to forcibly take root, you often can't form a "good shape". In other words, even if the "star position" is "defended", it will not be able to play a very efficient move. This is the characteristic of the "difficult to keep" star position.

On the other hand, because the position of the "star" position is relatively high, it is easier to "come out" to the center, that is, to use means such as "double swallows" to attack the "star position". It's not that hard to deal with. This is the "difficult attack" of the "star position".

Stuck in this understanding, so there is a saying that "starting and flying is not too tight".

"Even if you spend one more hand to attack, I'm not afraid at all." If I play a role reversal: "Even if I play a double Feiyan, because the position of this sub is relatively high, it is not easy to attack, if the attack is not good, I spent an extra hand in this part, it is likely that the efficiency of my two moves is not too high...... "Naturally, "starting with double flying, not too tight" chess theory also arises.

"Haifeng, tell me, what do you think about this issue?"

"Hehe, I very much agree with Xiaoqiang's point of view. I couldn't have seen it better. But by such comparisons. I am interested in the reasons for the disagreement between these two views. The deepest reason for this is probably that there are two completely different concepts of Go. In other words, this should be the biggest difference between ancient Chinese chess and Japanese Go. I now know that you want Xiaoqiang to stick to your own Go philosophy, teacher. Because in Xiaoqiang, you see the shadow of your youth. What Xiaoqiang is doing now is what you have been doing, and you haven't even finished it yet! I'm so ashamed, although I am your eldest disciple. But my apprentice is completely unqualified. Now it seems that the one who can really inherit your mantle. I think it's only Xiaoqiang. ”

Although Li Xiaoqiang's face is relatively thick, after hearing such a high evaluation from Mr. Lin Haifeng. His face was still red. Even Li Shifo once said:

"Even in the background, I never thought that I could compare with Mr. Wu."

Not to mention Li Xiaoqiang. He didn't have much confidence in his Go talent. This time I came to see Master Wu, if I can let Mr. Wu give me some advice. Let Mr. Wu point out the direction a little, and Li Xiaoqiang will be satisfied.

If you really want to talk about it, there are two different ideas of Go. It is related to the "seat" system. More precisely. It is related to the characteristics of "star position" and "small order". In ancient Chinese chess, unless it is a handicap, there are no changes related to "small eyes". Interestingly, after the abolition of "zako" in Japanese Go, there were not many changes related to "star position" for a long time.

In ancient Japanese chess, "star position" and "three, 3" were once considered "ghost gates". When Mr. Wu and Xiuya played the "game of the century". Mr. Wu went out "Star, Tian Yuan, three." 3" layout. This act of his was even considered an act of "disrespect" to authority. From today's perspective, the behavior of the Japanese Go community at that time seems a little strange. Isn't that the next "star position"? How did it become a "ghost gate"?

Careful analysis of the reasons is actually related to the characteristics of the "star position". Japanese Go also believes that the "star position" is difficult to attack and defend. It is precisely because of this "dilemma". They believe that if the "star position" is lowered, the whole situation will not be easy to grasp. Especially when the "low hand" and the "master" play chess, they do not recommend the "star position" play method for the low hand. It is believed that a more concise "small head" approach should be chosen.

Compared with the "star position", the characteristic of "small eyes" is, of course, "easy to keep". Just listen to the name "Sanssouci Corner" to know the way. If you start to play "small eyes", you only need to add a hand of chess. Then the whole corner can be "worry-free".

"You Wu Qingyuan is a "player", when you play chess with a master, you actually dare to play star position and three, 3. You're obviously not on the right path! What do you want to do? Do you want to mess around on the chessboard with crooked ways? Let's not talk about winning or losing. With this attitude, you are not pursuing the right path of chess. You are very rude to do this, do you know ......?"

Such a point of view, in modern thinking, is of course incredible. But a few decades ago. It's normal for Japanese people to think like this

Whether it's Chinese Go or Japanese Go,. Prejudices aside. For the "chess way", there must be their own pursuit. When the Japanese Go abolished the "zako" system, the Japanese were very proud of their treatment of Go. They believe that their own Go concept is more advanced and correct in the pursuit of "chess". I have already run ahead of the Chinese. When Zhanghe took office as a "celebrity chess institute", Go was even promoted to the point of "national skill". You can see how proud the Japanese were at that time.

This sense of pride is not surprising at all. They both belong to the Oriental countries, as long as they talk about "Oriental thinking" and "Oriental culture". Then there is no doubt that almost all of the sources of something like this come from China. It should not be an exaggeration to say that our country is the "suzerain" of oriental culture.

Go was invented by the Chinese, and everyone must admit that it covers a very rich "oriental thinking". The Japanese felt that their Go philosophy was more advanced, and their own Go philosophy was more "authentic", and they certainly had reason to be proud. Li Xiaoqiang often jokes that in later generations, Koreans will desperately "issue nationality" to some ancient Chinese celebrities, which is almost the same psychology.

So what is the core concept of Japanese Go?

After the abolition of the "zazi" system, of course, the changes in Go have increased a lot. Either way, this should be considered an improvement. No one can deny this. Of course, if there was only such a little "progress", the Japanese would not have such a strong sense of pride.

What they are really proud of is that they have established the concept of Go centered on "small eyes"!

Since the "small eye" is easy to keep, it is easy to "divide the territory" on the chessboard. In this way, Japanese Go has derived many theories and methods of "dividing territory". In this way, the concept of "megi" is very clear in Japanese Go. Of course, there are battles on the chessboard, but all judgments and trade-offs are in the service of "mesh".

It must be admitted that Go is originally a game of "turf fighting". It is for this reason that Japanese Go has always believed that their way of playing is closer to the essence of Go. Their kind of Go should be more clever than ancient Chinese chess.

It's a pity. The Japanese underestimate the game of Go. In the process of pursuing the "chess path", they only pay attention to the "purpose" and ignore the "method". I thought that as long as I played chess with my eyes and tried to distinguish the value of each move, I could reach the pinnacle of Go. Obviously, the practice of later generations has proved that this kind of thinking has reached a dead end. Even if people's understanding of the number of meshes has been accurate to the extent of Li Shifo. Nor can it be considered that Go has developed to an extremely high level.

What Japanese Go has been doing is actually "shrinking the chessboard", and they forget that the chessboard can actually be "expanded". And what Chinese ancient chess has been doing is actually "expanding the chessboard"!

It's because these are two different Go philosophies. In some basic understandings of Go, some very different opinions have emerged. "Flying with both hands, not too tight" is a typical example.

Because of the rules of Go. Playing chess with the seat system, because it is "difficult to attack and difficult to defend", is equivalent to artificially setting up obstacles in the chessboard. Ancient Chinese chess is also flawed. That is, it is rare to see the "eye-picking stream". Of course, because of this, many people look down on ancient Chinese chess, which is definitely a prejudice.

It's the opposite. The kind of quality shown in ancient Chinese chess, as well as the spirit of "exhausting change". It is worth learning and learning from modern Go. Only pride and prejudice aside. Only by integrating the two styles can the charm of Go be fully reflected. And this thing is Li Xiaoqiang's dream!

Li Xiaoqiang is very clear about this truth. At the same time, he also knows the truth. Only Master Wu Qingyuan is the first person to really take the step of "integration". However, for special historical reasons. Even in the new century, the work of this "integration" is far from complete. Since Li Xiaoqiang was reborn once, of course he hoped that this work would be done by himself. Of course. It's a very difficult task, even if you can take a small step more, yes. Even if it's just a small step! Li Xiaoqiang was very satisfied.

For such a "big truth", Li Xiaoqiang can explain it very clearly. But in terms of specific actions, Li Xiaoqiang doesn't know how to do it. It is precisely because of this that Li Xiaoqiang looked at Master Wu with anticipation, hoping that the master could use his wisdom to give him some guidance.

When Li Xiaoqiang raised his own question, Mr. Wu actually knew what Li Xiaoqiang meant. Seeing Li Xiaoqiang looking at him expectantly. Mr. Wu closed his eyes and thought for a while:

"Xiaoqiang, it's not that I don't want to point you out. Because after thinking about it for a while. I suddenly realized that on the path of Go cultivation, I don't seem to be qualified to guide you at all! It's weird, but in the strict sense of the word, we both have the same goal. Supposedly, we should have a lot of common language. But I suddenly realized that the two of us seemed to be two completely different people. I've always felt that you have a special talent in you. And you have this kind of talent that I have never seen in anyone else. It is on the basis of these considerations that I do not think I am in a position to instruct you. ”

After listening to Mr. Wu's words, even Yukari Umezawa nodded frequently. They all agreed deeply with Mr. Wu's words. In everyone's opinion, Li Xiaoqiang is a "monster". In his situation, if you don't know his details, others are really not good at "guiding" Li Xiaoqiang. Only Li Xiaoqiang was disappointed. The heart says of course you don't know the way, I'm just a reborn. In your opinion, of course, my performances are "magical". It's just that...... Does this "talent" really work?

What makes Li Xiaoqiang even more depressed is that Li Xiaoqiang knows that this is not a "talent". He couldn't tell, though. If he dares to be humble, others will think that he is a hypocrisy. Such a consequence is something Li Xiaoqiang does not want to see no matter what.

Since he couldn't get the master's guidance, Li Xiaoqiang didn't seem to be very interested. After we exchanged some topics related to Go. Prepare to say goodbye and go home. Before leaving, Mr. Wu grabbed Li Xiaoqiang's hand:

"All roads lead to Rome, child, I really can't teach you anything about the method of cultivation. But you just have to stick to your beliefs and keep going down this path. I believe that in the world of Go, there will definitely be a place for you! Alas. I'm going to live to be 100 years old because I still have a lot to do......"

After listening to Mr. Wu's words, Li Xiaoqiang was a little stupid. Yes, at the peak of Mr. Wu, he was actually doing the "fusion" thing. However, due to external environmental problems, he rarely expressed his opinions. In later generations, he has been emphasizing the "Liuhe Go" and playing "harmonious chess". Isn't the so-called harmony the way to do it after the two concepts are fused?

It's just that how many people can see Mr. Wu's efforts? What you see may be more of the aura of the champion and the glory of the winner.

Li Xiaoqiang glanced at Mr. Wu deeply:

"From today onwards, you will never walk alone!"

At this moment, Li Xiaoqiang suddenly remembered such a famous lyric inexplicably.

yes

"You'll never walk alone!" (To be continued......)