Fan Ju's change of beat is very sudden, sometimes it changes, sometimes it is a real blow, Santoro can't help but be stunned, he must guess the position of the swing at the first time, even Fan Ju himself does not know, and make a precise response.

However, the moves are always useful when he is old, and Santoro is also a god who can make the king of the balls so angry that he vomits blood, and after being abused by Fan Ju for two sets, he finally found the feeling of catching the ball, but at this time it was already too late.

"Double the pace, go you!"

Fan Ju noticed that Santoro had guessed his return ball in succession, but it didn't matter, and his second leg had already begun.

The first set is completely dominant, and the second set has already won a break and the opponent survived to the end, ensuring the victory of the two sets.

"What we saw, Santoro lost his rhythm, it was terrible!" There's nothing more terrifying than hearing the news.

The tennis magician will lose its rhythm, and the audience can't even believe what is happening in front of them.

Sampras couldn't keep his rhythm in front of Santoro, and the simple, clear and fast-paced style of play of serving and netting would be led off by this weirdo.

In particular, the very characteristic power picks used the backcourt picks that were difficult to see a few times in the whole court to the limit.

Federer is already a very strong player in possession and movement, and he is extremely capable of changing lines on both the forehand and backhand.

However, when such a player faces Santoro, he can only play the same tactics as his opponent. Want to settle the game simply with a press on the bottom line? It turns out that it can't be done at all in front of the weird man who is not yet old and "thorough".

But Fan Ju did it, and the fast two-speed line change suddenly became a fast rhythm. This rhythm has exceeded the limit of Santoro's previous suppression of those top masters!

Some of Fan Ju's offensive routines are not as varied as Santoro's, and he also does not have those sudden attacks with superb landing points, but Santoro has completely lost his tricks, because Fan Ju is faster and more decisive than him in terms of movement speed and reaction speed.

Santoro's chaos was not without its mistakes. Sometimes he accidentally sends the ball to the opponent's shot, but he is always the one who has the advantage when it comes to timing at high speeds. That's why he was able to play his own unique tactics and create a way of playing that gave everyone a headache.

"It's too slow, the left side is empty......" In the face of the weak technique, Fan Ju does not need to be as usual at double speed. Pay more attention to force.

He saw Santoro's movement. Aiming at the opponent's gap, an easy lob crossed, and watching Santoro, who only moved after swinging the racket, knew that he would definitely score on this shot.

When the opponent reached the interception position, but the ball had already passed through the interception range, Fan Ju was able to determine the direction of the shot one step earlier than Santoro, slowing down the opponent twice as slowly, and slower than the pace of a normal game. It's also better to fight.

You don't need to worry about strong and powerful baseline suppression, you just need to find a gap to play through. This is actually very similar to the way of playing in front of the net, and it is also the game that can give full play to the ability to double the speed.

One double speed is not enough, but two times the speed is enough to complete the suppression, and in the third set, Santoro did not play a counterattack, because all his attacks were solved in an instant by Fan Ju with a quick suppression!

……

"A new monster is born, the fast gunner who kills the magician!"

"Fight monsters with monsters, and little monsters become weird nemesis"

Fan Ju looked at the French and English newspapers that Rembrandt had brought up, and he had already seen a lot of similar reports on the Internet.

"That's an exaggeration, isn't it? Why did just beating Santoro make headlines? Fan Ju still doesn't know what the situation is, just as he never understood what Santoro's role was in the tennis world.

In terms of rankings, it is not surprising to eliminate Santoro, Strange Man is not a master of Grand Slam in his own right, his style of play is too exhausting, and the three-set tournament does not have the slightest advantage for him.

However, none of the players wanted to meet Santoro in the first two rounds, because it meant that they would have to fight a big battle of physical attrition, and there was no need to delay tactics to slow down Santoro's tempo, and if the reaction was a little slower, he might not be able to keep up with the rhythm of the strange man.

Santoro easily defeated Zhang Depei in the last round, and to be honest, both the audience and the players themselves knew that it was just a farewell exhibition match.

The audience will not expect that Zhang Depei will be able to win the next French Open Grand Slam with a wild card in his "old age", even if it will be very interesting, but it will not happen.

In the second round, Santoro basically maintained his excellent body, and even if he was able to restrain his opponent with the same style of play, it was not good news.

The media effect of defeating Santoro was far greater than Fan Ju had originally expected, and the overwhelming coverage and more intense interview requirements than the first round made Fan Ju suddenly realize what he had done.

"It's just a craze for a while, and everyone who beats Santoro is going to be followed by the media for a while, so you should feel like you've played against him, right?

This guy's playing style is very peculiar, but his skills are not top-notch, especially when he is old, young and good in body can drag him to death, but your winning method is more special. Rembrandt drank coffee and said leisurely with Fan Ju that he was not worried about the number of media coming to Fan Ju, and the more he came, the more well-known Fan Ju would be, and it would be more beneficial to his future work.

Fan Ju shook his head, but he suppressed his opponent in terms of rhythm, and it was only in the last set, and he was more of a "scoundrel" in the first two sets.

Regarding Rembrandt's evaluation of his opponent, Fan Ju did not dare to agree, is it really enough to have a good body and good technique?

At least this good word must be at least on par with Fan Ju's strength, and at least at double speed, with the same run, it can indeed drag the opponent to death after a few sets of entanglement.

But how many young people in tennis today are ranked outside the top 100 to do this? Himself, Nadal, maybe a few, but only a few in the professional tennis world.

If in the past, the media had some doubts about whether Fan Ju could still enter the world's top 10, but now the report has completely changed the direction.

In terms of the media's opinion, Fan Ju did not agree, allowing himself to be suppressed with the same high-tempo tactics as Santoro? If you can maintain such a rhythm at double speed, it will only be a game.

If you play exactly the same style of play as Santoro, you will become the second weirder at most, even if your body and reaction are better than Santoro's, so what?

"Let's hope this craze won't last long, this style of play is not king." Fan Ju knew very well the direction of his strengthening, and he didn't want to be led astray by this evil wind.

The French Open is already on its fourth day, and the results of the first and second rounds have already been drawn one after another.

The two rounds may be halfway through the tournament, but at the Grand Slam, the number of players has just been reduced to a normal 32-player tour.

Those who can enter this level are not necessarily strong, some rely on good luck to meet high-ranking players who just appear to play soy sauce and advance, and some rely on the strength of dark horses to survive the initial test and get a lot of attention.

Faced the No. 12 seed in the first game and Santoro in the second game, Fan Ju undoubtedly belongs to the second type, so in terms of attention, the media also bet more enthusiasm on him.

However, the real test for him will be in the next round, when the intellectual man Fernando Gonzalez, who is only the No. 19 seed, and unlike the highly-ranked but hard-court Scharken, Gonzalez is a real clay player.

"Fanju you still have a chance, look at Raphael's second round, didn't he defeat Mantila the same? The opponent is only the No. 20 seed. Regardless of the schedule, Rembrandt always encouraged Fan Ju, there was no such thing as a draw on the tennis court, and there was no second option but victory.

It's not that Fan Ju doesn't want to win, but he instinctively feels that unless something happens, he is not the opponent of Fernando Gonzalez.

He is not a soft person, but from some materials on the video, he has simulated some details that may happen on the field.

"Very delicate technique, very consistent between the top and bottom spins, very little chance of destroying with a tough flat shot, the opponent's sudden force is also extremely accurate, and his strength on clay is much higher than what he comes out of the ranking list." Fan Ju carefully carried out the analysis, but the results were not satisfactory and even somewhat bad.

The difference in the course of the course has divided the players in this world into different types, on the clay, the switch of up and down spin, and the precise force to change the line, which is the most traditional and clay play, using the downspin to cut and control the opponent's force, and using the fast afterburner to break the opponent's defense.

Over the years, the reason why Roland Gaslot has become the biggest obstacle to those champions and win the Grand Slam is precisely because of the peculiarity of his slow court.

Fan Ju's topspin ball is very good, and the afterburner and spin are not lost to ordinary top players at all, but the downspin ball is not well controlled.

It's not because the spin is not good, but the most important landing point of the downspin ball is always a difficult problem for Fan Ju to solve.

When playing against Nadal on clay, Fan Ju also encountered Nadal's precise baseline attack with clay downspin, which seemed to be a slow cut, but it was closer to the baseline than the next beat, constantly forcing you out of the range of the baseline, making the position where you need to run to receive the ball become longer and longer.

Instantaneous forehand and backhand power, when you find that your opponent is ready to take the initiative to score, it is already too late, because he has already opened up enough space to attack and deliver the final blow to you. (To be continued......)