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In the second round of the 3rd "Toyo Securities Cup", Li Xiaoqiang met Mr. Hideyuki Fujisawa. ^_^ Read, book, first, send, please, to, enlighten, monger, book, net ^_^, this article is from ...... The starters have only just started the game.

Strictly speaking, the match between the two has only been going on for a few minutes. In this game, Mr. Fujisawa Hideyuki guessed the black pieces, and after he guessed the black pieces, he quickly laid out the layout of the "low Chinese flow" on the chessboard. And Li Xiaoqiang's white chess responded with "2 consecutive stars".

Mr. Fujisawa has long been recognized as a layout expert. The reputation of "the first 50 hands are invincible in the world", that is not a random scream. Throughout his career, there is no set pattern for his layout. He has a lot of access to all kinds of layout types, and he seems to be very good at them.

He is also not like Masaki Takemiya and Kobayashi Koji, who have their own favorite layout routines. Therefore, he is not like the other two, and there are "Fujisawa Stream" or "Hideyuki Stream" that have been passed down in the world. But it is precisely people like him who can be called layout masters.

Judging from Mr. Hideyuki's unthinking, the type of layout he used today should be a strategy he had thought of in advance. Of course, the reason why he went down so quickly may not be for anything else, but most likely just to save time. Considering Li Xiaoqiang's reputation as a "chessboard wizard", many people will pay special attention to their game time when they are playing against Li Xiaoqiang, so as to deal with Li Xiaoqiang's "whimsy" that he can't guard against.

Interestingly, Li Xiaoqiang's "whimsy" today seems to have come unexpectedly early.

Just under 10 minutes into the game. At this time, Li Xiaoqiang had just made a move, and this move was the 8th move in the overall game. When Mr. Fujisawa Hideyuki saw this move, he had a stunned expression, and he even glanced at Li Xiaoqiang in confusion, and at the same time muttered in his mouth, not knowing what to say.

Li Xiaoqiang smiled secretly in his heart. Regarding Fujisawa Hideyuki's reaction, Li Xiaoqiang was not surprised at all. Because the move he just played was no one like this in this era, and this move seemed to violate some kind of chess theory, so Mr. Fujisawa Hideyuki would be stunned.

Li Xiaoqiang took a step "point 3.3". When he didn't have a few pieces on the board, he made a move of "point 3.3".

It's really strictly speaking. In Go, a method similar to "point 3.3" should be regarded as a very common method. Especially in the case of the black "star" piece, "point 3.three" is one of the most common means used to "pick out the corner". Therefore, in terms of specific means, Li Xiaoqiang's move is very ordinary.

Really unusual place, so to speak. It's time for this move!

It must be pointed out that the move that Li Xiaoqiang just played was not played like this at all in this era. However, in later generations, especially in the era when Li Xiaoqiang had just been "struck by lightning", this move was very popular. For a while, it was so popular that almost all the young players on the front line played like this. In later generations, there was even a very extreme saying in the Go world, that is, because of the existence of this move, the "Chinese flow layout" seems to have been cracked. Originally, a very popular layout routine was because of such a move. Later, it was abandoned by most chess players.

In this way, it is very interesting, an ordinary "point 3.three" method has made such a big difference in everyone's judgment in just over 20 years. Which era is the right idea? If it is the concept of Go in later generations, it is correct. Could it be that the theory of Go in this era is so wrong? That's obviously impossible. So what if the concept of this era is correct? So is the kind of play in later generations really what some people say, young chess players are all "black chopping"? Is it just playing a kind of unreasonable Go? This obviously doesn't make sense.

So what's the problem? That's what needs to be pondered. Li Xiaoqiang believes that according to his current level. If you want to continue to improve, questions like this must be clarified. Because compared to Li Shifo and Chang Rensheng. Something like this seems to be my biggest strength. So it's not okay if you don't figure it out.

In this day and age. The reason why everyone disagrees with this way of playing is that they think that the time is "too early" for this move. It is believed that if "point 3.3" is "pointed" so early, although it can be formed into a "two-point" pattern in the local area, it will form a pattern in which black takes the external potential and white takes the ground. But don't forget, there is also a chess principle in Go, which is that "the earlier the thick potential is formed, the more powerful the thick potential will be".

Although when is it early? In many cases, it is not possible to judge precisely. But now after all, there are only 10 chess moves, and at this time, it is "early" to let people form a thick momentum. Even the most extreme "field faction" probably has to admit this, right? Therefore, it is generally believed that if the play is made like this, the local "two points", but the overall situation should be black's advantage.

To be honest, Li Xiaoqiang has been reborn for 5 or 6 years, and when he was still "Deputy Chief Engineer Li", this move was already very popular in the professional chess world. But after he was reborn, this was the first time he used this move in actual combat.

So why hasn't he used this move before? The reason for this is very simple, because Li Xiaoqiang has never fully understood this move. He has always considered this move "too early", and he also thinks that this move is not a good move. Therefore, similar to this kind of chess, although Li Xiaoqiang has "seen", he will not use it easily.

Especially in the international arena, Li Xiaoqiang is actually more cautious in playing chess. That's probably why he has a better record on the outside. Li Xiaoqiang himself does not fully understand chess, and he will not make easy moves under normal circumstances.

Well, now Li Xiaoqiang finally made this move in a major game. In particular, his opponent is Mr. Hideyuki Fujisawa, a recognized layout expert. What does Li Xiaoqiang mean? Let's take a look at the progress of the game later.

After Li Xiaoqiang's 8th move was "point 3.3", although Mr. Fujisawa Hideyuki was muttering in his mouth, he still had to play chess. Over the next few rounds, both sides continued to move quickly, as the moves of both sides were almost certain in the next 10 moves. This is also the legendary "One Word", so there is nothing to think about.

Until Li Xiaoqiang's 18th move, when Li Xiaoqiang had just played the 18th move of the whole world, he played a "two-way clip". At this time, Mr. Fujisawa Hideyuki's hand finally stopped. Because at this time. He was faced with a choice, so he had to think about it.

At the same time, Li Xiaoqiang also knows that his step is "two-way clamp". is the real problem. It can be said that it is because of the existence of this step "two-way clamp" that the next step of "point 3.3" is established.

With this move "two-way clip", it cannot be said that the previous play "violates the chess theory". With the existence of this "two-way clip", such a situation cannot be explained simply by a chess theory.

On the surface, the meaning of this step "two-way clamp" is actually very simple, as if it is asking for "contact". In fact, this is not the case, the role of this step "two-way clamp". In fact, it can be regarded as a one-step "test hand", a step with just the right time to "try the hand". If you can understand this, then you will be able to taste the wonderful taste of the previous step "point 3.3".

Before Li Xiaoqiang made this "two-way clip", the corner of the white chess piece was actually not completely "alive and clean". White has to make one more move to make that corner work. But at that time, Li Xiaoqiang couldn't make up for it. Because if he plays like that, then black can also happily complete his external potential, and black can make his "external potential" into a "thick potential" without any flaws. In this way, even if black loses the back hand, black can still be satisfied.

Because if that's the case. The theory that "the sooner the thick potential is formed, the more powerful the thick potential becomes" is fully applicable. If at that time white comes back to the "two-way clip", then black may simply ignore it and go elsewhere to play.

Only at this time. When the corners are not fully active, the next step of the "two-way clip" has a wonderful taste. Because at this time, if you look at it from the point of view of black, you can't take the lead at this time. The horns were dug out and it was depressing enough. If you spend an extra hand to make up for it, you'll be fine, and then white won't be much more efficient. But now you want to omit a move, and you want to connect with the pieces outside. You're too efficient that way. Therefore, black could not stand it. Black must be "blocked" in this place.

At this time, why does Mr. Fujisawa Hideyuki need to think about it? He was certainly not thinking about the issue of detachment, but about which method to use to "block the crossing". In fact, in this place, there are actually only 2 ways to choose. It is precisely because of the two choices of black that different patterns can occur, which is the essence of this point and angle change.

"It's a real headache to be in this kind of place...... It's hard...... Where the hell should I go......

When the chess game was at this point, Mr. Fujisawa Hideyuki began to take a long exam, and he began to mumble there again, looking very distressed.

It is true that in this place, black has two choices, but no matter which one is chosen, black does not seem to be able to play satisfactorily. Let's analyze them one by one.

Black's first method of "crossing" is "all the way", which is also the cleanest method of "blocking". The advantage of this move is that the diagonal is more threatening, and if white should not, black can basically eat the white piece with one move. Of course, if black chess is played like this, then Li Xiaoqiang will not take the lead, and he will honestly make up for his corners.

After the white pieces are replenished, black also has its own weaknesses, and black must also make up a hand. In this way, in the jargon of Go, the exchange of the "two-way clip" of the white move and the "all the way" of the black move is considered to be "the exchange of white". In terms of value and efficiency, these two moves can basically be considered to be a big advantage for white.

How big is this "cheap"? It is generally believed that it can counteract some of the "power of the thick momentum" of black.

In this way, although the thick potential of black chess was formed very early, the power of this thick potential is not so great, and part of the power has been offset by this "two-way clamp". This is the wonderful taste of this step of "two-way clamp". It is also the reason why later generations believe that the "point 3.3" method can be established.

After thinking about it, Mr. Fujisawa Hideyuki would definitely not do this kind of "immediate loss" thing. Therefore, he chose another more drastic method of "blocking the crossing", that is, "pulling all the way".

The advantage of this kind of play is that it tightens the breath of the peripheral two pieces of white chess, so that the vitality of the peripheral two pieces of white chess is not so great. But Go is like this, if you have an advantage, you must have a disadvantage. The biggest disadvantage of this move is that it allows the corners of white to temporarily take off. Because of the weakness of this move, the corner of the white piece is temporarily left "behind", and the black piece cannot kill the corner with one hand.

Of course, Li Xiaoqiang knew this truth, so when black chose that move to "pull all the way", he decisively took the lead in the corner, and he chose to "tear the edge". Black, on the other hand, still seems to have a weakness in his external momentum, so he still has to make up a move. Mr. Fujisawa Hideyuki sighed, but he still chose to make up for it.

In this way, when the game reaches the 21st hand, it seems that the demolition of this part of the game has come to an end. So what is the gain and loss of this place? Did white take advantage of something?

Li Xiaoqiang believes that when the chess game is carried out at this time, if it is analyzed from the objective situation of the overall situation, it cannot be considered that white chess has taken much advantage. However, in terms of the strategy of the game, white has actually changed the rhythm of the game through this seemingly "unreasonable" play, making the whole game more complex and changeable. It can even be said that it has destroyed the "charm" of black. Therefore, Li Xiaoqiang considers himself a success.

In later generations, due to the existence of this method, the layout of "Chinese stream" is indeed much rarer. So why is this happening? Li Xiaoqiang believes that there are two main reasons for this.

The first reason is that in everyone's general concept, the layout of "China Flow" is originally a "speed-type" method. In this way, white seems to have invisibly destroyed the "speed" of black. When the game reaches the 21st hand, white seems to be faster than black, since white can continue to take the lead. This is clearly contrary to the original purpose of black. So at this point, white should be successful.

Of course, speed alone is not enough to play Go. Especially as the party who holds the white. There is a price to be paid for wanting to "speed up". For example, the current situation. The price of white chess is actually to make its own chess "thin".

The corner of the white chess piece is not completely alive, so it can be regarded as a "thin chess", and what about the "two and three" on the side? Due to the existence of the "all the way to the pull" of black. In fact, white chess does not have "roots", so it can be regarded as a "thin chess".

Then, according to normal reasoning, at this time, black must of course investigate the "thin taste" of white in order to make up for the loss of "moving speed".

Mr. Fujisawa Hideyuki, as a master of layout, must be very clear about this truth. Therefore, when Li Xiaoqiang continued to get out of order, when Li Xiaoqiang played the 22nd move of the game elsewhere. He never fell again in the morning. The old gentleman frowned, as if he was thinking about how to "investigate" Li Xiaoqiang's responsibility.

Can he find it?

When Li Xiaoqiang saw this scene, he smiled secretly in his heart.

He was quietly waiting for Mr. Fujisawa Hideyuki's move. (To be continued.)

(.) u